Artworks associated with “Quiet Cove from By the Sea”

19 results found

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  • The image shows an elongated rectangular shape with abstract lines and forms inside. One side has a circular shape surrounded by flowing lines that resemble flames or sun rays. The lines convey motion and energy through their varied lengths and directions, creating an abstract dynamic composition.

    Noonsun and Sails from By the Sea

    Karl Schrag

    1965/1966

    Etching and engraving on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.1

    Not on view
  • The image shows bold black lines and curves intersecting and flowing across a beige rectangular area on a textured blue background. The design forms an abstract composition. The name "Karl Schrag" is inscribed in the lower right corner of the artwork in a handwritten style.

    By the Sea

    Karl Schrag

    1965/1966

    Portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate (including title page, table of contents, and colophon)  Accession ID  1968.24.109.1-19

    Not on view
  • The image shows a landscape with a centered point of view. The horizon divides a red sky with swirling clouds from blue waves. Brushstrokes in the sky and vibrant colors create a dynamic composition. The stark white horizon enhances the contrast between the sky and sea.

    Red Sky and Sea from By the Sea

    Karl Schrag

    1965/1966

    Etching, aquatint and stencil in blue, brown, and red on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.2

    Not on view
  • The image shows a print with an intricate black and white design. The view captures swirling lines and contours that suggest a natural landscape. The horizon is low and indistinct, predominantly filled with undulating forms. Swirling clouds near the top indicate movement. Various textures add a dynamic quality. The bold and textured etching technique uses thick lines to create depth and complexity in a monochromatic palette. The color palette relies on contrasts between black and white. Lines converge in the distance, hinting at natural formations or landscapes.

    Big Rock and Surf from By the Sea

    Karl Schrag

    1965/1966

    Etching and aquatint on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.10

    Not on view
  • The image is a small, rectangular etching depicting a landscape seen from a lower perspective. Two tall trees with elongated trunks frame the scene, with a curving path and vegetation visible in the middle ground. Swirling clouds in the sky are created using expressive brushstrokes. The color scheme is grayscale, emphasizing contrasts and textures. The horizon is in the upper third, drawing attention to the sky and clouds. Bold, gestural lines are used, enhancing the dynamic and somewhat abstract quality of the artwork.

    White Cloud behind Trees from By the Sea

    Karl Schrag

    1965/1966

    Etching and aquatint on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.11

    Not on view
  • The image features a circular composition viewed from a slightly elevated perspective. The horizon line cuts across the upper third of the circle, showing a serene landscape with horizontal strokes suggesting distant land or water. The foreground displays bold, stylized brushstrokes representing trees or foliage in turquoise against a dark background. The style is graphic and linear, emphasizing contours and outlines. The color palette is limited to teal and black, creating a cool and serene visual impact. Above the horizon, the sky shows sweeping curved lines and tiny crescent shapes, suggesting motion and drawing focus upward.

    Nightshore from By the Sea

    Karl Schrag

    1965/1966

    Etching, engraving, and aquatint in green and black on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.12

    Not on view
  • The image depicts a landscape with abstract forms of trees, branches, and a moon in a nighttime setting. The horizon is partially visible, and the composition is monochromatic, using shades of black, white, and gray. The trees and branches are intricately intertwined, creating a dense canopy effect across the scene.

    Moon and Appletree from By the Sea

    Karl Schrag

    1965/1966

    Etching and aquatint on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.13

    Not on view
  • The image is a monochrome print depicting a beach scene from a slightly elevated viewpoint. The horizon is low in the composition, emphasizing the vast sky above. Delicate linework conveys the motion of waves crashing onto the shore. Dark lines represent the sand texture, with wooden sticks or tools placed on the sand. The waves are detailed with intricate lines, conveying movement. The sky is filled with cross-hatched lines, indicating a cloudy day. The color palette is limited to shades of grey.

    Sand and Gray Sea from By the Sea

    Karl Schrag

    1965/1966

    Etching on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.14

    Not on view
  • This print shows a view looking through a cluster of abstract, slender trees. There is no visible horizon, only tree trunks and foliage. The trunks and leaves of the trees appear to be pale, with thick black outlines. The background is drawn in thin black lines. The print is small and rectangular, and it is placed in the center of a large piece of off-white paper.

    Sunny Woods from By the Sea

    Karl Schrag

    1965/1966

    Etching on arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.15

    Not on view
  • The image features a watering can with a long spout and handle against a sketched landscape backdrop with foliage. The color scheme is monochromatic with shades of gray and black on a beige background. The watering can is centered in the rectangular frame, aligned with plant drawings on its sides and base.

    Wateringcan from By the Sea

    Karl Schrag

    1965/1966

    Engraving on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.16

    Not on view
  • This print features a close-up view of a person's face and hands. The person has large, deep-set, round eyes, thick eyebrows, and a long nose, with thin lips in a neutral expression. The person wears a tall hat with a brim that covers most of their forehead. Their chin is covered by a rectangular object that they are holding close to their face with one hand. With the other hand, they appear to be using a pen-like object to write on the rectangular surface. On the left, the background is filled with straight and curving lines reminiscent of clouds, smoke, or water. The print is small and in the center of a piece of off-white paper.

    The Artist from By the Sea

    Karl Schrag

    1965/1966

    Etching on wove arches paper from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.18

    Not on view
  • The image depicts an abstract landscape seen from a high vantage point. The horizon is positioned in the upper third of the image, featuring abstract land formations or structures in dark, textured brushstrokes. The horizon line is not clearly defined, blending the sky and ground. Different brushstroke styles create contrast in the composition. The color scheme is mainly sepia-toned brown, with darker elements providing depth against a lighter background. Movement and interplay between the elements invite exploration.

    Dark Wave and Island [cancelled plate] from By the Sea

    Karl Schrag

    1965/1966

    Etched, engraved, aquatinted, and cancelled copper plate from a portfolio of six etchings and aquatints; four etching, engraving, and aquatints; four etchings; two etching and engravings; one etching, aquatint, and stencil; one engraving; and one cancelled copper plate  Accession ID  1968.24.109.19

    Not on view

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