Gustav Mahler
1909
Sculptor, French, 1840 - 1917

West Building Ground Floor, Gallery G2
Artwork overview
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Medium
bronze
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Credit Line
Gift of Lotte Walter Lindt in memory of her father, Bruno Walter
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Dimensions
overall: 34.6 x 24.5 x 24.7 cm (13 5/8 x 9 5/8 x 9 3/4 in.)
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Accession
1972.78.1
Artwork history & notes
Provenance
Gift 1913 to Bruno Walter [1876-1962];[1] by inheritance to his daughter, Lotte Walter Lindt [d. 1970], Breisgau, Germany; her estate; bequest 1972 to NGA.
[1] The original commission for the portrait of Mahler was an idea that arose within the circle of the composer's family and friends in Vienna. The painter Carl Moll, Mahler's father-in-law (Moll was Alma Schindler Mahler's stepfather), played an important part in the effort, and when the original bust was completed he ordered additional casts. The first group of these were sent to him in 1911. The National Gallery cast is one of these, and was acquired from Moll by members of the Vienna Singakademie, including Arthur Schnitzler, Hugo von Hofmannsthal, Jacob Wassermann, and Richard Beer-Hofman. They presented the cast to Bruno Walter, who was Mahler's protegé and successor as conductor of the Vienna Hofoper, at the time of Walter's resignation from the opera in 1913. See letter of 16 March 1913, in Lotte Walter-Lindt (ed.), Bruno Walter: Letters 1894-1962, Franfurt-am-Main, 1969: 145.
Associated Names
Exhibition History
1981
Rodin Rediscovered, National Gallery of Art, Washington, D.C., 1981-1982, not in cat.
Bibliography
1927
Grappe, Georges. Catalogue du Musée Rodin. Paris, 1927: 103.
1930
Clemenceau, Paul. "Gustave Mahler und Rodin." Die Kunstauktion 4, no. 29 (20 July 1930).
1944
Grappe, Georges. Catalogue du Musée Rodin. 5th ed. Paris, 1944: 129.
1976
Tancock, John. The Sculpture of Auguste Rodin. Philadelphia, 1976: 552-555.
1980
Gutmann, Danièle. "Auguste Rodin: Les Bustes de Gustav Mahler." Mémoire de maîtrise, Paris IV (1980).
1985
Gutmann, Danièle. "Histoire d'une commande: les bustes de Mahler par Rodin." Gustav Mahler: Un homme, une oeuvre, une époque. Exh. cat. Musée d'Art Moderne de la Ville de Paris, 1985: 141-145.
Hare, Marion. The Portraiture of Auguste Rodin." Ph.D. dissertation, Stanford University, 1985: 565-577.
1986
Gutmann, Danièle. "La Sécession et Auguste Rodin." Vienne 1880-1938: L'Aocalypse Joyeuse. Exh. cat. Centre George Pompidou, Paris, 1986: 564-575.
1987
Grunfeld, Frederic V. Rodin: A Biography. New York, 1987: 534-537.
1988
Beausire, Alain. Quand Rodin Exposait. Paris, 1988: 321-322, 327-330, 332-333, 335, 338, 344, 347-348.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 205, repro.
1996
Kausch, Michael. Auguste Rodin: Eros und Leidenschaft. Exh. cat. Harrach Palace, Kunsthistorisches Museum, Vienna, 1996: 236-238.
2000
Butler, Ruth, and Suzanne Glover Lindsay, with Alison Luchs, Douglas Lewis, Cynthia J. Mills, and Jeffrey Weidman. European Sculpture of the Nineteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 394-399, color repro.
Inscriptions
on proper left side of neck: A. Rodin; on proper right side of neck, in the back, incised by hand in model prior to casting: ALEXIS RUDIER / FONDEUR PARIS; on proper left underside of collarbone in raised letters, integral to cast: A. Rodin
Markings
FM: Alexis Rudier
Wikidata ID
Q63854554