Artworks associated with “Untitled”

10 results found

Results

  • The image displays a collection of geometric shapes and lines in shades of yellow forming an abstract pattern. A large circle is surrounded by smaller shapes including plus signs and arrows. The background consists of crosshatched lines creating a textured surface resembling a digital aesthetic. The arrangement evokes common symbols found in technology interfaces.

    Untitled

    George Ortman, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on die-cut wove paper  Accession ID  1975.100.3.1

    Not on view
  • The image displays two large blue X shapes at the top and bottom of the canvas, with a small white plus sign in the center. The composition has an abstract quality, resembling mathematical symbols. The arrangement of the X's may suggest direction or multiplication, while the plus sign indicates addition.

    X + X

    Various Artists, George Ortman, Frank Stella, Ellsworth Kelly, Robert Motherwell, Andy Warhol, Stuart Davis, Roy Lichtenstein, Larry Poons, Robert Indiana, Ad Reinhardt, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Portfolio of ten screenprints  Accession ID  1975.100.3.1-10

    Not on view
  • The image shows a composition of vertical and horizontal stripes in blue and yellow colors with a diagonal line dividing the canvas into two triangles. The upper part has vertical stripes and the lower part has horizontal stripes.

    Untitled (Rabat)

    Frank Stella, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in blue and yellow on wove paper  Accession ID  1975.100.3.2

    Not on view
  • The image shows a red oval shape against a blue background. The red shape dominates the lower half of the image, with the blue surrounding it. The piece conveys simplicity and bold use of color, invoking natural elements in an abstract way.

    Red Blue

    Ellsworth Kelly, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in red and blue on mohawk superfine cover wove paper  Accession ID  1975.100.3.3

    Not on view
  • The image shows large irregular white forms on a warm ochre background. The shapes have crisp, jagged edges, resembling torn paper or geological formations. In the center, there is a black circular mark. Small black dots and short lines are scattered near the bottom right of the composition.

    Untitled

    Robert Motherwell, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in black and tan with collage on mohawk superfine wove paper  Accession ID  1975.100.3.4

    Not on view
  • This is a photograph of a group of people and police officers with dogs. The photograph shows police officers holding back their dogs on leashes while facing a group of individuals. The image is in black and white, with a contrast between the figures and background. The scene seems to be outdoors, with trees in the background. The focus is on the interactions among the individuals, creating a tense atmosphere.

    Birmingham Race Riot

    Andy Warhol, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in black on wove paper  Accession ID  1975.100.3.5

    Not on view
  • The image displays bold and irregular shapes and lines in black, red, green, white, and yellow. The arrangement of colors and forms creates connections to familiar objects like a checkerboard and stylized figures. Some shapes resemble elongated limbs or fingers reaching outwards, while others suggest abstract writing or signatures.

    Composition

    Stuart Davis, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on wove paper  Accession ID  1975.100.3.6

    Not on view
  • The image displays a sandwich cut into triangular halves on a plate, accompanied by a glass of liquid and a pair of straws. The color palette includes deep red, dark blue, stark white, and black outline accents. The sandwich is on the left side, the glass is in the center to the right, and the straws are in front of the plate. The background is split with a red upper half and a navy blue lower half to highlight the objects.

    Sandwich and Soda

    Roy Lichtenstein, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Reverse screenprint in blue and red on clear plastic film  Accession ID  1975.100.3.7

    Not on view
  • The image shows a grid-like arrangement of black elliptical shapes and smaller circular dots on a white background.

    Untitled

    Larry Poons, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on wove paper  Accession ID  1975.100.3.8

    Not on view
  • The image contains a hexagonal shape inside a circular boundary. A number "6" is located inside a yellow hexagon. The words "ETERNAL HEXAGON" are written in red along the upper part of the circle, and "HEXAGON" is repeated in red below on a brown background. The design resembles educational or cautionary graphic styles.

    Eternal Hexagon

    Robert Indiana, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on mohawk wove paper  Accession ID  1975.100.3.9

    Not on view

Loading Results