Ten Centuries of Christian Art, Milwaukee Art Institute, WI, 1949, no catalogue.

Master Prints from the Rosenwald Collection, circulated by the American Federation of Arts to 11 venues (California Legion of Honor, San Francisco, CA; Henry Art Gallery at the University of Washington, Seattle, WA; Museum of Cranbrook Academy of Art, Bloomfield Hills, MI; Grand Rapids Art Gallery, Grand Rapids, MI; The J.B. Speed Art Museum, Louisville, KY; Bryn Mawr College, Bryn Mawr, PA; Museum of Art at the University of Michigan, Ann Arbor, MI; Springfield Art Museum, Springfield, MO; Norton Gallery and School of Art, West Palm Beach, FL; Watkins Institute, Nashville, TN; and Memphis Academy of Art, Memphis, TN), 1950-1952, no cat.

Etchings and Other Prints from the Rosenwald Collection, Randolph-Macon Woman's College, Lynchburg, VA, 1952-1953, no cat.

The Collector's Taste, Andrew Dickinson White Art Museum, Cornell University, Ithaca, NY, 1953-1954.

The Printmaker: 1450-1950, Achenbach Foundation for Graphic Arts, California Palace of the Legion of Honor, San Francisco, California, 1957, unnumbered catalogue.

Symbols in Transformation: Iconographic Themes at the Time of the Reformation, Princeton University Art Museum, 1969, no. 70, repro.

Graphics by Contemporary Painters, Allentown Art Museum, PA, 1970.

Paper in Prints, National Gallery of Art, Washington, DC, 1977, no. 83.

Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge