A Complex of Rustic Houses Built Over Ruins
1509/1515
Artist, Venetian, 1477/1478 - 1510
Artist, Venetian, 1482 - after 1514

Artwork overview
-
Medium
pen and brown ink on laid paper; laid on mid-eighteenth century Italian paper
-
Credit Line
-
Dimensions
overall: 17.6 × 26.6 cm (6 15/16 × 10 1/2 in.)
-
Accession
2006.11.66
Artwork history & notes
Provenance
? Joseph Farington [1747-1821] (Lugt 1453), London; (sale, London, Sotheby's, 4 July 1975, lot 21, as Circle of Giorgione), purchased by Ian Woodner, New York; by descent to Andrea Woodner, New York, 1990; given to NGA.
Associated Names
Exhibition History
1986
Dibujos de los siglos XIV al XX: Colección Woodner, Museo del Prado, Madrid, 1986-87, no. 18 (as Venetian School).
Meisterzeichnungen aus Sechs Jahrhunderten: Die Sammlung Ian Woodner, Haus der Kunst, Munich and Vienna, 1986, no. 14 (as Venetian School).
1987
Master Drawings: The Woodner Collection, Royal Academy of Arts, London, 1987, no. 14 (as Venetian School).
1990
Master Drawings from the Woodner Collection, Metropolitan Museum of Art, New York, 1990, no. 18 (as Venetian School).
1995
The Touch of the Artist: Master Drawings from the Woodner Collections, National Gallery of Art, Washington, 1995-1996, no. 30.
2006
Master Drawings from the Woodner Collections, National Gallery of Art, Washington, D.C., 2006 - 2007.
2014
The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014 - 2015, no. 10.
2017
The Woodner Collections: Master Drawings from Seven Centuries, NGA, 2017.
Bibliography
1986
Die Sammlung Ian Woodner. Exh. cat. Albertina, Vienna, 1986: 30-31.
Meisterzeichnungen aus sechs Jahrhunderten: Die Sammlung Ian Woodner. Exh. cat. Dumont, Munich, 1986: 56-57.
1987
Master Drawings: The Woodner Collection. Exh cat. Royal Academy of Art, London, 1987: 48-49.
1990
Woodner Collection: Master Drawings. Exh. cat. The Metropolitan Museum of Art, New York, 1990: 56-57.
1995
The Touch of the Artist: Master Drawings from the Woodner Collections. Exh. cat. National Gallery of Art, Washington, 1995-1996: 148-149, no. 30.
Inscriptions
by later hand, lower left in pen and brown ink: Titiano; by later hand, lower right in pen and brown ink: bl “Titiano”; br “1606” and “no 69”; verso: “J ” and “Titiano”
Watermarks
primary support: paschal lamb in a circle, Briquet 47 (Venice 1484); secondary support: fleur-de-lis in double circle with initial
Wikidata ID
Q64540041