First Station

1966

Robert Cremean

Associated Names
Robert Cremean

Artist, American, born 1932

Tamarind Institute

Publisher

The image displays various lines and shapes forming an abstract composition. On the left, intersecting lines create a geometric figure with a partially shaded body resembling a person reaching out, with flowing curves below. On the right, three upright human-like figures are against a grid backdrop, with overlaid diagonal lines crossing them out. The top left figure holds a block shape, reminiscent of classical sculptures or signage figures. The figures on the right suggest people in thought or repose, each topped with crown-like elements.
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Artwork overview

  • Medium

    lithograph (stone) in black and brown on wove Nacre paper

  • Credit Line

    Gift of Dorothy J. and Benjamin B. Smith

  • Dimensions

    sheet: 53.7 x 38.3 cm (21 1/8 x 15 1/16 in.)

  • Accession Number

    1983.18.419.1

Associated Artworks

See all 14 artworks
The sculpture is an abstract form resembling a closed wooden book or a large hinge. It is crafted from wood with a smooth texture and a natural brown finish. The sculpture's front face is a rectangular surface divided into smaller rectangular segments by thin lines, with a vertical hinge-like element on the left, highlighted by a contrasting material, possibly metal with a brass or gold tone. This composition gives the impression of functionality, like a door or book, but remains purely abstract and non-representational in its artistic presentation.

Fourteen Stations of the Cross

Robert Cremean, Tamarind Institute

1966

The image showcases intersecting lines and geometric shapes forming an abstract arrangement. A large X shape is central, with three spheres resembling heads along its vertical axis. A contorted human form and a small square connected by a thin line are also included.

Second Station

Robert Cremean, Tamarind Institute

1966

The image consists of a series of linear and geometric shapes, including a square and intersecting lines, creating an abstract composition. At the top, three squares align horizontally, with the leftmost square shaded in, while below, a large angular form intersects with the contour of a human figure. The figure, drawn with minimal lines, leans forward as if carrying a large rectangular cross. The positioning recalls a person stooping down or caught in motion.

Third Station

Robert Cremean, Tamarind Institute

1966

Artwork history & notes

Bibliography

1989

  • Devon, Marjorie, and Peter Walch. Catalogue Raisonné: Tamarind Lithography Workshop, Inc., 1960-1970. Albuquerque: University of New Mexico Art Museum, 1989, no. 1879.

Inscriptions

on verso in graphite: (signed) / Tam Imp

Markings

IS: Tamarind (T.1), Smith (T.41)

Wikidata ID

Q74041532

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