Provenance

Cottier & Co.

American

Explore Selected Works

A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel. The woman and boy both have pale, white skin, and both face and look out at us against an emerald-green curtain that falls behind them. The woman has brown eyes, a straight nose, full pink lips, smooth cheeks, and a long neck. Her brown hair is pulled back under a turban densely embroidered with gold. The woman’s dress has puffed shoulders and decorative slashes on the sleeves. One gold chain rests on her throat and the other falls over her chest. She wears long gold earrings, a gold belt, and two gold rings. She holds a brown leather glove in her left hand. The boy’s face is even with the woman’s waist, and he raises his left hand to hold hers, which is draped over his shoulder. He has curly blond hair and dark eyes, and he wears black with a ruffled white shirt just visible at his collar.
Agnolo Bronzino, A Young Woman and Her Little Boy, c. 1540, oil on panel, Widener Collection, 1942.9.6

A Young Woman and Her Little Boy

Agnolo Bronzino · c. 1540 · oil on panel ·  Accession ID  1942.9.6

Edgar Degas, The Races, 1871-1872, oil on wood, Widener Collection, 1942.9.18

The Races

Edgar Degas · 1871-1872 · oil on wood ·  Accession ID  1942.9.18

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At the Gallery Drouot

Honoré Daumier · after 1863-before 1873 · oil on wood ·  Accession ID  2015.19.26

Jean-Baptiste-Camille Corot, Saint Sebastian Succored by the Holy Women, 1874, oil on canvas, Timken Collection, 1960.6.4

Saint Sebastian Succored by the Holy Women

Jean-Baptiste-Camille Corot · 1874 · oil on canvas ·  Accession ID  1960.6.4

A blue and white porcelain bowl, fruit, wine glasses, and a woven rug are gathered on a tabletop in front of a black background in this vertical still life painting. Light strongly illuminates the objects, creating a stark contrast to the dark background. At the center of the composition, the porcelain bowl is tipped so its wide brim rests on the rug bunched on the tabletop to our left. The rug is painted with a pattern in earthy beige and chocolate brown, denim blue, bronze, and cream white. A piece of roughly textured orange fruit resembling a tiny pumpkin has a stem with a small white blossom growing from its top. The fruit sits in the bowl alongside a vivid yellow lemon that has been partially peeled. The top has been cut from the lemon to form a long strip that curls onto the table, and the pulp glistens in the light. Two peaches sitting in front of the bowl are painted with tones of silvery ivory and burnt orange. The handle of a utensil juts out from between the peaches and lemon peel. Two glasses and a slender carafe are arranged in a row behind the fruit and bowl. The glass to the left has a round bowl over a thick, columnar stem, and the tall, gently flaring glass carafe behind the orange fruit are both half-filled with pale gold liquid. A drinking glass with a wide, shallow, scalloped-edged cup is mostly hidden behind the porcelain bowl, to our right.
Willem Kalf, Still Life, c. 1660, oil on canvas, Chester Dale Collection, 1943.7.8

Still Life

Willem Kalf · c. 1660 · oil on canvas ·  Accession ID  1943.7.8

From a low perspective, we look at a man wearing black and white, lying on the ground with a pink flag beside him in this long, horizontal painting. We look onto the top of his head and his feet reach into the upper left corner of the composition, so he nearly fills the painting. His dark hair is cut short and gleams softly in the light from the upper left. His head has fallen toward his left shoulder, and his eyes are closed. He wears a black jacket and knee-length black pants. His jacket falls open to show white lining, and he wears a wide, white cummerbund and white stockings. His black, loafer-style shoes have pointed toes and possibly a bow at the bridge of each foot. He man’s right hand, farther from us, rests on his chest, and a black-handled sword or dagger is tucked into that elbow. That hand and his white tie are speckled with red blood. More blood seeps on the peanut-brown floor near the man’s left shoulder, closest to us. The man wears a gold ring on the pinky ring of his left hand, which lies along the ground and rests on or near the pale pink flag, which continues off the bottom left corner of the painting. The brown ground is lighter along the bottom of the painting and deepens to peat brown farther back, along the top edge. Brushstrokes are visible in some areas, especially in the white parts of the costume and the flag. The artist signed the painting in the lower right, “Manet.”
Edouard Manet, The Dead Toreador, probably 1864, oil on canvas, Widener Collection, 1942.9.40

The Dead Toreador

Edouard Manet · probably 1864 · oil on canvas ·  Accession ID  1942.9.40

Albert Pinkham Ryder, Mending the Harness, mid to late 1870s, oil on canvas, Gift of Sam A. Lewisohn, 1951.5.3

Mending the Harness

Albert Pinkham Ryder · mid to late 1870s · oil on canvas ·  Accession ID  1951.5.3