Provenance

Mr. Edward J. Lenkin

Explore selected works

See all 18 works of art
This sepia-toned photograph shows a street lined with buildings leading towards a distant cathedral. The buildings closest to us appear to be made of brick and have white windows. The street leads off to the left, towards the grand cathedral in the background. The view is from street level, and the photograph has a grainy texture.
William Henry Fox Talbot, A Scene in York: York Minster from Lop Lane, 1845, salted paper print, Edward J. Lenkin Fund, Melvin and Thelma Lenkin Fund and Stephen G. Stein Fund, 2011.57.1

A Scene in York: York Minster from Lop Lane

William Henry Fox Talbot · 1845 · salted paper print ·  Accession ID  2011.57.1

The image shows sand dunes from a slightly elevated angle. The horizon is visible near the top, with undulating dunes meeting a distant mountain range. Ripples in the sand create a textured surface with contrasting light and shadow. Darkened hollows and illuminated crests of the dunes create a monochromatic composition in varying shades of black, white, and gray.
Edward Weston, Dunes, Oceano, 1936, gelatin silver print, Gift (Partial and Promised) from a Private Collection, 1991.41.1

Dunes, Oceano

Edward Weston · 1936 · gelatin silver print ·  Accession ID  1991.41.1

This is a black-and-white photograph of a group of people standing in line in front of a tall metal fence. The setting appears to be outdoors, with sunlight casting shadows. The individuals are dressed in simple, baggy clothing, with a mix of hats, scarves, shirts, simple dresses, and trousers. They are almost all facing away from us, but we see two people in profile, looking to the right. Many of the people appear to have dark skin, although the dramatic shadows make it hard to tell. In the background, a banner with partially visible text can be seen behind the tall fence.
Walker Evans, The Breadline, 1933, gelatin silver print, Gift of Katherine L. Meier and Edward J. Lenkin, 1991.173.1

The Breadline

Walker Evans · 1933 · gelatin silver print ·  Accession ID  1991.173.1

The image displays two traditional buildings with detailed architectural features. A tall palm tree is situated between the buildings, and lush greenery can be seen beyond them. The image has a monochromatic palette with sepia tones.
Linnaeus Tripe, Amerapoora: View amongst the Pagodas near the Statue, September 1–October 21, 1855, albumen silver print, Edward J. Lenkin Fund, 2012.87.29

Amerapoora: View amongst the Pagodas near the Statue

Linnaeus Tripe · September 1–October 21, 1855 · albumen silver print ·  Accession ID  2012.87.29

The image shows a rustic village scene with thatched roof huts on the right side. Tall palm trees stand out against the low horizon. A large tree occupies the left side of the image, while the huts are made of natural materials with woven walls and thatched roofs. The color scheme is monochromatic with earthy browns and grays. Shadows and light create texture, and an open pathway leads from the tree to the huts. In the distance, more trees and fields are visible.
Linnaeus Tripe, Amerapoora: Barracks of the Burmese Guard, September 1–October 21, 1855, albumen silver print, Edward J. Lenkin Fund, 2012.87.27

Amerapoora: Barracks of the Burmese Guard

Linnaeus Tripe · September 1–October 21, 1855 · albumen silver print ·  Accession ID  2012.87.27

The image shows a still waterway stretching into the distance. The horizon is high, with flat land, distant hills, and a cloudy sky. Faint outlines of architectural structures with pointed roofs lie on the horizon. The image has a slightly grainy texture and sepia tones. The water reflects the sky, and a sloped embankment leads to a fenced area with a thatched roof structure and palm trees.
Linnaeus Tripe, Amerapoora: South Ditch of the City Wall, September 1–October 21, 1855, albumen silver print, Edward J. Lenkin Fund, 2012.87.20

Amerapoora: South Ditch of the City Wall

Linnaeus Tripe · September 1–October 21, 1855 · albumen silver print ·  Accession ID  2012.87.20

The image shows the Court of the Lions in the Alhambra, Granada. The view is from inside a shaded colonnade looking towards the courtyard. Columns separate the view, and the Lion Fountain is in the center. The courtyard features intricate columns and arches in a black and white photograph with high contrast, emphasizing light and shadow. The composition showcases the elegance and symmetry of the Moorish design elements.
Louis De Clercq, Cour des Lions, Grenade, Alhambra (Court of the Lions, Granada, Alhambra), 1859, printed 1860, albumen silver print, Edward J. Lenkin Fund, 2017.101.2

Cour des Lions, Grenade, Alhambra (Court of the Lions, Granada, Alhambra)

Louis De Clercq · 1859, printed 1860 · albumen silver print ·  Accession ID  2017.101.2

The image shows an architectural structure viewed from ground level. The building is a traditional palace with ornate, tiered roofs and intricate carvings. The horizon is low in the frame, emphasizing the roofline which stretches horizontally. The sky is overcast with soft clouds, casting subtle shadows. The image has a historical appearance, possibly with a sepia tone. It is dominated by shades of brown and grey, enhancing the vintage feel. The surroundings are simple, with posts and pathways leading to the building. Trees can be seen in the distance on either side, framing the architectural silhouette against the sky.
Linnaeus Tripe, Amerapoora: Magwe Wundouk Kyoung, September 1–October 21, 1855, albumen silver print, Edward J. Lenkin Fund, 2012.87.21

Amerapoora: Magwe Wundouk Kyoung

Linnaeus Tripe · September 1–October 21, 1855 · albumen silver print ·  Accession ID  2012.87.21

The image displays a panoramic view from an elevated point, overlooking a settlement with multiple thatched-roof buildings and scattered palm trees. The horizon is positioned in the middle, with rooftops and tree tops forming a line. It seems to be a historical photograph with a focus on capturing details with a soft focus. The color palette is in sepia tones, giving an antiqued feel. The terrain slopes gently upwards in the foreground, framing the scene. In the distance, trees and buildings blend with the sky on the horizon.
Linnaeus Tripe, Rangoon: View of the Cantonment, November 1855, 2 albumen silver prints mounted on 3 panels, Edward J. Lenkin Fund, 2012.87.17

Rangoon: View of the Cantonment

Linnaeus Tripe · November 1855 · 2 albumen silver prints mounted on 3 panels ·  Accession ID  2012.87.17

The image shows a traditional building with a thatched roof positioned slightly right of center. Tall palm trees with sparse fronds rise above the building, dominating the skyline and infringing into the sky. The horizon is obscured by trees and foliage surrounding the structure. The ground is dusty, leading to the raised construction supported by numerous pillars. The structure is slightly elevated with a ramp on the right side and a partially enclosed balcony visible. The color palette is monochromatic with a sepia tone, giving a vintage feel. The image displays detailed photographic quality with a contrast between the structure's texture and the smooth sky.
Linnaeus Tripe, Amerapoora: Portico of the Residency, September 1–October 21, 1855, albumen silver print, Edward J. Lenkin Fund, 2012.87.25

Amerapoora: Portico of the Residency

Linnaeus Tripe · September 1–October 21, 1855 · albumen silver print ·  Accession ID  2012.87.25