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Susan Sheehan Gallery

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The image displays a composition of rectangular and irregular shapes with clean lines and torn edges, creating an abstract visual. One can observe a large block of vibrant yellow beside a soft light blue area. Below, black shapes with jagged edges and a bit of white suggest a fragmented cityscape, while the precision in the yellow and blue blocks evokes architectural facades against the abstract backdrop.
Alfred Leslie, Untitled, 1961, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.12

Untitled

Alfred Leslie · 1961 · color screenprint on wove paper ·  Accession ID  1996.150.12

The image shows a series of wavy, elongated black shapes along the bottom and a dotted, wave-like band running near the top edge, creating an abstract composition.
Roy Lichtenstein, Sunrise: Separation Drawing for Red, 1965, black felt-tip pen, collage, and graphite on paper, Director's Discretionary Fund, 1999.11.5

Sunrise: Separation Drawing for Red

Roy Lichtenstein · 1965 · black felt-tip pen, collage, and graphite on paper ·  Accession ID  1999.11.5

The image displays black and blue brushstrokes on a white background. The artwork includes bold shapes and dynamic lines. The contrast between dark and light areas creates depth. Texture in some areas suggests roughness. The composition can evoke waves or rocky formations.
Joan Mitchell, Untitled, c. 1960, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.14

Untitled

Joan Mitchell · c. 1960 · color screenprint on wove paper ·  Accession ID  1996.150.14

The image depicts bold, sweeping black lines and shapes forming a large oval intersecting with expressive strokes. Among the forms is a vertical swath of bright golden yellow paint. Above the shapes, the word "ODES" is written in bold black letters. The composition suggests motion and dynamic brushstrokes.
Michael Goldberg, Untitled, 1961, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.1

Untitled

Michael Goldberg · 1961 · color screenprint on wove paper ·  Accession ID  1996.150.1

The image shows a stylized representation of a sunrise or sunset. The horizon is positioned slightly above the lower third of the composition, with a stylized sun partially visible above dark, curvaceous lines suggesting abstracted waves or hills. Diagonal rays radiate from the sun, constructed with bold black lines separating white spaces filled with a pattern of black polka dots. The image is created with precise lines and geometric shapes, resembling a pop art aesthetic. The color palette includes black, cream, warm beige, and a section marked "blue" at the top edge.
Roy Lichtenstein, Sunrise: Separation Drawing for Blue, 1965, collage of glossy gelatin silver print, felt-tip markers, and graphite, corrected with white gouache on paper with color chip, mounted on board, Director's Discretionary Fund, 1999.11.4

Sunrise: Separation Drawing for Blue

Roy Lichtenstein · 1965 · collage of glossy gelatin silver print, felt-tip markers, and graphite, corrected with white gouache on paper with color chip, mounted on board ·  Accession ID  1999.11.4

The image shows a graphic representation of a person's face in profile, captured from the chin to the forehead. The head is tilted back, turned to the side, creating a reclining position in the composition. The facial features are depicted in a stylized, pop art manner, with prominent black hair and bold, thick lines for the lips, contrasted against a patterned background. The hair is illustrated in a graphic, angular style, extending towards the top left. The background is a light-colored paper with a vintage appearance. The entire image is framed by a rectangular border with marks and notations visible, suggesting a draft or concept stage, on aging paper with signs of wear.
Roy Lichtenstein, Shipboard Girl: Separation Drawing for Red, 1965, collage of matte gelatin silver print, felt-tip markers, and graphite on paper, Director's Discretionary Fund, 1999.11.2

Shipboard Girl: Separation Drawing for Red

Roy Lichtenstein · 1965 · collage of matte gelatin silver print, felt-tip markers, and graphite on paper ·  Accession ID  1999.11.2

The image displays a series of overlapping rectangles and bold, straight lines in varying colors, creating an abstract composition. The top section includes a yellow band overlaid by a red horizontal strip. Below, there is a large green block next to a red rectangle, both interspersed with smaller sections of color. The overall arrangement resembles a collage of colorful flags or an abstract cityscape.
Alfred Leslie, Untitled, 1961, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.10

Untitled

Alfred Leslie · 1961 · color screenprint on wove paper ·  Accession ID  1996.150.10

The image features bold, dark shapes set against a plain background. The shapes include jagged extensions emerging from a smooth arc, a long straight line, and irregular forms that evoke fragments. These shapes and lines, devoid of intricate details, contribute to the abstract nature of the artwork.
Roy Lichtenstein, Shipboard Girl: Separation Drawing for Yellow, 1965, gouache, felt-tip marker and graphite on paper, Director's Discretionary Fund, 1999.11.3

Shipboard Girl: Separation Drawing for Yellow

Roy Lichtenstein · 1965 · gouache, felt-tip marker and graphite on paper ·  Accession ID  1999.11.3

The image shows dynamic, overlapping strokes and splatters, forming an intricate web of lines and shapes. It is abstract with bold black, yellow, blue, and green brushstrokes creating a chaotic yet harmonious pattern.
Michael Goldberg, Untitled, 1961, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.4

Untitled

Michael Goldberg · 1961 · color screenprint on wove paper ·  Accession ID  1996.150.4

The image displays bold, sweeping black brushstrokes and sharp, jagged lines interwoven across the canvas in an abstract composition. The mix of solid and fluid forms combined with overlapping and crossing strokes gives the impression of energy and dynamism.
Joan Mitchell, Untitled, c. 1960, color screenprint on wove paper, Gift of Floriano Vecchi, Tiber Press, New York City, 1996.150.15

Untitled

Joan Mitchell · c. 1960 · color screenprint on wove paper ·  Accession ID  1996.150.15