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Trinity Fine Art Ltd.

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The relief depicts a central seated figure holding a crown, accompanied by a kneeling figure on the left. Small cherubic figures surround the central figures, some holding garlands or rosaries. The sculpture showcases intricate details in the garments and background, suggesting a scene of importance. Its material appears to be metallic bronze with a rich brown color and varied light reflection. The smooth texture contrasts with detailed motifs, providing depth to the composition.
Venetian 16th Century, The Crowning of the Virgin, second half 16th century, cast bronze, Dunlevy Milbank Foundation Fund, 1992.60.1

The Crowning of the Virgin

Venetian 16th Century · second half 16th century · cast bronze ·  Accession ID  1992.60.1

The image depicts an engraving showing a hilly terrain leading to a town. The view is from an elevated position looking down towards the distance. The horizon is low, with architectural features such as domes and spires indicating a cityscape in the far distance. The sky is prominent, filled with textured clouds rendered in a detailed linear style typical of engravings. The color palette is monochromatic, with varying shades of gray creating contrast between the buildings, sky, and activities of the people in the foreground. Individuals are shown engaged in various activities on the hilly terrain, providing scale and human presence to the landscape.
Joseph Wagner, Prisco onor pur dura..., c. 1760, etching on laid paper, William B. O'Neal Fund, 2007.70.4

Prisco onor pur dura...

Joseph Wagner · c. 1760 · etching on laid paper ·  Accession ID  2007.70.4

This is a drawing of a collection of objects including figures, a parrot, and decorative vases. The drawing features a sculpted face, three figures in elaborate attire, and a parrot perched on a structure. Ornate vases and a smaller sculpture are positioned nearby. The style evokes a sense of baroque richness with a focus on fanciful decorations and a lively composition.
Giovanni Domenico Tiepolo, Kneeling Pages, a Mask, and a Parrot, 1770s, etching on laid paper [artist's working proof], The Ahmanson Foundation, 2008.89.1

Kneeling Pages, a Mask, and a Parrot

Giovanni Domenico Tiepolo · 1770s · etching on laid paper [artist's working proof] ·  Accession ID  2008.89.1

This is a photograph of a sheet of paper with handwritten text. The photograph captures a simple composition focusing on the calligraphic writing on a textured gray paper. The paper has uneven edges and the hand-written text is centered slightly above the middle of the page. The script is in an elegant cursive style. There are no other elements or decorations on the paper; the focus is solely on the handwriting.
Fabio Berardi, Joseph Wagner, Sei Villeggi Campestri, con figurette macchieti dopo Canaletto, c. 1760, complete set of six etchings, four by Berardi and two by Wagner, William B. O'Neal Fund, 2007.70.1-6

Sei Villeggi Campestri, con figurette macchieti dopo Canaletto

Fabio Berardi, Joseph Wagner · c. 1760 · complete set of six etchings, four by Berardi and two by Wagner ·  Accession ID  2007.70.1-6

The image is an etching featuring a low vantage point looking across water towards a small island or shore area. In the foreground, there is a rowboat with a figure seated inside. To the left, there is a stone structure with an arched opening facing the viewer. Near the building, a few figures are visible, and there is a small tree to the left. In the distance, other buildings, including a domed structure and a tower, are visible on the horizon. The sky is detailed with clouds in fine strokes, giving a textured feel. The color palette is monochromatic with varying shades of brown created through cross-hatching and line work.
Fabio Berardi, L'Vom da morte divide..., c. 1760, etching on laid paper, William B. O'Neal Fund, 2007.70.3

L'Vom da morte divide...

Fabio Berardi · c. 1760 · etching on laid paper ·  Accession ID  2007.70.3

The image shows an architectural scene with a stone archway adorned with a statue and decorative urns. A tall tower or column is next to it under an overcast sky with small clouds. The horizon line is obscured by buildings, and the artwork features precise etching of architectural details. The color scheme is monochrome with black and white tones. A man and a dog are by the archway, while two figures are near a bridge. In the distance, buildings and a tower add to the urban scenery.
Fabio Berardi, L'età che non devora..., c. 1760, etching on laid paper, William B. O'Neal Fund, 2007.70.6

L'età che non devora...

Fabio Berardi · c. 1760 · etching on laid paper ·  Accession ID  2007.70.6

The image features numerous figures in expressive poses, gathered under an archway. Several cherubic figures and draped fabric add texture to the scene. Light and shadow emphasize the figures' movements and gestures. The setting includes ornate columns and classical architecture.
Carlo Innocenzo Carlone, San Carlo Borromeo Giving Last Communion to Victims of the Plague, c. 1724, etching on laid paper, Ailsa Mellon Bruce and Mary Hopkins Gibb Fund, 2005.84.1

San Carlo Borromeo Giving Last Communion to Victims of the Plague

Carlo Innocenzo Carlone · c. 1724 · etching on laid paper ·  Accession ID  2005.84.1

The image depicts an ornate decorative stand or platter with intricate floral and leaf patterns along its edges. In the center, there is a heraldic shield or crest motif. The base has a curving stand with detailed styling similar to the rest of the design. The drawing uses a monochrome palette.
Luigi Valadier, A Salver with Two Bases, 1755/1760, pen and brown ink with brown wash over graphite on laid paper, laid down on an album sheet, William B. O'Neal Fund, 2016.68.1

A Salver with Two Bases

Luigi Valadier · 1755/1760 · pen and brown ink with brown wash over graphite on laid paper, laid down on an album sheet ·  Accession ID  2016.68.1

This is a drawing of a scene with ruins and figures. The scene depicts a seated male figure draped in fabric, holding one arm to his forehead. Surrounding him are architectural elements like columns and stone blocks. In the background, a second figure, likely a classical statue, stands with an arm outstretched. The environment is overgrown with plants and a tree. The composition has detailed linework and shading.
Giovanni David, Democritus, 1775, etching on laid paper, Ailsa Mellon Bruce Fund, 2008.67.1

Democritus

Giovanni David · 1775 · etching on laid paper ·  Accession ID  2008.67.1

The image displays a person's seated three-quarter view. The subject is casually posed with one arm on the chair's back and the other arm bent. The person is drawn in profile, featuring lightly sketched facial characteristics like a nose and lips. The hair is styled upwards, potentially in a bun or elaborate updo. The individual is wearing a flowing garment, perhaps a robe or dress, reaching down to the feet, with pencil markings indicating folds and creases. The person is depicted wearing pointed shoes. No visible accessories or objects are depicted. The background is minimalistic, with textured shading highlighting the figure, lacking distinctive elements or scenery.
Donato Creti, A Seated Man, c. 1711, red chalk on laid paper, William B. O'Neal Fund, 2021.38.3.a

A Seated Man

Donato Creti · c. 1711 · red chalk on laid paper ·  Accession ID  2021.38.3.a