Charles Paravey

French, 1798 - 1877

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A woman kneels, angled to our left, and tips her face down toward a naked baby propped on a pillow against a pile of hay in a shed-like structure in this round painting. The woman and baby have pale skin, blond hair, and their heads are surrounded with gold halos. The woman’s arms cross her chest as she looks down, her eyes nearly closed. She has high cheekbones, a narrow chin, a long, straight nose, and her pale lips are closed. Her long hair tucks under the neck of her aquamarine-blue cloak, which covers her coral-red dress. The dress and robe pool around her legs and under the baby, near her knees to our left. The baby has rounded cheeks and his belly and legs are pudgy. His hands and arms stretch up to the woman and his head is tilted dramatically back to look up at her. One foot, farther from us, kicks out and the other knee is bent. The woman and baby are on a grassy area supported and framed by concrete-gray blocks, over an arched doorway below. The stone blocks also enclose an area housing a donkey and ox to our left. There is a thatched roof above and a landscape with rolling hills and a river beyond.
Sandro Botticelli, The Virgin Adoring the Child, 1480/1490, tempera on poplar panel, Samuel H. Kress Collection, 1952.2.4

The Virgin Adoring the Child

Sandro Botticelli · 1480/1490 · tempera on poplar panel ·  Accession ID  1952.2.4

Albrecht Dürer, The Virgin Annunciate, 1495/1499, pen and brown ink on laid paper, Woodner Collection, 1993.51.1

The Virgin Annunciate

Albrecht Dürer · 1495/1499 · pen and brown ink on laid paper ·  Accession ID  1993.51.1