Artworks associated with “Miss America”

11 results found

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  • The image displays a composition highlighted by smooth, flowing lines. The shapes hint at a reclining figure, with curvaceous forms resembling a human body. Tan, white, and red colors are prominently featured, suggesting objects like skin and clothing. The abstract forms allude to a human profile, with simplicity and abstraction in the design.

    Cut-out Nude

    Tom Wesselmann, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint on blown vinyl mounted to heavy wove paper  Accession ID  1991.239.1.1

    Not on view
  • This is a photograph of a book cover. The image shows an orange cover with two purple graphics: a circle with the number '11' on the left and a triangle with the text 'POP Artists' on the right. There is a black ribbon tied on the right edge of the book.

    11 Pop Artists, Volume I

    Various Artists, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Allan D'Arcangelo, Jim Dine, Peter Phillips, John Wesley, James Rosenquist, Mel Ramos, Gerald Laing, Allen Jones, Knickerbocker Machine & Foundry, Original Editions

    1966

    Portfolio of eleven prints with title and colophon pages  Accession ID  1991.239.1.1-11

    Not on view
  • The image shows the upper part of a woman's body facing forward with a slight turn, smiling widely. She has short, voluminous, slightly curly hair and is wearing a light-colored hat. She is dressed in a coat with a darker collar. In the background, a man with short, dark hair is partially visible. The image has a grainy texture and a vintage print-like quality.

    Jacqueline Kennedy I

    Andy Warhol, Knickerbocker Machine & Foundry, Original Editions

    1966

    Screenprint in silver on wove paper  Accession ID  1991.239.1.2

    Not on view
  • The image shows an abstract composition with a flat, even perspective. There is a horizon line one-third from the bottom, with deep black forms blending into swirling blues. A strip of orange-red polka-dots is in the upper quarter, with a circle to the right. Bold black shapes in the foreground suggest land or shadows. The style features smooth brushstrokes creating concentric patterns in blues and sharp lines in the black shapes. The color palette includes dark blues, black, and orange-red.

    Moonscape

    Roy Lichtenstein, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Color screenprint on blue rowlux  Accession ID  1991.239.1.3

    Not on view
  • The image shows rectangular and triangular shapes with clean lines. A large green rectangle is central with a black arrow pointing upward. Flanking the rectangle are thin vertical green panels with jagged edges on top. The background contrasts a blue sky at the top and bold black geometric forms below.

    Landscape I

    Allan D'Arcangelo, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint on wove paper  Accession ID  1991.239.1.4

    Not on view
  • The image displays a composition of curved and angular shapes layered together in a fragmented manner. Shapes and lines create a collage of clothing, limbs, and accessories. At the center is a red Marlboro cigarette box against a grayscale pattern. Other fragments resemble fashion elements like garments, a high heel, and a gloved hand akin to magazine cutouts, blending real and stylized elements in this abstract artwork.

    Awl

    Jim Dine, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint in black and red on wove paper  Accession ID  1991.239.1.5

    Not on view
  • The image shows an illustration of a woman on her knees with her torso turned slightly to the left. She has a smile, closed eyes, dark, wavy hair, and is wearing dark undergarments. The background features a white rectangle framing the woman, surrounded by stylized pink and blue hands against a dark blue background.

    Custom Print I

    Peter Phillips, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint on alufoil  Accession ID  1991.239.1.6

    Not on view
  • The image showcases bold shapes and lines intersecting across the canvas in a dynamic composition. It integrates a black-and-white halftone depiction of a woman and part of a classic car, with zigzag patterns, curved forms, and vibrant colors suggesting energy and motion. Black grid lines in the background add structure, resembling a blueprint or ornate window grid. The juxtaposition of abstract and familiar elements creates a lively visual narrative.

    Maiden

    John Wesley, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint on wove paper  Accession ID  1991.239.1.7

    Not on view
  • The image shows overlapping circular shapes and lines in an abstract arrangement with colors such as pinks, purples, greens, and oranges. Small white circles with the letters "GE" in a script-like font are scattered throughout the composition.

    Circles of Confusion

    James Rosenquist, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Color screenprint on beckett wove paper  Accession ID  1991.239.1.8

    Not on view
  • The image depicts a woman's upper body from her shoulders upwards. She is slightly turned to the side, with her head facing forward and looking directly at the viewer. Her facial features include large eyes, a straight nose, and full lips painted a bright pink. She has light blonde hair styled in voluminous waves cascading down around her shoulders. The woman appears to be without clothing, as her bare shoulders and arms are visible, suggesting a state of undress. Her arms are raised in front of her, with her hands beneath her chin. The background is a solid, vibrant pink with the word "CHIC" in orange letters. There are no visible accessories or objects in her hands, and the setting is purely graphic with no specific environmental context provided.

    Chic

    Mel Ramos, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint on wove paper  Accession ID  1991.239.1.9

    Not on view
  • The image displays bold, thick lines with geometric curves and shapes in red and black on a white background. The composition includes red elements resembling two large mirrored 'L' shapes at the sides and a central black shape in an hourglass form.

    Compact

    Gerald Laing, Knickerbocker Machine & Foundry, Original Editions

    1965 (published 1966)

    Screenprint with mylar collage on wove paper  Accession ID  1991.239.1.10

    Not on view

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