Provenance

André Schoeller

French, 1879 - 1955

Explore selected works

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct. The horses are all chestnut brown except for two at the middle, which are dark brown. One horse, second from our right, rears up on its hind legs, and one to our left nuzzles its neighbor. The riders all wear brimmed caps or helmets, white pants, and knee-high black boots. Their caps and high-necked shirts are painted in shades of goldenrod yellow, aquamarine blue, white, red, or peach. Their faces and hands are peach-colored or light brown. Some of the horses and the rider’s clothing are outlined in black. One of the riders is set a little farther back than the others. A black silhouette in the near distance to our right suggests a man wearing a suit and tall top hat. Swipes of black, brown, sky blue, and white create the impression of a crowd across from us, gathered on the far side of the grassy area. Light green fields continue back to a line of shamrock-green trees at the foot of gently sloping hills. White clouds screen the ice-blue sky above, which takes up the top quarter of the painting. The paint seems thinly applied in many areas, especially the horses and the grassy fields, so the weave of the canvas is visible under strokes of green and brown. The artist signed the lower right corner, “Degas.”
Edgar Degas, The Riders, c. 1885, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 2014.18.7

The Riders

Edgar Degas · c. 1885 · oil on canvas ·  Accession ID  2014.18.7

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present. The painting shows expressive brushstrokes detailing the clouds in the sky, boats on the sand, and people nearby. The color scheme includes sandy browns, muted greens, and vivid blues, creating a dynamic and textured visual.
Eugène Boudin, Low Tide at Scheveningen, 1875, oil on canvas, Gift of Miriam and Eliezer Benbassat, 2025.11.7

Low Tide at Scheveningen

Eugène Boudin · 1875 · oil on canvas ·  Accession ID  2025.11.7

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting. The hill and olive-green trees take up most of the height of the left side of the composition. The beach curves from the lower right corner back and to our left, and curves around the cliff face of the bluff. Closest to us, the land is flecked with saffron gold, and two dark brown patches smear the sand. The beach or a sandbar creates a strip of pale brown across the horizon, which comes halfway up the canvas. Distant hills to our left are suggested by a battleship-gray slope. The slate-blue sky above is layered with swirls and bands of oyster-white and pewter-gray clouds. The artist signed the lower left, “COROT.”
Jean-Baptiste-Camille Corot, Beach near Etretat, c. 1872, oil on canvas, Ailsa Mellon Bruce Collection, 1970.17.117

Beach near Etretat

Jean-Baptiste-Camille Corot · c. 1872 · oil on canvas ·  Accession ID  1970.17.117

Bibliography

1989

  • Les Donateurs du Louvre. Paris, 1989: 320.