Artworks associated with “420 West Broadway Visitors' Profile”

30 results found

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  • The image shows swirling lines and geometric shapes creating an abstract composition. Circular forms intersect with elongated curves and jagged patterns, resembling a complex structure. The design conveys movement and depth, suggesting a celestial or aquatic entity with features akin to rings and thrusters. The abstract artwork invites comparisons to technology and nature, blending elements that could be seen as a cosmic journey or underwater exploration.

    Untitled

    Lee Bontecou, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.1

    Not on view
  • Blank piece of vertically oriented tan paper.

    The New York Collection for Stockholm Portfolio

    Various Artists, Lee Bontecou, Robert C. Breer, John Chamberlain, Walter De Maria, Mark di Suvero, Jim Dine, Dan Flavin, Öyvind Fahlström, Red Grooms, Hans Haacke, Alex Hay, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Morris, Louise Nevelson, Kenneth Noland, Claes Oldenburg, Nam June Paik, Robert Rauschenberg, Larry Rivers, James Rosenquist, George Segal, Richard Serra, Keith Sonnier, Richard Peter Stankiewicz, Cy Twombly, Robert Whitman, Andy Warhol, Styria Studio, Experiments in Art and Technology

    1973

    Portfolio of thirty prints in various media on various papers  Accession ID  1976.66.1-30

    Not on view
  • This is a drawing depicting a simple, abstract form. It shows an oval, dome-like shape against a contrasting background. The form is predominantly white with a gradient of black and gray shading along its edges to create a three-dimensional effect. The shadow cast by the form is distinct, appearing as a dark area that outlines its presence against a soft background. The surrounding space transitions from dense black at the top to lighter gray at the bottom, accentuating the form and shadow. The minimalist style of the drawing focuses on form and shade, with a sharp contrast of black and white tones.

    Untitled

    Robert C. Breer, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph in black on wove paper  Accession ID  1976.66.2

    Not on view
  • The image shows a grid pattern with evenly spaced vertical and horizontal lines on a yellow background. Black ink markings and numbers are placed within the grid squares, resembling a technical drawing or mathematician's notes. This gives the impression of a carefully calculated equation or scientific data, connecting to the methodical nature of structured analysis.

    Untitled

    Alex Hay, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.11

    Not on view
  • The image features parallel horizontal black lines of varying thickness in a large rectangular frame with curved edges at the top and bottom. A red brushstroke is positioned below the main structure, and there are faint markings in the lower left corner.

    Installation Drawing for a Work in the New York Collection for Stockholm

    Donald Judd, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.12

    Not on view
  • The image shows a large, horizontal division with two different colored rectangles. The upper half is bold black and the lower half is stark white. The composition creates a striking contrast resembling a minimalist landscape. The abstract nature of the artwork is emphasized by its clean lines and monochromatic palette.

    Untitled

    Ellsworth Kelly, Styria Studio, Experiments in Art and Technology

    1973

    Screenprint in black on rives bfk wove paper  Accession ID  1976.66.13

    Not on view
  • The image features a series of concentric circles centered in the middle, bisected by diagonal lines that extend to each corner, creating a symmetrical pattern. These intersecting lines and circles form an abstract design. The geometric shapes echo familiar objects such as a dartboard or radiating ripples in water.

    Untitled

    Sol LeWitt, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.14

    Not on view
  • This print shows a stylized, cartoon-like hand pointing at us against a bright red background. The hand has thick black outlines and is filled in with a pattern of small red and white dots. The pointing finger casts a black shadow onto the curled fingers below it. The hand is coming in from the left, and the wrist and part of the arm are visible, wearing a black suit cuff over a white shirt.”

    Finger Pointing

    Roy Lichtenstein, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.15

    Not on view
  • This is a drawing of a cross-section view of a building element with a copper beam. The drawing shows a structural detail including an exterior wall, window glass, room interior, and a copper beam. Handwritten annotations detail the components and dimensions of the copper beam (10"x16"x15'). Notes indicate that the beam extends through the window glass, with one half polished and heated. The cross-section displays the beam passing through the window into the room interior, past the window casement and window sill. Key structural elements like the floor and exterior wall are depicted with simple lines and shading for material separation.

    Untitled

    Robert Morris, Styria Studio, Experiments in Art and Technology

    1973

    Lithograph on wove paper  Accession ID  1976.66.16

    Not on view
  • The composition consists of a circle and rectangular shapes with various lines. The tear-like white lines intersect blocks of black, pink, and lavender, creating a fragmented collage. The arrangement may suggest a window or doorway, with the circle resembling a celestial body. The contrast between the geometric forms and irregular lines gives the piece a dynamic appearance.

    Untitled

    Louise Nevelson, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.17

    Not on view
  • The image is comprised of horizontal bands creating rectangles across the canvas. The largest segment is a muted pinkish-red rectangle at the top, followed by a lighter pink band beneath it. There is a narrow dark brown stripe above the main section, and a bold, vivid red line at the bottom.

    Untitled

    Kenneth Noland, Styria Studio, Experiments in Art and Technology

    1973

    Color screenprint on wove paper  Accession ID  1976.66.18

    Not on view
  • The image consists of white lines and shapes on a dark background. Circles, spirals, and scribbles intertwine. Bold rectangular outlines at the bottom suggest a building facade with two square shapes that look like windows. The composition gives the impression of abstract shapes interacting in a whimsical manner.

    M. Mouse (with) 1 Ear (equals) Tea Bag Blackboard Version (1965)

    Claes Oldenburg, Styria Studio, Experiments in Art and Technology

    1973

    Color lithograph and screenprint in black and yellow with talcum powder on rives bfk wove paper  Accession ID  1976.66.19

    Not on view

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