Lionel William Neeld

British

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An elderly woman sits on a small stool and four children stand along the foreground of a landscape with rolling, olive-green fields leading back to low, slate-gray mountains in this nearly square painting. The horizon comes about halfway up the painting, and the sky above is filled with a sheet of steel-gray clouds that break to reveal patches of ice-blue sky. Closest to us and along the left edge of the painting, the woman sits near a structure with a fragment of wall and a column that could be made from tan-colored stone. The woman faces our right in profile and looks at or toward three children gathered on a low hill to our right. Her lined face is partially cast in shadow by her white bonnet, but her skin is yellowed where the light falls across the side closer to us. A wide, white collar lies over the shoulders of her muted, plum-purple jacket, which is tied with a narrow red belt. Her hands rest in the lap of her full, moss-green skirt that falls to her feet and covers most of the stool. To our right, two boys and a little girl stand on a low hill. They all stand with their bodies angled to our right, and all have pale skin and brown hair. To our left in the trio, the young girl wears a royal-blue dress with brick-red, long sleeves and a wide, white collar, cuffs, and cap. Next to her, a slightly older boy wearing gray knee-britches, a honey-orange jacket with a white collar, and a blue tricorn hat looks down and plays a thin pipe. His jacket is torn at the elbows, revealing a red shirt beneath. To our right, the oldest boy wears a brown cloak over a gray jacket, tan trousers, and a tan brimmed hat. He holds his right arm, closer to us, across his chest as he touches an instrument nestled in the crook of his other elbow. Another bareheaded boy wearing a red shirt and blue trousers walks beyond this trio, holding a short pole over one shoulder and a brimmed hat in his other hand. He walks to our left and looks to the horizon. More people with sheep, cows, and a person on horseback dot the rolling fields that stretch back to low hills. One house sits next to a line of trees to the left of center, in the middle distance, and more buildings, including a church spire, cluster on the horizon to our right.
Louis Le Nain, Landscape with Peasants, c. 1640, oil on canvas, Samuel H. Kress Collection, 1946.7.11

Landscape with Peasants

Louis Le Nain · c. 1640 · oil on canvas ·  Accession ID  1946.7.11

Shown from the hips up, a woman with pale skin, wearing a sapphire-blue gown, looks over her left shoulder at us in this vertical portrait painting. Her body faces our left in profile, and she looks at us from the corners of her large, hooded, gray eyes. She has an oval face with a straight nose, rosy cheeks, and her full, pink lips are closed. Wisps of brown hair fall across her forehead, and her face and neck are framed by a cloud of soft curls tied with a royal-blue bow over the ear on the side we can see. Around her neck is a cream-white pearl choker necklace. Her low-cut bodice is lined with transparent parchment-white fabric, which she holds at her chest with her right hand, farther from us. We see one blousy sleeve of her blue, satin dress, and the sleeve is tied at the elbow. Equally blousy white sleeves cover her forearms. With her left hand, closer to us, she holds a wreath of orange, pale blue, deep pink, and white flowers down by her waist. She is lit from the upper left, and the background behind her is dark in shadow. A patterned curtain hangs along the left edge of the painting.
Sébastien Bourdon, Countess Ebba Sparre, 1652/1653, oil on canvas, Samuel H. Kress Collection, 1952.5.34

Countess Ebba Sparre

Sébastien Bourdon · 1652/1653 · oil on canvas ·  Accession ID  1952.5.34