Madonna and Child with Angels
after 1479
Artist, Netherlandish, active c. 1465 - 1494

In the tradition of his Flemish predecessors, Memling's painting contains a wealth of religious meaning; it is filled with symbols which explain the importance of Christ's mission on earth. Jesus reaches out for an apple, emblem of Original Sin; his attitude of acceptance foreshadows his future sacrifice on the cross. The angel who offers the fruit of redemption is in fact dressed in a dalmatic, the liturgical vestment worn by a deacon during the solemn High Mass. Around the arch is a carved vine of grapes referring to the wine of the eucharistic rite. On the crystal and porphyry columns stand David, as an ancestor of Christ, and Isaiah, one of the prophets who foretold the Virgin Birth.
Memling adhered closely to the northern tradition in art; the format and details of the enthroned Madonna theme recall Jan van Eyck. It is believed that Memling worked in the studio of Rogier van der Weyden at Brussels before settling in Bruges; here, he adopted Rogier's angular figural types clothed in heavy, crisp drapery, but transformed the older artist's dramatic intensity into a calm and graceful elegance. The framing archway was a device used by a number of Flemish painters including Rogier. While combining various influences, Hans Memling's own tender and pious sentiment made him the most popular artist of his day in Bruges.
More information on this painting can be found in the Gallery publication Early Netherlandish Painting, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/early-netherlandish-painting.pdf
Artwork overview
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Medium
oil on panel
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Credit Line
-
Dimensions
painted surface: 57.6 × 46.4 cm (22 11/16 × 18 1/4 in.)
overall (panel): 58.8 × 48 cm (23 1/8 × 18 7/8 in.)
framed: 69.22 × 57.47 × 9.53 cm (27 1/4 × 22 5/8 × 3 3/4 in.) -
Accession
1937.1.41
Artwork history & notes
Provenance
Probably Leopold III Friedrich Franz, Duke of Anhalt-Dessau [1740-1817], Gotisches Haus, Wörlitz, near Dessau;[1] probably by inheritance to his grandson, Leopold IV Friedrich, Duke of Anhalt [1794-1871], Gotisches Haus; by inheritance to his son, Friedrich I, Duke of Anhalt [1831-1904], Gotisches Haus; by inheritance to his son, Friedrich II, Duke of Anhalt [1856-1918], Gotisches Haus; by inheritance to his son, Eduard Georg Wilhelm, Duke of Anhalt [1861-1918], Gotisches Haus; by inheritance to his son, Joachim Ernst, Duke of Anhalt [1901-1947], Gotisches Haus; sold early 1927 to (Hugo Perls, Berlin);[2] sold via the Mannheimer collection, Amsterdam, to (Duveen Brothers, Inc., London, New York, and Paris);[3] purchased November 1927 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 5 June 1931 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.
[1] This prince built the Gotisches Haus and its English park and was an active collector, adding early German and Netherlandish paintings to the family holdings; see C. Rost, "Der alte Nassau-Oranische Bilderschatz und sein späterer Verbleib," Jahrbücher für Kunstwissenschaft 6 (1873), 52-93, esp. 78-79, listing early catalogues of the collection. The descriptions in the early catalogues of the Anhalt-Dessau collection are not sufficiently specific to identify the Madonna and Child with Angels.
[2] According to a note on a photograph in the Friedländer archive, Rijksbureau voor Kunsthistorische Documentatie, (RKD), The Hague; and a letter of 23 October 1961 from Hugo Perls to the NGA (in NGA curatorial files).
[3] Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 120, box 265, folder 18; and transcriptions from the Duveen Brothers Records (copies and transcriptions in NGA curatorial files).
Associated Names
Exhibition History
1902
Exposition des primitifs flamands et d'art ancien, Hôtel de Gouvernement Provincial, Bruges, 1902, no. 79.
1929
Loan Exhibition of Flemish Primitives, F. Kleinberger Galleries, Inc., New York, 1929, no. 22.
2014
Memling. Rinascimento fiammingo, Scuderie del Quirinale, Rome, 2014-2015, no. 28, repro.
Bibliography
1872
Crowe, J. A., and G.B. Cavalcaselle. The Early Flemish Painters: Notices of Their Lives and Works. 2nd ed. London, 1872: 273, 280.
1899
Kaemmerer, Ludwig. Memling. Bielefeld and Leipzig, 1899: 134, fig. 116.
1901
Weale, W. H. James. Hans Memling. London, 1901: 76, 104.
1902
Hymans, Henri. "L'Exposition des primitifs flamands à Bruges." Gazette des Beaux-Arts 28 (1902): 288 (repr. as a book, Paris, 1902: 56).
Hulin de Loo, Georges. Exposition de tableaux flamands des XIVe, XVe, et XVIe siècles. Catalogue critique. Exh. cat. Hôtel du Gouvernement Provincial, Bruges. Ghent, 1902: 18, no. 79.
1903
Friedländer, Max J. "Die Brügger Leihausstellung von 1902." Repertorium für Kunstwissenschaft 26 (1903): 83.
Weale, W. H. James. "The Early Painters of the Netherlands as Illustrated by the Bruges Exhibition of 1902." The Burlington Magazine 2 (1903): 35.
1904
Benoit, François. "Un Gérard David inconnu." Gazette des Beaux-Arts 32 (1904): 321.
1906
Wurzbach, Alfred von. Niederlandisches Kunstler-Lexikon. 3 vols. Vienna, 1906-1911: 2(1910):138, 143, 144.
1907
Vollmer, Hans. "Memling." In Thieme-Becker. 37 vols. Leipzig, 1907-1950: 26(1926):375-376..
1909
Voll, Karl. Memling (Klassiker der Kunst). Stuttgart and Leipzig, 1909: 136, repro. 178.
1913
Durand-Gréville, E. "Notes sur les primitifs néerlandais du Louvre." Gazette des Beaux-Arts 10 (1913): 426.
1924
Vioux, Marcelle. Memling. Paris, 1924: 69.
Friedländer, Max J. Die altniederländische Malerei. 14 vols. Berlin and Leiden, 1924-1937. Berlin, 1934: 6:30, 127, no. 60, pl. 34. (English transl. 14 vols. Leiden, 1967-1976. Leiden, 1971: 6 pt. 2:21, 53, no. 60, pl. 104.)
1928
Hulin de Loo, Georges. "Hans Memlinc in Rogier van der Weyden's Studio." The Burlington Magazine 52 (1928): 171.
1930
International Studio 97 (December 1930): repro. 28.
1934
Huisman, Georges. Memlinc. Paris, 1934: 146.
1935
Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 135, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 135, repro.).
1937
Jewell, Edward Alden. "Mellon's Gift." Magazine of Art 30, no. 2 (February 1937): 72, repro.
Cortissoz, Royal. An Introduction to the Mellon Collection. Boston, 1937: 34.
1941
De Tolnay, Charles. "Flemish Paintings in the National Gallery of Art." Magazine of Art 34 (April 1941): 181-182, 200, fig. 10.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 132, no. 41.
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 178, repro.
1942
Baldass, Ludwig von. Hans Memling. Vienna, 1942: 22, 43, no. 70, fig. 70.
Book of Illustrations. National Gallery of Art, Washington, 1942: 240, repro. 39.
1945
Comstock, Helen. "A Memling for the Nelson Gallery of Art." The Connoisseur 116 (1945): 37.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 57, repro.
1952
Cairns, Huntington, and John Walker, eds., Great Paintings from the National Gallery of Art. New York, 1952: 86, color repro.
1953
Panofsky Erwin. Early Netherlandish Painting: Its Origins and Character. 2 vols. Cambridge, Mass., 1953: 1:349-350, 507, 2:pl. 320, fig. 481.
1955
Verhaegen, Nicole. "Notes à propos de Jean Gossart et d'une `Tentation de S. Antoine'." Musées Royaux des Beaux-Arts de Belgique 4 (1955): 181.
1956
Walker, John. National Gallery of Art, Washington. New York, 1956: 9, repro.
1960
Broadley Hugh T. Flemish Painting in the National Gallery of Art (Booklet no. 5 in Ten Schools of Painting in the National Gallery of Art, Washington, DC). Washington, 1960: 24-25, color repro.
Wilkenski, R. H. Flemish Painters, 1430-1830. New York, 1960: 686.
1961
Birkmeyer, Karl M. "The Arch Motif in Netherlandish Painting of the Fifteenth Century: A Study in Changing Religious Imagery." Art Bulletin 43, no. 2 (June 1961): 110-111, fig. 29.
1962
Mirimonde, Albert P. de. "Les anges musiciens chez Memling." Jaarboek van het Koninklijk Museum voor Schone Kunsten Antwerpen (1962/1963): 14, 53.
1963
McNamee, M. B. "Further Symbolism in the Portinari Altarpiece." Art Bulletin 45 no. 2 (June 1963): 143, fig. 2.
Schoute, Roger Van. Primitifs flamands. Corpus: Grenada. Brussels, 1963: 77.
1964
Denis, Valentin. "Memling." In Encyclopedia of World Art. 16 vols. New York, London, and Toronto, 1959-1983. Vol. 9 (1964): column 733.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 89.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:86-87, color repro.
1968
Cuttler, Charles D. Northern Painting, from Pucelle to Bruegel: Fourteenth, Fifteenth, and Sixteenth Centuries. New York, 1968: 175, fig. 217
National Gallery of Art. European Paintings and Sculpture: Illustrations. Washington, 1968: 78, repro.
Galvan, Jose Maria Moreno, ed. Galleria Nazionale di Washington. Madrid, 1968: 21, color fig. 1.
1969
Corti, Maria, and Giorgio T. Faggin. L'opera completa di Memling. Milan, 1969: 107, no. 78, repro.
Pauwels, H. In Antonieme Vlaamse Primitieven. Exh. cat. Groeningemuseum, Bruges, 1969: 45-46.
Rensch, Roslyn. The Harp: Its History, Technique and Repertoire. London, 1969: 55, pl. 18a.
1971
Ward, John L. "A Proposed Reconstruction of an Altarpiece by Rogier van der Weyden." Art Bulletin 53, no. 1 (March 1971): 29.
1972
Campbell, Lorne. Review of Hans Memling by K. B. McFarlane. In Apollo 96 (1972): 564.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 230, repro.
Walker, John. National Gallery of Art, Washington. New York, 1975: 130, no. 126, repro.
1977
Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 59, under K2088 (1961.9.28).
1984
Lane, Barbara G. The Altar and the Altarpiece: Sacramental Themes in Early Netherlandish Painting. New York, 1984: 32, fig. 21.
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 130, no. 120, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 266, repro.
1986
Hand, John Oliver and Martha Wolff. Early Netherlandish Painting. The Collections of the National Gallery of Art Systematic Catalogue. Washington, 1986: 184-188, repro. 185.
1991
Kopper, Philip. America's National Gallery of Art: A Gift to the Nation. New York, 1991: 22, 68, color repro.
1992
National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 42, repro.
1994
Vos, Dirk de. Hans Memling: The Complete Works. Translated by Ted Alkins. Antwerp and Ghent, 1994: no. 77, 226-277, color fig.
Klein, Peter. "Dendrochronological Analysis of Panels of Hans Memling." In Hans Memling: Essays. Edited by Dirk De Vos. Bruges, 1994: 103.
1998
Esch, Anke. "Het boogmotief bij der Vlaamse primitieven: Een synthese." In Dirk Bourts (ca. 1410-1475), een Vlaams primitief te Leuven. Exh. cat. Leuven 1998. Leuven, 1998: 177, fig. 11.
Dwyer, Eugene. "Luxury." In Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. Edited by Helene E. Roberts. 2 vols. Chicago, 1998: 1:533, 534.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 48-49, no. 35, color repro.
2005
Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. Revised by Larry Silver and Henry Luttikhuizen. Upper Saddle River, 2005: 202; 196, col. fig. 10.7.
Michelman, Dorothea S. "A German Treasure Trove: The National Gallery of Art." German Life (June/July 2005): 42, color fig.
2007
Michiels, Alfred. Hans Memling. New York, 2007: 56, 58, color fig.
Lane, Barbara G. Hans Memling: Master Painter in Fifteenth-Century Bruges. London, 2009: 63-64, 318-319, 47.
2015
Piero di Cosimo 1462-1522: Pittore eccentrico fra Ricascimento e Maniera. Exh. cat. Galleria degli Uffizi, Florence, 2015: fig. 3.
2021
Monnas, Lisa. "Vestments and Textiles in Memling's Nájera Panels in Context." In Harmony in Bright Color: Memling's God the Father with Singing and Music-Making Angels Restored. Turnhout, 2021: 216, 217, color fig. 9.9.
Wikidata ID
Q20174266