Provenance

Henri M. Petiet

French, 1894 - 1980

Explore Selected Works

See all 54 works of art
Pierre Bonnard, Ambroise Vollard, Auguste Clot, Costermonger (Le marchand des quatres-saisons), c. 1897 (published 1899), color lithograph on wove paper, Virginia and Ira Jackson Collection, gift in memory of Virginia H. Jackson, 2006.155.9

Costermonger (Le marchand des quatres-saisons)

Pierre Bonnard, Ambroise Vollard, Auguste Clot · c. 1897 (published 1899) · color lithograph on wove paper ·  Accession ID  2006.155.9

Anonymous Artist, The Stroller (Le bourgeois qui flâne), model probably after 1860, cast around January 1954, bronze, Rosenwald Collection, 1954.13.2

The Stroller (Le bourgeois qui flâne)

Anonymous Artist · model probably after 1860, cast around January 1954 · bronze ·  Accession ID  1954.13.2

We look down onto a shadowy stage with a ballerina and a man in this black and white work on paper. The man stands in the lower left corner of the composition wearing a knee-length jacket and resting his wrists on a tall stick in front of his body. Though his face and head are lost in deep shadow, it seems that he looks toward the ballerina to our right. Up on her toes en pointe, her body faces us but her arms are raised and angled toward the upper left corner of the composition. She turns her upper torso and head to gaze in the direction of her hands. Lighting comes from the front edge of the curving stage and illuminates the man’s pants and undersides of his arms, the dancer’s legs, tutu, and face, and the front part of the stage. The space behind the people is lost in shadow but is marked by strokes and smudges. In the upper left corner the names of the artists are scratched onto the ink that had coated the surface of the printing plate: “Lepic” and “Degas.”
Edgar Degas, Vicomte Ludovic Lepic, The Ballet Master, c. 1876, monotype (black ink) heightened and corrected with white chalk or wash on laid paper, Rosenwald Collection, 1964.8.1782

The Ballet Master

Edgar Degas, Vicomte Ludovic Lepic · c. 1876 · monotype (black ink) heightened and corrected with white chalk or wash on laid paper ·  Accession ID  1964.8.1782

Berthe Morisot, Walk in the Boulougne Wood, 1889, printed 1921, drypoint on laid paper, Rosenwald Collection, 1953.6.103

Walk in the Boulougne Wood

Berthe Morisot · 1889, printed 1921 · drypoint on laid paper ·  Accession ID  1953.6.103

Berthe Morisot, Ducks at Rest on the Bank, 1889, printed 1921, drypoint on laid paper, Rosenwald Collection, 1953.6.100

Ducks at Rest on the Bank

Berthe Morisot · 1889, printed 1921 · drypoint on laid paper ·  Accession ID  1953.6.100

Charles Germain de Saint-Aubin, Ballet Champêtre (Country Ballet), in or after 1756, etching on laid paper, Rosenwald Collection, 1958.8.131

Ballet Champêtre (Country Ballet)

Charles Germain de Saint-Aubin · in or after 1756 · etching on laid paper ·  Accession ID  1958.8.131

Anonymous Artist, The Man of Affairs (L'homme d'affaires), model probably after 1860, cast around June 1951, bronze, Rosenwald Collection, 1953.8.1

The Man of Affairs (L'homme d'affaires)

Anonymous Artist · model probably after 1860, cast around June 1951 · bronze ·  Accession ID  1953.8.1

Honoré Daumier, Laurent Cunin, called Cunin-Gridaine, model c. 1832/1835, cast 1929/1950, bronze, Rosenwald Collection, 1951.17.7

Laurent Cunin, called Cunin-Gridaine

Honoré Daumier · model c. 1832/1835, cast 1929/1950 · bronze ·  Accession ID  1951.17.7

Anonymous Artist, The Jolly Good Fellow (Le bon vivant), model probably after 1860, cast around November 1956, bronze, Rosenwald Collection, 1964.8.1

The Jolly Good Fellow (Le bon vivant)

Anonymous Artist · model probably after 1860, cast around November 1956 · bronze ·  Accession ID  1964.8.1

Honoré Daumier, Marthe-Camille Bachasson, Comte de Montalivet, model c. 1832/1835, cast 1929/1950, bronze, Rosenwald Collection, 1951.17.6

Marthe-Camille Bachasson, Comte de Montalivet

Honoré Daumier · model c. 1832/1835, cast 1929/1950 · bronze ·  Accession ID  1951.17.6