Lady with a Lute
1886
Painter, American, 1851 - 1938

Artwork overview
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Medium
oil on wood
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Credit Line
-
Dimensions
overall: 50.8 x 40 cm (20 x 15 3/4 in.)
framed: 88.3 x 77.2 x 9.5 cm (34 3/4 x 30 3/8 x 3 3/4 in.) -
Accession
1978.60.1
Artwork history & notes
Provenance
Purchased 1889 from the artist by Smith College Museum of Art, Northampton, Massachusetts;[1] (sale, Gimbel Brothers, New York, 1946). Dr. and Mrs. Walter Timme, Cold Spring, New York, by May 1947;[2] bequest 1978 to NGA.
[1] Letter from Linda Muehlig, curator at Smith College, dated 4 May 1983 (in NGA curatorial files), states that the painting was bought directly from the artist in 1889. While in the Smith College collection the painting was titled A Lute Player.
[2] According to a letter of 30 August 1978 from Susan Hobbs (in NGA curatorial files), Mrs. Timme acquired the painting at the Gimbel Brothers auction; however, in a letter of 16 May 1947 to Frederick Hartt, acting director of the Smith College Art Museum (Smith College Art Museum archives; photocopy in NGA curatorial files), Dr. Timme states that he had "paid nearly three times what Gimbel's had sold it for," which clearly implies there was an intermediary owner. Timme also observed: "The `Lute Player'. . . was thought by many people to be [Dewing's] masterpiece. I have known a number of people both painters and connoisseurs who made a pilgrimage to Northampton just to see that picture. To some people your gallery was known by this picture, if by none other. . . . Some weeks ago a friend of mine, connected with the National (Mellon) Gallery in Washington, came to my home, saw it and asked for the donation of it as an outstanding example of Dewing."
Further clarification, not published in the NGA systematic catalogue entry, is provided in a letter of 5 July 1998 from Susan Hobbs (in NGA curatorial files). She relates that in 1983 she went over the sequence of events with Nelson White (Thayer's biographer and friend of Dr. Timme's). Her notes on the conversation indicate that Gimbels & Co. sold the painting to Milch Gallery, who in turn sold it to Dr. Timme. Nelson White got Dr. Timme to give him right of first refusal if he ever wanted to sell it. (See also Masterworks of American Painting and Sculpture from the Smith College Museum of Art, Ed. Linda Muehlig, New York, 1999:10-11, 245 n. 8.)
Associated Names
Exhibition History
1912
Seventh Annual Exhibition of Selected Paintings by American Artists, Buffalo Fine Arts Academy, 1912, 18, no. 51, , repro. no. 43, as A Lute Player.
1950
Special Exhibition of American Paintings in Honor of the Philadelphia Museum of Art Diamond Jubilee, The Milch Galleries, New York, 1950, no. 4, as Lady with Lute.
1996
The Art of Thomas Wilmer Dewing: Beauty Reconfigured, The Brooklyn Museum of Art; National Museum of American Art, Washington, D.C.; The Detroit Institute of Arts, 1996-1997, no. 29, repro.
2015
The Art of Music, San Diego Museum of Art; Museo del Palacio de Bellas Artes, Mexico City, 2015-2016, no. 148, repro. (shown only in San Diego).
Bibliography
1912
Buffalo Fine Arts Academy. Academy Notes 7 (July 1912): 49-51, repro. 50.
1925
Handbook of the Art Collections of Smith College. Northampton, Massachusetts, 1925: 15.
1937
Smith College Art Museum Catalogue. Northampton, Massachusetts, 1937: 3, repro. 48.
1980
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 143, repro.
Wilmerding, John. American Masterpieces from the National Gallery of Art. National Gallery of Art, Washington, D.C., 1980: 17, 124, no. 43, color repro.
1981
Williams, William James. A Heritage of American Paintings from the National Gallery of Art. New York, 1981: color repro. 163, 188-190.
1983
Wilmerding 1983, 145, repro. 142.
1988
Wilmerding, John. American Masterpieces from the National Gallery of Art. Rev. ed. National Gallery of Art, Washington, D.C., 1988: 20, 144, no. 49, color repro.
1990
Merrill, Linda. An Ideal Country: Paintings by Dwight William Tryon in the Freer Gallery of Art. Washington, D.C., 1990: 97, n. 276.
1991
Hiesinger, Ulrich. Impressionism in America: The Ten American Painters. New York: Prestel, 1991, pp. 82, 113, 238, fig. 24.
1992
American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 158, repro.
1996
Kelly, Franklin, with Nicolai Cikovsky, Jr., Deborah Chotner, and John Davis. American Paintings of the Nineteenth Century, Part I. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 127-130, color repro.
1999
Muehlig, Linda, ed. Masterworks of American Painting and Sculpture from the Smith College Museum of Art. Northampton, 1999: 10-11, 245 n. 8.
Koja, Stephan, ed. America: The New World in 19th-Century Painting. Exh. cat. Österreichische Galerie Belvedere, Vienna. Munich, London, and New York, 1999: 46, fig. 7 (not in the exhibition).
2001
Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women. Exh. cat. National Gallery of Art, Washington, D.C., 2001: 14, fig. 2 (not in the exhibition).
Inscriptions
lower left: T W Dewing / 86
Wikidata ID
Q20189819