Artworks associated with “The Negative Way 2”

10 results found

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  • The image displays a large, subtle embossed half-circle partially divided by a vertical line, resulting in two mirrored semi-circles. The abstract composition alludes to a sliced fruit or a cut-open dome, with the canvas texture enhancing the minimalist shapes. The delicate geometrical outline stands out against a blank surface, resembling a gently traced silhouette, simple and somewhat elusive.

    The Negative Way

    Paul Henry Brach, Tamarind Institute

    1964

    Portfolio w/ 10 lithographs (zinc and stone) in blue-green and gray plus title page and colophon on white arches paper  Accession ID  1983.18.342.1-10

    Not on view
  • The image shows a large, dark, circular shape centered within a square frame. The composition has a deep, monochromatic color palette. The smooth edges of the circle contrast with the dark background.

    The Negative Way 1

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and gray on white arches paper  Accession ID  1983.18.342.1.a-b

    Not on view
  • The image shows a large circular shape in the center and a smaller shaded circle on the left, creating a sense of depth. The composition features overlapping circular shapes with varying shades and soft crosshatch lines adding texture.

    The Negative Way 3

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and two grays on white arches paper  Accession ID  1983.18.342.3.a-b

    Not on view
  • The image features a series of concentric circular shapes, with the inner circle being more prominent. The abstract design consists of intricate lines and textures that radiate outwards from the center, creating a sense of depth. The composition resembles a target or the pupil of an eye.

    The Negative Way 4

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green, black and gray on white arches paper  Accession ID  1983.18.342.4.a-b

    Not on view
  • The image includes a large circular shape within a square background. The circle has a soft texture against the darker square, with overlapping textures inside the circle creating depth and complexity.

    The Negative Way 5

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and light gray on white arches paper  Accession ID  1983.18.342.5.a-b

    Not on view
  • The image features a large half-circle shape overlapping with a darker rectangular backdrop. Three evenly spaced circles are arranged along the top area. Texture adds depth to the geometric forms in this abstract composition.

    The Negative Way 6

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green, blue-black and two grays on white arches paper  Accession ID  1983.18.342.6.a-b

    Not on view
  • The image features curved lines intersecting to form a central, symmetrical diamond-like shape on a monochromatic teal background.

    The Negative Way 7

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and dark gray on white arches paper  Accession ID  1983.18.342.7.a-b

    Not on view
  • The image features a large rectangular shape in a deep teal color. There are vertical rectangular lines within the main shape in slightly varying hues. The artwork has a minimalist style and creates a sense of depth, resembling a dimly lit room. The shading variations give a layered dimension to the image.

    The Negative Way 8

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green andtwo grays on white arches paper  Accession ID  1983.18.342.8.a-b

    Not on view
  • The image displays geometric shapes including two large rectangles with two circular forms within each. The design has interplay of dark and light hues creating a visual effect against the overall composition.

    The Negative Way 9

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in two blue-greens and two grays on white arches paper  Accession ID  1983.18.342.9.a-b

    Not on view
  • The image depicts a large circle bisected by a vertical line slightly off-center, creating an abstract design.

    The Negative Way 10

    Paul Henry Brach, Tamarind Institute

    1964

    Lithograph (zinc and stone) in dark blue-green and silver on white arches paper  Accession ID  1983.18.342.10.a-b

    Not on view

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