Artworks associated with “Untitled 2”

25 results found

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  • The image shows sharp, angular black lines and shapes intersecting and diverging across a square canvas with a textural gray background. The abstract forms resemble fragmented branches or shards, suggesting broken twigs or jagged spikes. The composition's stark contrast against the white background emphasizes the chaotic yet deliberate arrangement of the elements within the central area.

    Untitled 3

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.10

    Not on view
  • The image depicts a square filled with intersecting and jagged black lines that form abstract triangular shapes scattered across its surface. Each shape is connected by thin lines.

    Untitled 4

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.11

    Not on view
  • The image shows irregular, jagged black lines and splatters on a white background forming an abstract composition. The shapes resemble twisted ribbons or loosely defined figures, reminiscent of scattered pieces of driftwood or delicate, skeletal leaves.

    Untitled 5

    Brice Marden, Jennifer Melby

    1986

    Sugarlift aquatint on rives bfk paper  Accession ID  1998.77.12

    Not on view
  • The image displays a grid-like pattern of curved and angular black lines on a white background, forming an abstract composition with shapes resembling intricate calligraphy or stylized hieroglyphs. The forms give the impression of a coded language or symbols organized within a square frame, similar to a page from an ancient script.

    Untitled 6

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.13

    Not on view
  • The image shows a square canvas with angular, fragmented shapes and intersecting lines. The forms resemble sharp triangular peaks and linear strokes that interlace like tangled branches or shattered glass fragments. The composition is abstract and may evoke connections to broken typographic elements or a jumbled puzzle, where recognition of familiar forms is abstracted into a complex mosaic.

    Untitled 7

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.14

    Not on view
  • The image consists of black thin lines and broader brush-like strokes crisscrossing and overlapping within a square section. The lines create a chaotic web-like pattern with loops and triangles visible throughout.

    Untitled 8

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.15

    Not on view
  • The image features a square composition filled with intricate, angular lines and shapes intersecting. The lines form triangular and polygonal sections. There is a densely shaded area connecting to these lines. The design is contained within a square on a white background.

    Untitled 9

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.16

    Not on view
  • The image displays an abstract composition with intersecting black lines and shapes on a muted background within a square frame. The lines form a chaotic pattern, with irregularly shaped blotches scattered throughout. The artwork encourages the viewer to contemplate the interaction of the lines and shapes, prompting the imagination to make connections with undefined objects.

    Untitled 10

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.17

    Not on view
  • The image shows thin, irregular lines and shapes intersecting in a small square section near the center of a larger white canvas, creating an abstract composition. The black lines and marks form what could resemble two stylized figures or brush strokes suggesting dancing people or abstract musicians, each composed of angular limbs and rounded torso-like segments. These visual elements convey impressions of lightness and movement, evoking familiar forms but remaining distinctly abstract.

    Untitled 11

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.18

    Not on view
  • The image displays intersecting black lines and shapes within a square frame. Some lines form angular patterns and geometric figures. The bold lines contrast with the light background.

    Untitled 12

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.19

    Not on view
  • The image displays angular lines and fragmented shapes interwoven across its surface, creating an abstract composition. The abstract elements consist of geometric forms resembling shards of glass or folded paper scattered across the image. The black and white contrasts increase the sense of depth and complexity.

    Untitled 13

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.20

    Not on view
  • The image displays a square composition filled with intersecting black lines and splatters on a white background. The lines are arranged in a complex pattern, creating a maze-like appearance.

    Untitled 14

    Brice Marden, Jennifer Melby

    1986

    Etching with sugarlift aquatint on rives bfk paper  Accession ID  1998.77.21

    Not on view

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