Artworks associated with “Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)”

32 results found

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1638

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El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)

Francisco Goya

in or before 1816

etching, aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1633

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Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Francisco Goya

in or before 1816

etching, burnished aquatint and burin [first edition impression] Accession ID 1943.3.1626

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El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1635

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Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1627

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Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1648

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Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Francisco Goya

in or before 1816

etching, aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1649

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Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1625

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Echan perros al toro (They Loose Dogs on the Bull)

Francisco Goya

in or before 1816

etching, burnished aquatint and drypoint [first edition impression] Accession ID 1943.3.1644

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Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)

Francisco Goya

in or before 1816

etching and burnished aquatint [first edition impression] Accession ID 1943.3.1642

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Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1636

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Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

Francisco Goya

in or before 1816

etching, burnished aquatint, drypoint and burin [first edition impression] Accession ID 1943.3.1651

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Artworks associated with “Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)”

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)

Echan perros al toro (They Loose Dogs on the Bull)

Echan perros al toro (They Loose Dogs on the Bull)

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

West Building

East Building

Sculpture Garden

Artworks associated with “Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)”

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