Mrs. Rudolf J. Heinemann

Heinemann, Lore

American, died 1996

Explore Selected Works

See all 29 works of art
Giuseppe Angeli, An Elderly Bishop, c. 1750, black, white, and red chalks on light brown laid paper, Bequest of Lore Heinemann in memory of her husband, Dr. Rudolf J. Heinemann, 1997.57.3

An Elderly Bishop

Giuseppe Angeli · c. 1750 · black, white, and red chalks on light brown laid paper ·  Accession ID  1997.57.3

Aristide Maillol, Bather with Raised Arms, model c. 1890/1899, cast date unknown, bronze, Gift of Mrs. Rudolf J. Heinemann, 2005.116.1

Bather with Raised Arms

Aristide Maillol · model c. 1890/1899, cast date unknown · bronze ·  Accession ID  2005.116.1

Sebastiano Ricci, Biblical Scene [verso], 1720/1730, graphite on laid paper, Gift of Mrs. Rudolf J. Heinemann, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.172.1.b

Biblical Scene [verso]

Sebastiano Ricci · 1720/1730 · graphite on laid paper ·  Accession ID  1991.172.1.b

Sebastiano Ricci, The Ecstasy of Saint Francis [recto], 1706/1720, pen and brown ink and brown wash on laid paper, Gift of Mrs. Rudolf J. Heinemann, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.172.1.a

The Ecstasy of Saint Francis [recto]

Sebastiano Ricci · 1706/1720 · pen and brown ink and brown wash on laid paper ·  Accession ID  1991.172.1.a

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right. The young man's right hand, on our left, is raised to stroke the head of a reddish-brown horse at his right shoulder. He stands with feet planted wide, knees bent, and he curls his left hand into a fist. Behind him, a man holds up a fluttering, light blue cape. A mottled red wall forms a backdrop to this scene on our left. The tight group gathered under a tree on our right stares back at the young man. The trio is made up of a balding, older man, a light-skinned boy also wearing a white tunic, and, closest to us, a brown-skinned woman wearing a marigold-orange shirt and a maroon-red skirt. Behind this group, a pair of pale raised arms suggests a fourth person, but the head is missing or has been painted over. The ground under the people is saffron orange. In the center of the picture, beyond the people, a group of horses stands near a green bank by a river, its surface reflecting white. The far bank is lined with white buildings. Tan and olive-green slopes rise from the opposite riverbank under a pale blue sky with cream-white clouds sweeping along the top edge of the composition. The artist signed his name in red paint in the lower right corner: “Degas.”
Edgar Degas, Alexander and Bucephalus, 1861/1862, oil on canvas, Bequest of Lore Heinemann in memory of her husband, Dr. Rudolf J. Heinemann, 1997.57.1

Alexander and Bucephalus

Edgar Degas · 1861/1862 · oil on canvas ·  Accession ID  1997.57.1

Gaspar van Wittel, Studies of Lago Maggiore and and the Entrance to a Palazzo, c. 1700, brown ink over graphite on laid paper, Bequest of Lore Heinemann in memory of her husband, Rudolf J. Heinemann, 2001.100.2.b

Studies of Lago Maggiore and and the Entrance to a Palazzo

Gaspar van Wittel · c. 1700 · brown ink over graphite on laid paper ·  Accession ID  2001.100.2.b

Gaspar van Wittel, Lago Maggiore, c. 1700, brown ink over graphite on laid paper, Bequest of Lore Heinemann in memory of her husband, Rudolf J. Heinemann, 2001.100.2.a

Lago Maggiore

Gaspar van Wittel · c. 1700 · brown ink over graphite on laid paper ·  Accession ID  2001.100.2.a

Wilhelm von Kobell, Königsee with the Cliffs of St. Bartholomëe, 1837, watercolor over graphite on wove paper, Bequest of Lore Heinemann in memory of her husband, Rudolf J. Heinemann, 2001.100.1

Königsee with the Cliffs of St. Bartholomëe

Wilhelm von Kobell · 1837 · watercolor over graphite on wove paper ·  Accession ID  2001.100.1

Giovanni Battista Piazzetta, Saint Stephen, 1730s/1740s, charcoal on blue paper (now faded) heightened with white chalk, Bequest of Lore Heinemann in memory of her husband, Dr. Rudolf J. Heinemann, 1997.57.6

Saint Stephen

Giovanni Battista Piazzetta · 1730s/1740s · charcoal on blue paper (now faded) heightened with white chalk ·  Accession ID  1997.57.6

Gaspar van Wittel, A View of Rome from Santa Maria del Priorato, c. 1710, pen and brown ink and gray wash with red chalk on laid paper, Bequest of Lore Heinemann in memory of her husband, Dr. Rudolf J. Heinemann, 2000.97.3.a

A View of Rome from Santa Maria del Priorato

Gaspar van Wittel · c. 1710 · pen and brown ink and gray wash with red chalk on laid paper ·  Accession ID  2000.97.3.a