Provenance

Helene C. Seiferheld

Helene C. Seiferheld Gallery, Inc.
R.M. Light and Co. - Seiferheld and Co.
Seiferheld and Co.
Seiferheld-Selz Fine Arts, Inc.

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This is a drawing of an indoor scene with classical architecture and figures. The description details a richly imagined interior setting with tall fluted columns, ornate capitals, a high ceiling with decorative elements, figures gathered, some seated on an elevated platform, possibly for a celebratory or ceremonial purpose. The composition features dynamic lines, angles suggesting depth, draped fabrics, a statue on a pedestal, and detailed ornamental work.
Pietro Fancelli, Timotheus Playing the Lyre before Alexander and Thaïs in the Hall of the Palace at Persepolis, c. 1820, pen and brown ink with gray wash over black chalk and graphite, squared for transfer, on two joined sheets of wove paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.21

Timotheus Playing the Lyre before Alexander and Thaïs in the Hall of the Palace at Persepolis

Pietro Fancelli · c. 1820 · pen and brown ink with gray wash over black chalk and graphite, squared for transfer, on two joined sheets of wove paper ·  Accession ID  1991.150.21

This is a drawing of an architectural interior. The scene shows a large cathedral or church interior with high, arched ceilings and multiple columns. The perspective captures the structure's grandeur and complexity, showing both upper and lower levels. The arches are prominent, with shadowing and lines emphasizing their depth and curves. This drawing showcases a detailed study of architectural elements, highlighting the play of light and shadow across the stone surfaces. The overall impression is one of architectural splendor and majesty, inviting the viewer to imagine the scale and height of the depicted space.
Lorenzo Sacchetti, Design for a Vaulted Hall, pen and brown ink with brown wash over black chalk on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.64

Design for a Vaulted Hall

Lorenzo Sacchetti · · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1991.150.64

The image shows a group of people in different positions interacting with each other. The figures are dressed in robes and are situated in a space with architectural elements. A central figure appears to be gesturing or holding something. The figures are depicted in a sketch-like style with minimal facial and hair details.
Jean-Baptiste Van Loo, The Raising of Lazarus, pen and brown ink with gray wash over black chalk on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.85

The Raising of Lazarus

Jean-Baptiste Van Loo · · pen and brown ink with gray wash over black chalk on laid paper ·  Accession ID  1991.150.85

The image displays a sketch of a person from the waist up, with arms lifted and bent. The individual's head is slightly tilted downwards, focusing below eye level. The facial features include a full beard and short hair. The person wears a loose-fitting shirt with rolled-up sleeves. They hold a long, thin object, possibly a stick or rod, with both hands apart. The background is plain with no distinct features. The sketch is created using pencil or charcoal with shading for depth and form.
Simon Vouet, A Bearded Man with a Staff, black chalk and graphite, heightened with white on tan laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.88

A Bearded Man with a Staff

Simon Vouet · · black chalk and graphite, heightened with white on tan laid paper ·  Accession ID  1991.150.88

The image is a pencil sketch depicting multiple full-body figures in lively, flowing poses. The figures appear to be dancing, with swaying garments suggesting movement and energy. Some figures have smiling expressions, while others are neutral. The hair of the figures is depicted simply, with one figure having an accessory or headpiece. The clothing is shown with sweeping lines and folds, typical of classical attire. No jewelry or objects are shown. The background is a blank sheet of paper, emphasizing the figures in mid-dance.
Pietro Fancelli, Women Dancing, c. 1820, black chalk on wove paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.22

Women Dancing

Pietro Fancelli · c. 1820 · black chalk on wove paper ·  Accession ID  1991.150.22

This is a drawing of a street scene in a historical European city focused on a statue. The scene includes numerous figures and animals, with an atmosphere suggesting a busy market or public gathering with a statue of a poised, draped figure standing on a pedestal. There are horses with riders, with some in historical attire. A domed structure with detailed architecture lies in the background, adding an element of grandeur with tall spires in the distance. Many figures are engaged in activities like observing the statue, talking, or moving through the plaza. The sky is painted with subtle hues, and the color palette consists of earth tones, blues, and grays, lending an antiquated feel to the illustration.
Jean-Pierre Norblin, Olindo and Sophronia Saved by Clorinda, pen and brown ink with brown wash and watercolor over graphite on laid paper, Gift of the Christian Humann Foundation, 1996.128.29

Olindo and Sophronia Saved by Clorinda

Jean-Pierre Norblin · · pen and brown ink with brown wash and watercolor over graphite on laid paper ·  Accession ID  1996.128.29

This is a drawing of architectural sketches. The drawing shows various sketches of architectural elements and staircases, including perspectives and cross-sections of arches, stairwells, and entranceways with intricate details. The images are rendered in ink on paper, displaying precise and complex lines that suggest a study of architectural design, potentially including ground plan and elevation views of structures.
Lorenzo Sacchetti, Designs for Palatial Staircases [recto], c. 1800, pen and brown ink and graphite on wove paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.6.a

Designs for Palatial Staircases [recto]

Lorenzo Sacchetti · c. 1800 · pen and brown ink and graphite on wove paper ·  Accession ID  1991.150.6.a

This is a drawing of architectural sketches that feature stairs and arches. The drawing shows various studies of architectural elements such as vaulted arches, staircases, and columns. The sketches are rendered in a loose, freehand style, and appear to be explorations or studies rather than finished compositions. Shading and line work are used to convey depth and dimension within the structures.
Lorenzo Sacchetti, Designs for Palatial Arches [verso], c. 1800, pen and brown ink and graphite on wove paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.6.b

Designs for Palatial Arches [verso]

Lorenzo Sacchetti · c. 1800 · pen and brown ink and graphite on wove paper ·  Accession ID  1991.150.6.b

This is a drawing of several muscular figures and scenes sketched for a larger composition. The drawing features figures on a teal-tinted background, showcasing the human form in active configurations. On the left side, there is a rectangular panel containing figures intertwined with swirling lines. To the right, separate figure studies show dynamic poses, emphasizing anatomical structure and movement. The sketch lines are fluid and expressive, suggesting preliminary studies.
Jacopo Palma il Giovane, Figure Studies, pen and brown ink on blue wove paper; laid down, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.50

Figure Studies

Jacopo Palma il Giovane · · pen and brown ink on blue wove paper; laid down ·  Accession ID  1991.150.50

The image shows the interior of a stone structure with views of ancient ruins outside. There is an archway with stone carvings and columns in the foreground. Detailed elements like tombs and statues are visible on the right. In the distance, there are more ruins, trees, and buildings. The painting features gentle brushstrokes, creating light and shadow play on stone surfaces. The color palette consists of muted earth tones like gray and brown, lending an aged quality to the scene. Shadows and highlights create depth and atmosphere in the composition.
Charles Louis Clérisseau, Roman Ruins with a Sepulchre, pen and gray ink with watercolor on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.13

Roman Ruins with a Sepulchre

Charles Louis Clérisseau · · pen and gray ink with watercolor on laid paper ·  Accession ID  1991.150.13