Artworks associated with “Snake”

10 results found

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  • The image displays a large rectangular shape with interplay of light and dark areas, creating depth and texture on the left side. The abstract nature of the artwork is highlighted by its lack of distinct forms. In the center, there is a handwritten phrase, "Packaged Horizons on the Guided Tour to Oblivion.”

    Packaged Horizon, or a Guided Tour to Oblivion

    James Boynton, Tamarind Institute

    1967

    Portfolio w/ 10 color lithographs (stone, aluminum, and zinc) on rives paper  Accession ID  1983.18.304-313

    Not on view
  • The image features a rectangular shape with a smaller rectangle at the top. Below the center of the rectangle is an abstract, spiky form, while a fainter abstract shape appears below it. The composition is clean and minimalist, with the central shape as the focal point, evoking natural elements such as marine life or celestial bodies.

    Genesis

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone and zinc) in violet-brown and blue on rives paper  Accession ID  1983.18.304.1

    Not on view
  • This is a drawing of a mushroom emerging from a textured ground into a dark space. The image features a stark contrast between the bottom half, which is filled with intricate, tangled lines, and the top half dominated by a deep black area. In the center of the composition, a pale mushroom cap appears to be sprouting upward against the dark background. The division between the earthy detail below and the simplicity above creates a striking composition.

    Adam

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone) in black on rives paper  Accession ID  1983.18.304.2

    Not on view
  • This is a painting of an abstract composition with a red pod-like shape against a dark green and brown background. The red shape resembles a stylized seed or pod, centrally placed within the upper part of the artwork. It has two symmetrical halves and is outlined by subtle purple shading. The background is split into two sections; the top section is a deep green with a textured appearance and the bottom section is a lighter green and brown area filled with swirling, abstracted forms. The overall composition suggests themes of nature and growth, rendered in an abstract style.

    Eve

    James Boynton, Tamarind Institute

    1967

    Lithograph (zinc and stone) in green, orange and violet on rives paper  Accession ID  1983.18.304.3

    Not on view
  • The image displays a large red rectangle with ornate, rounded gold corners resembling a classic picture frame. Below, there are fine, chaotic gold lines on a soft pink background. Above, there is an abstract speech bubble shape filled with a repeating paisley design in green and brown on a pink backdrop.

    The Word

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in pink, red, green and gold on rives paper  Accession ID  1983.18.304.5

    Not on view
  • The image consists of a large rectangle. The upper part is solid yellow, while the lower part has a maroon texture. A horizontal abstract line divides the two sections. On the right edge, there is a form resembling a door handle or lever. The composition combines geometric forms with organic patterns, evoking imagery of machinery or landscapes.

    And Don't Come Back

    James Boynton, Tamarind Institute

    1967

    Lithograph (zinc, aluminum and stone) in yellow, violet and brown on rives paper  Accession ID  1983.18.304.6

    Not on view
  • The image shows a central key-shaped object with elongated loops at the top, against a rectangular background. Radiant lines extend outward from the key-like shape. Below, there is a yellow and red marbled pattern.

    Key

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in red, red-violet, ochre and yellow on rives paper  Accession ID  1983.18.304.7

    Not on view
  • The image displays a large rectangular black shape at the top, partially overlapped by an oval shape with an illustration of open lips and teeth. The design may evoke a TV screen or vintage radio with protruding dials on the right side. A textured area below resembles fur or carpet. The interplay of geometric forms and textures balances abstraction with recognizability.

    Big Channel in the Sky

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in silver and black on rives paper  Accession ID  1983.18.304.8

    Not on view
  • The image displays an abstract composition featuring a bold, serpentine line traveling through various colors above a textured gray area with swirling lines and a central darker path.

    Orbit Edged in Black

    James Boynton, Tamarind Institute

    1967

    Lithograph (aluminum and stone) in red, yellow, blue and two blacks on rives paper  Accession ID  1983.18.304.9

    Not on view
  • The image consists of a rectangular shape with a border, framing an abstract composition within. In the lower part of the composition, there are intertwining black lines creating a textured pattern, layered with vibrant splashes of red. The upper part of the composition is characterized by an open, airy space.

    Bleed Image

    James Boynton, Tamarind Institute

    1967

    Lithograph (stone) in black and red on rives paper  Accession ID  1983.18.304.10

    Not on view

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