Woman Reading in the Studio
c. 1868
Artist, French, 1796 - 1875

Artwork overview
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Medium
oil on paperboard on wood
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Credit Line
-
Dimensions
overall: 32.5 x 41.3 cm (12 13/16 x 16 1/4 in.)
framed: 50.5 x 59.1 x 6.4 cm (19 7/8 x 23 1/4 x 2 1/2 in.) -
Accession
1985.64.9
Artwork history & notes
Provenance
I. de La Rochenoire, by 1875.[1] Alexandre Dumas [1824-1895]; (his sale, Hôtel Drouot, Paris, 16 February 1882, no. 13, as La Lecture, figure). (Dumas sale, Hôtel Drouot, Paris, 12-13 May 1892, no. 22).[2] (Dumas sale, Galerie Georges Petit, Paris, 2-3 March 1896, no. 12). Gaillard collection, by 1905.[3] Ferdinand Blumenthal [d. 1914], Paris; [4] his son Count Cecil Pecci-Blunt [d. 1965], Paris, until at least 1946.[5] (Wildenstein & Co., New York); sold 27 January 1960 to Paul Mellon, Upperville, Virginia; gift 1985 to NGA.
[1] Lent by I. de la Rochenoire to Exposition de l'oeuvre de Corot, Ecole Nationale des Beaux-Arts, Paris, 1875, no. 135.
[2] According to an annotated copy of sale catalogue in the M. Knoedler library, the painting was purchased by Durand-Ruel et Cie, Paris. If, however, this is true, it is unclear how the painting came to be included in the Dumas estate sale in 1896.
[3] Alfred Robaut, L'oeuvre de Corot, Paris, 1905: III:116, no. 1570, listed the Gaillard collection in the provenance.
[4] According to Wildenstein and Co. précis, dated 27 January 1960, in NGA curatorial files.
[5] Pecci-Blunt had the painting on consignment with Jacques Seligmann in 1941 but decided not to sell his collection at that time. Receipt for the return of the paintings to Pecci-Blunt dated November 19, 1941, Jacques Seligmann Papers, Archives of American Art, Box 75, folder 30. Lent by Pecci-Blunt through Seligmann to The Functions of Color in Painting, Phillips Memorial Gallery, Washington, 1941. See Correspondence between Seligmann and Phillips in Jacques Seligmann Papers, Archives of American Art, Box 130, folder 5 (copies NGA curatorial files). Lent by Pecci-Blunt to Exhibition of Paintings by Corot, Philadelphia Museum of Art, 1946, no. 60.
Associated Names
Exhibition History
1875
Exposition de l'oeuvre de Corot, Ecole des Beaux-Arts, Paris, 1875, no. 135.
1928
Exposition d'oeuvres de Camille J.-B. Corot (1796-1875): Figures et paysages d'Italie au profit de la Bibliothèque d'art et d'archéologie de l'Université de Paris, Galerie Rosenberg, Paris, 1928, no. 44.
1936
Exposition Corot, Musée de l'Orangerie, Paris, 1936, no. 92.
1941
Probably The Functions of Color in Painting, Phillips Memorial Gallery, Washington, 1941, no. 13.
1946
Exhibition of Paintings by Corot, Philadelphia Museum of Art, 1946, no. 60, repro.
1966
French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce, National Gallery of Art, Washington, 1966, no. 4, repro.
1986
Gifts to the Nation: Selected Acquisitions from the Collections of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, 1986, unnumbered checklist, repro.
2011
Corot: L'Armoire Secrète, Eine Lesende im Kontext, Sammlung Oskar Reinhart "Am Römerholz", Winterthur, 2011, no. 19, repro.
2019
Becoming Matisse : the greatest gift of the masters, 1890-1911, Musée Matisse, Le Cateau-Cambrésis, Le Cateau-Cambrésis, 2019 - 2020, no. 15, repro.
Bibliography
1905
Robaut, Alfred, and Etienne Moreau-Nélaton. L'Oeuvre de Corot. Catalogue raisonné et illustré. 5 vols. Paris, 1905: 3:116-117, no. 1570, repro.
1930
Bernheim de Villers, G. C. Corot peintre de figures. Paris, 1930: 68-70, no. 269, repro.
1946
Marceau, Henri. "Corot." Art News (May 1946): 32.
2000
Eitner, Lorenz. French Paintings of the Nineteenth Century, Part I: Before Impressionism. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 75-78, color repro.
Inscriptions
lower right: COROT
Wikidata ID
Q18177991