Studies of Ornament and Architecture

c. 1710

Claude Gillot

Associated Names
Claude Gillot

Artist, French, 1673 - 1722

The image displays a series of intricate, swirling lines and shapes that form an abstract composition. The arrangement of the lines and curves resemble ornate architectural details or decorative elements. The drawing invites the viewer to connect these forms to familiar objects like decorative scrollwork or vintage calligraphy. The overall appearance of the piece is reminiscent of a detailed sketch focused on exploring patterns and textures.

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Artwork overview

Associated Artworks

This is a drawing of a group of figures in an architectural setting. The scene depicts several animated figures against classical architectural elements such as columns and arches. The figures are rendered in a loose, expressive line, capturing motion and emotion in their gestures. The drawing has a sketched quality and employs ink with varying thickness and washes to suggest depth and texture. The emphasis on movement and interaction, combined with the architectural setting, suggests a lively and dynamic moment frozen in time.

A Performance by the Commedia dell'Arte

Claude Gillot

1705

Artwork history & notes

Provenance

(Strölin et Bayser, Paris); purchased by Ian Woodner, New York, 16 October 1972; by inheritance to his daughters, Andrea and Dian Woodner, New York, 1990.

Associated Names

Exhibition History

1973

  • Woodner Collection II: Old Master Drawings from the XV to the XVIII Century, William H. Schab Gallery, New York and tour, 1973-74, no. 95.

1983

  • Master Drawings from the Woodner Collection, J. Paul Getty Museum, Malibu and tour, 1983-85, no. 56.

1986

  • Meisterzeichnungen aus Sechs Jahrhunderten: Die Sammlung Ian Woodner, Haus der Kunst, Munich and Vienna, 1986, no. 78.

  • Dibujos de los siglos XIV al XX: Colección Woodner, Museo del Prado, Madrid, 1986-87, no. 93.

1987

  • Master Drawings: The Woodner Collection, Royal Academy of Arts, London, 1987, no. 76.

1990

  • Master Drawings from the Woodner Collection, Metropolitan Museum of Art, New York, 1990, no. 96.

1995

  • The Touch of the Artist: Master Drawings from the Woodner Collections, National Gallery of Art, Washington, 1995-1996, no. 77.

2009

  • Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500-1800. National Gallery of Art, Washington, 2009, 94-95, 280, no. 38 (color; recto and verso).

Wikidata ID

Q64540111

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