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Open 10:00 a.m.–5:00 p.m.

Visit
Open today 10:00 a.m.–5:00 p.m.
Admission is always free

6th and Constitution Ave NW
Washington, DC 20565

Sculpture Garden Extended Hours

Open late until 8:00 p.m. on select nights
Starting June 3
Exhibitions & Events
Featured event:

Block Party
Join us June 6
Art & Artists
Open Call

Artists Reimagining the Collection
Meet the 50 makers selected from more than 1,600 submissions

Visa Monday

1976

June Wayne

Associated Names

June Wayne

Artist, American, 1918 - 2011

Tamarind Institute

Publisher

The image displays a pattern of wavy lines and ridges in an oval shape on a black background. The design resembles the detailed pattern of a fingerprint, with ridges creating depth and complexity. The play of colors across the lines enriches the design.

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Artwork overview

Medium

color lithograph on Arches paper
Credit Line

Gift of June Wayne, in Honor of the 50th Anniversary of the National Gallery of Art
Dimensions

sheet: 76.5 x 57.1 cm (30 1/8 x 22 1/2 in.)
Accession Number

1991.205.78.14
Catalogue Raisonné

Gilmour 1992, no. 149
Series Title

Tamarind Suite Fifteen

The image features curvilinear shapes and wavy lines against a deep blue background. Two tall, dark, wavy forms rise from the bottom, with two pale, rounded shapes below. Between the tall forms, a curly, flowing design emerges. The color palette includes deep blue and muted earth tones. — Birth of Venus II

Clinton Adams, Tamarind Institute

1976

The image shows a red shape on a gray background. The shape consists of a combination of curves and straight lines, resembling a silhouette of a table lamp. — Tamarind Suite Fifteen

Various Artists, Ben Q. Adams, Frances Thiel, John Sommers, Stephen Britko, Glenn Brill, Ed Hamilton, Harry Westlund, Lynn Baker, Tamarind Institute

1977

The image displays a series of diagonal lines creating an overlapping pattern across the canvas. The composition resembles a woven textile, with repetitive lines and shapes mimicking fabric weaving. The edges of the pattern are jagged, suggesting texture and imperfection, while the convergence of multicolored lines may evoke various threads in a patchwork quilt. — Untitled

Garo Antreasian, Tamarind Institute

1976

Artwork history & notes

Bibliography

1992

Gilmour, Pat. "A Love Affair with Lithography: The Prints of June Wayne." Print Quarterly 9, no. 2 (1992): no. 149.

2007

Conway, Robert P. June Wayne, the Art of Everything: A Catalogue Raisonné, 1936-2006. New Brunswick, New Jersey: Rutgers University Press, 2007, no.

Inscriptions

lower right in graphite: June Wayne / 9/70 Visa/Monday; by later hand, lower right verso in graphite: 240 76-132

Markings

BS: Tamarind chop

Watermarks

Arches

Wikidata ID

Q75120548

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