Provenance

Aaron I. Fleischman

Explore Selected Works

See all 15 works of art
Jacques Villon, Chess Board, 1920, etching in black on wove paper, Gift of Aaron I. Fleischman, 2001.52.1

Chess Board

Jacques Villon · 1920 · etching in black on wove paper ·  Accession ID  2001.52.1

Joseph Stella, Scallions, 1919, silverpoint and crayon on wove paper, Gift of Aaron I. Fleischman, 2004.102.1

Scallions

Joseph Stella · 1919 · silverpoint and crayon on wove paper ·  Accession ID  2004.102.1

Sharon Lockhart, NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3), 2003, chromogenic print, Gift of Aaron I. Fleischman, 2008.120.1.1

NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3)

Sharon Lockhart · 2003 · chromogenic print ·  Accession ID  2008.120.1.1

Sharon Lockhart, NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3), 2003, chromogenic print, Gift of Aaron I. Fleischman, 2008.120.1.2

NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3)

Sharon Lockhart · 2003 · chromogenic print ·  Accession ID  2008.120.1.2

Robert Motherwell, Personnage, 1945, oil on canvas board, Gift of Aaron I. Fleischman, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.44.1

Personnage

Robert Motherwell · 1945 · oil on canvas board ·  Accession ID  1991.44.1

A canvas painted pale pink, straw yellow, and cobalt blue is stretched over a support shaped like a letter V with rippling sides in this abstract composition. A wobbly ring of yellow across the top suggests an opening. A red line or tube curves from the right rim to the top, and then into the vessel. The other end of the red tube coils in a tight curl and is visible through a square opening at the middle of the painting. A yellow rectangle is to the left and a yellow square to the right of the opening. Both are outlined in blue, and a blue-zigzagging line slices down the length of the painting. A hollow-centered yellow circle, also outlined in blue, is at the bottom center. After closer inspection, we find that the blue zigzagging line appears to be a cut separating the two halves that fit together like puzzle pieces.
Elizabeth Murray, Careless Love, 1995-1996, oil on canvas over shaped wooden support, The Aaron I. Fleischman Fund, 1996.28.1

Careless Love

Elizabeth Murray · 1995-1996 · oil on canvas over shaped wooden support ·  Accession ID  1996.28.1

Sharon Lockhart, NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3), 2003, chromogenic print, Gift of Aaron I. Fleischman, 2008.120.1.3

NÕ-no Ikebana, arranged by Haruko Takeichi, December 1, 2002 (December 2-3)

Sharon Lockhart · 2003 · chromogenic print ·  Accession ID  2008.120.1.3

Ilya Bolotowsky, Cobalt Green, 1939, oil on canvas, Gift (Partial and Promised) of Aaron I. Fleischman in memory of his mother, Esther W. Fleischman, 1991.191.1

Cobalt Green

Ilya Bolotowsky · 1939 · oil on canvas ·  Accession ID  1991.191.1

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Some Feeling of Threat, Some Sense of Menace

Julião Sarmento · 1998 · resin, glass-reinforced plastic, fabric, acrylic, leather, and metal ·  Accession ID  2014.143.1

Robert Delaunay, Saint-Séverin, 1923-1925, lithograph in black and sepia on wove paper, Gift of Aaron I. Fleischman, 2014.122.1

Saint-Séverin

Robert Delaunay · 1923-1925 · lithograph in black and sepia on wove paper ·  Accession ID  2014.122.1