Artworks associated with “El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)”

33 results found

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1631

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El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1624

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Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Francisco Goya

in or before 1816

etching, burnished aquatint and burin [first edition impression] Accession ID 1943.3.1626

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Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

Francisco Goya

in or before 1816

etching and aquatint [first edition impression] Accession ID 1943.3.1639

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La Tauromaquia (The Bullfight)

Francisco Goya

published 1816

portfolio with 33 etchings with aquatint on laid paper and table of contents on laid paper Accession ID 1943.3.1620-1652

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Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1638

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Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Francisco Goya

in or before 1816

etching, aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1649

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Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1625

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El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1635

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Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1627

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Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1648

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Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1636

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Artworks associated with “El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)”

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)

La Tauromaquia (The Bullfight)

La Tauromaquia (The Bullfight)

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

West Building

East Building

Sculpture Garden

Artworks associated with “El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)”

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