Head of a Woman

c. 1584

Federico Barocci

Associated Names
Federico Barocci

Artist, Italian, probably 1535 - 1612

The image is a portrait drawing of a person's profile from the top of the head to just below the chin. The individual is facing left, with softly rendered facial features including the nose, lips, and chin. The hair is short or closely cropped. The drawing emphasizes the natural lines and shading of the face and neck. There are no visible clothing details, objects, or jewelry. The background is simple with a textured look, focusing attention on the person's profile.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview


Artwork history & notes

Provenance

Peter Lely (Lugt 2092); Jonathan Richardson (Lugt 2184). Stephen Spector, New York; Peter Josten, New York; gift to NGA in 1989.

Associated Names

Exhibition History

1969

  • Master Drawings, The Stephen Spector Collection. The Israel Museum, Jerusalem, 1969, no. 6.

1978

  • The Graphic Art of Federico Barocci: Selected Drawings and Prints. Cleveland Museum of Art and Yale University Art Gallery, New Haven, 1978, no. 52 (Edmund Pillsbury and Louise R. Richards).

1991

  • Art for the Nation, National Galler of Art, Washington, DC, 1991, pp. 30-31, repro.

2012

  • Federico Barocci: Renaissance Master of Color and Line, Saint Louis Art Museum, 2012-2013, cat. 10.12, repro.

2013

  • Barocci: Brilliance and Grace, National Gallery of Art, London, 2013, cat.10.12, repro.

Bibliography

1962

  • Van Schaack, Eric. Master Drawings in Private Collections. New York, 1962: 7, 76, no. 27.

1978

  • Richardson, Francis. "Barocci at Cleveland & Yale." The Print Collector's Newsletter 9, no. 2 (May-June 1978): 47.

  • Smith, Graham. Review of The Graphic Art of Federico Barocci exhibition, Pantheon 36, no. 3, 1978: 290.

1983

  • Byam Shaw, James. The Italian Drawings of the Frits Lugt Collection, Volume I Text. Paris, 1983: 110 (under no. 101).

1994

  • Burns, Thea. "Chalk or Pastel?: The Use of Colored Media in Early Drawings." The Paper Conservator: The Journal of the Institute of Paper Conservation 18 (1994): 51, fig. 4.

Inscriptions

by later hand on mount (see object folder): Coll. Peter Lely / Richardson / for the woman with a dove or / Visitation, Rome, Chiesa Nuova

Wikidata ID

Q64561227

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