Heaton Park Races

1829

John Ferneley

Artist, British, 1782 - 1860

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Ailsa Mellon Bruce Collection

  • Dimensions

    overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.)
    framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)

  • Accession

    1970.17.110


Artwork history & notes

Provenance

Painted for Thomas Grosvenor (assumed surname Egerton in 1821), 2nd earl of Wilton [1799-1882], Heaton Hall, Lancashire; by inheritance to his son, Arthur Edward Holland Grey Egerton, 3rd earl of Wilton [1833-1885], Heaton Hall; by inheritance to his wife, Elizabeth, countess of Wilton [d. 1919]; her estate; (sale, Sotheby & Co., London, 16 May 1928, no. 155, as A Country Race Meeting);[1] (M. Knoedler & Co., New York and London); purchased July 1928 by Ailsa Mellon Bruce [1901-1969], New York;[2] bequest 1970 to NGA.
[1] The catalogue for the Sotheby's sale listed the painting as "The Property of the late Elizabeth Countess of Wilton, Sold by Order of the Dowager, Viscountess Deerhurst."
[2] Guy Paget, in "Ben Marshall and John Ferneley," Apollo 40 (August 1944): 36, fig. XVI, credits the reproduction of the painting to Hamilton Bruce of Baltimore. Bruce has not yet been further identified, but he was possibly a relation of Mrs. Bruce's husband, David K.E. Bruce, whose family lived in Baltimore.

Associated Names

Exhibition History

1989

  • Extended loan for use by The Supreme Court of the United States, Washington, D.C., 1989-1994.

2009

  • Extended loan for use by Vice President and Mrs. Joseph Biden, Vice President's House, Washington, D.C., 2009-2015.

Bibliography

1931

  • Paget, Major Guy. The Melton Mowbray of John Ferneley (1782-1860). Leicester and New York, 1931: 71, 72, 138, repro. opp. 70.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 126, repro., as In the Paddock.

  • Walker, John. National Gallery of Art, Washington. New York, 1975: no. 597, color repro.

1978

  • Egerton, Judy. British Sporting and Animal Paintings 1655-1867: the Paul Melllon Collection. London, 1978: 243.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 408, no. 582, color repro., as In the Paddock.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 152, repro., as In the Paddock

1992

  • Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 72-73, repro. 73.

Wikidata ID

Q20185651


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