Provenance

Albertina

Graphische Sammlung Albertina

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This is a drawing of a crucifixion scene. It depicts a central figure on a cross, flanked by two others on either side, also on crosses. There is a significant amount of detail in the figures' expressions and body language. A group of individuals are gathered at the base of the crosses, engaged in varied postures. The use of line work and shading creates depth and texture. The composition conveys a strong narrative, typical of religious imagery.
Rembrandt van Rijn, Christ Crucified between the Two Thieves: an Oval Plate, c. 1641, etching and drypoint, Rosenwald Collection, 1943.3.7193

Christ Crucified between the Two Thieves: an Oval Plate

Rembrandt van Rijn · c. 1641 · etching and drypoint ·  Accession ID  1943.3.7193

This image depicts a person standing in a regal pose. The person has a stern facial expression with a prominent nose and chin, and wears a papal tiara with three crowns and a cross. Their hair is slightly curled. They wear detailed regal robes, including a cape and tunic. They hold a triple cross staff, indicating religious authority. The background is plain with a tiled floor and decorative script at the bottom.
Israhel van Meckenem, Saint Cornelius, c. 1470, engraving, Rosenwald Collection, 1943.3.134

Saint Cornelius

Israhel van Meckenem · c. 1470 · engraving ·  Accession ID  1943.3.134

It is a drawing of a central figure standing on a stone slab, holding a staff or banner in its left hand. Surrounding the slab are armored figures in various poses. The composition uses strong lines and hatching for texture.
Albrecht Altdorfer, The Resurrection, c. 1513, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.143

The Resurrection

Albrecht Altdorfer · c. 1513 · woodcut on laid paper ·  Accession ID  1941.1.143

This is a drawing of a group of people gathered in an architectural setting. The composition features a series of figures in a dark, arched interior space, rendered in a highly detailed black and white line work. The drawing focuses on an interaction involving books and scrolls. In the foreground, a few individuals are engaged in reading and discussing around a sitting figure, while in the background, additional figures seem to be gathering or in conversation. The detailed hatching and cross-hatching create depth and shadow, emphasizing the arches above and the texture of the clothing of the figures.
Albrecht Altdorfer, Christ Disputing with the Doctors, c. 1513, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.122

Christ Disputing with the Doctors

Albrecht Altdorfer · c. 1513 · woodcut on laid paper ·  Accession ID  1941.1.122

The image shows two individuals embracing under an archway. One person faces the viewer with their upper body turned, while the other has their back mostly to the viewer. The individuals have stylized hair and are dressed in long garments. One person is holding a circular object. The setting includes an architectural backdrop with arches, windows, and foliage. In the background, distant structures and landscape elements can be seen.
Albrecht Altdorfer, Joachim Embracing Anna, c. 1513, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.113

Joachim Embracing Anna

Albrecht Altdorfer · c. 1513 · woodcut on laid paper ·  Accession ID  1941.1.113

The image shows a nude individual with a cloth around the waist, reaching out towards a fire burning in a bowl on a pedestal. The individual wears a decorated helmet with feathers and has a focused expression. The background features swirling lines and patterns.
Albrecht Altdorfer, Mucius Scaevola Burning His Hand, c. 1520/1530, engraving on laid paper, Rosenwald Collection, 1943.3.409

Mucius Scaevola Burning His Hand

Albrecht Altdorfer · c. 1520/1530 · engraving on laid paper ·  Accession ID  1943.3.409

Drawing of classical figures among tombs and ruins. The scene includes draped figures gathered around a column with the inscription "TEMPORALITAS AETERNITAS". Detailed renderings of architectural ruins, stone statues, and vegetation in the background. The figures appear engaged in an activity or conversation, with one standing in a commanding posture. The work is executed in fine lines, capturing fabric and stone texture with precision. Themes of time, memory, and antiquity are evoked.
Giovanni Benedetto Castiglione, Giovanni Giacomo de Rossi, Temporalis Aeternitas, 1645, etching on laid paper, Gift of Alessandra Manning Dolnier, 2018.113.26

Temporalis Aeternitas

Giovanni Benedetto Castiglione, Giovanni Giacomo de Rossi · 1645 · etching on laid paper ·  Accession ID  2018.113.26

The image depicts an etching of a person seated on a wooden chair. The person is facing forward with both arms resting, the left arm slightly higher than the right. They have a calm expression with defined facial features, including eyes, a nose, and slightly opened lips. Their shoulder-length wavy hair is partially visible under a wide-brimmed hat casting a shadow on the face. The person is wearing a buttoned shirt with a visible collar and a draped cloak, showing folds and texture. There is no visible jewelry or items held by the person. The background is plain with minimal etching lines, focusing on the person as the central subject.
Rembrandt van Rijn, Clement de Jonghe, 1651, etching, drypoint and burin on laid paper, Rosenwald Collection, 1964.8.1425

Clement de Jonghe

Rembrandt van Rijn · 1651 · etching, drypoint and burin on laid paper ·  Accession ID  1964.8.1425

This drawing features figures in a dimly lit interior space with an arch and stairs. The scene depicts a group of figures gathered around an object. The figures wear detailed clothing and the setting suggests a historical or fantastical context. The architectural structure includes an arched ceiling and staircase, with shading adding depth. The style uses fine lines and hatching typical of traditional woodcut or engraving techniques.
Albrecht Altdorfer, Presentation of the Virgin, c. 1513, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.114

Presentation of the Virgin

Albrecht Altdorfer · c. 1513 · woodcut on laid paper ·  Accession ID  1941.1.114

This is a drawing of three figures engaged in a scene of violence. The image shows two men attacking a third individual, who is bound to a column. The scene is detailed with black and white hatching and crosshatching techniques, and features a background with a stone or brick archway leading into another space.
Albrecht Altdorfer, The Flagellation of Christ, c. 1513, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.131

The Flagellation of Christ

Albrecht Altdorfer · c. 1513 · woodcut on laid paper ·  Accession ID  1941.1.131