Artworks associated with “Venus in Cibola I”

10 results found

Results

  • This is a photograph of a title page. The title page features text that reads "VENUS IN CIBOLA TEN LITHOGRAPHS BY CLINTON ADAMS LOS ANGELES 1969" set against a light, textured background. The text is printed in a subtle, faded blue-grey color that blends with the beige or off-white paper. The design is minimalist, focusing on the arrangement and typography.

    Venus in Cibola

    Clinton Adams, Manuel Fuentes, Donald Kelley, Jean Milant, Kenjilo Nanao, Robert Rogers, Dan Socha, John Sommers, Tamarind Institute

    1969

    Portfolio of 10 lithographs with title page and colophon  Accession ID  1983.18.33.1-10

    Not on view
  • The image depicts sweeping, curved lines and shapes forming an abstract composition within a rectangular frame. These forms create a sense of depth and movement, resembling hills or waves. The upper portion mirrors the lower section, with a central horizontal line. The artwork's abstract nature may evoke natural landscapes or cloud formations.

    Venus in Cibola II

    Clinton Adams, John Sommers, Tamarind Institute

    1969

    Lithograph in gray and red on german etching wove paper  Accession ID  1983.18.33.2

    Not on view
  • The image shows a symmetrical, abstract composition of organic shapes and lines. There is a central axis with mirrored wavy shapes extending outward. The design includes gray and yellow colors, enhancing the symmetry and form within the composition.

    Venus in Cibola III

    Clinton Adams, John Sommers, Tamarind Institute

    1969

    Lithograph in gray and yellow on german etching wove paper  Accession ID  1983.18.33.3

    Not on view
  • The image depicts an abstract blue curved "V" shape on a brown rectangular background.

    Venus in Cibola IV

    Clinton Adams, Jean Milant, Tamarind Institute

    1968 (published 1969)

    Lithograph in blue and green on german etching wove paper  Accession ID  1983.18.33.4

    Not on view
  • The image features smooth, undulating forms resembling hills or waves. These shapes are mirrored along a central horizontal line, creating a symmetrical effect. The forms suggest a simplified mountain range silhouette. The balance of curves and mirror-like quality create a serene yet dynamic composition.

    Venus in Cibola V

    Clinton Adams, Dan Socha, Tamarind Institute

    1968 (published 1969)

    Lithograph in beige and gray on german etching wove paper  Accession ID  1983.18.33.5

    Not on view
  • The image shows a brown hourglass shape against a green background.

    Venus in Cibola VI

    Clinton Adams, Donald Kelley, Tamarind Institute

    1969

    Lithograph in red and green on german etching wove paper  Accession ID  1983.18.33.6

    Not on view
  • The image displays abstract shapes and lines in deep blue and vibrant red. The composition includes curved forms, a central vertical line, and symmetry. The shapes and colors could evoke layers of fabric or the contours of butterfly wings.

    Venus in Cibola VII

    Clinton Adams, Kenjilo Nanao, Tamarind Institute

    1969

    Color lithograph on german etching wove paper  Accession ID  1983.18.33.7

    Not on view
  • The image shows an abstract shape resembling a soft star or a stylized bird in flight against a bright yellow background. The shape is muted beige, creating contrast and depth. The form could be compared to wings of a mythical creature or the outline of a paper airplane seen from beneath. The composition's simplicity allows for intriguing connections to familiar aerodynamic or celestial objects within its abstract expression.

    Venus in Cibola VIII

    Clinton Adams, Dan Socha, Tamarind Institute

    1967 (published 1969)

    Lithograph in yellow and beige on german etching wove paper  Accession ID  1983.18.33.8

    Not on view
  • The image shows smooth, curving lines forming two large, petal-like shapes that converge at a central vertical seam, flanked by two rounded forms beneath, creating a sense of symmetry. The abstract composition resembles shapes of a butterfly or a stylized flower, where the top elements can be seen as wings or petals, while the bottom parts suggest leaves or additional petals. The grayscale palette enhances the design's mysterious quality.

    Venus in Cibola IX

    Clinton Adams, Manuel Fuentes, Tamarind Institute

    1968 (published 1969)

    Lithograph in gray on german etching wove paper  Accession ID  1983.18.33.9

    Not on view
  • The image shows smooth, curved lines and shapes intersecting to form an abstract composition. The dominant form is a blue silhouette on a warm orange background. The blue shape funnels downwards, creating balanced symmetry. The top of the blue form arcs outward slightly. The color palette is simple, enhancing the bold, abstract design.

    Venus in Cibola X

    Clinton Adams, Robert Rogers, Tamarind Institute

    1969

    Color lithograph on german etching wove paper  Accession ID  1983.18.33.10

    Not on view

Loading Results