Provenance

Egisto Fabbri

American, 1866 - 1933

Explore Selected Works

Honoré Daumier, French Theater, c. 1856, oil on wood, Chester Dale Collection, 1963.10.13

French Theater

Honoré Daumier · c. 1856 · oil on wood ·  Accession ID  1963.10.13

Shown from the thighs up, a boy wearing a crimson-red waistcoat stands against swags of fabric painted with visible strokes in white, sky blue, harvest yellow, and sage green in this loosely painted, vertical portrait. Painted with choppy brushstrokes, the boy has pale, ivory-white skin, blushing pink cheeks, pursed lips, faint eyebrows, and topaz-blue eyes that gaze down to our right. His shoulder-length, dark brown hair is tucked behind one ear under a brown wide-brimmed hat. His red waistcoat is worn over a long-sleeved, slate-blue shirt. The collar of his skirt is slightly flipped up on his right side, to our left, and a swipe of cobalt blue suggests a tie or scarf between the lapels. A band of sapphire blue could be a belt above olive-green trousers, and dashes of navy blue create shadows. His right hand, to our left, is planted on that hip. The other arm hangs straight and loose by his side, those fingertips almost brushing the bottom edge of the canvas. The boy’s body is outlined in dark blue. The drapery behind him falls in folds that sweep gently to our right. The background is painted with patches and swipes of cool blues and greens, and pale golden yellow. One swag of the drapery, over the shoulder to our left, is painted with a loose pattern suggesting leaves. One back post and a sliver of the curving back of a wooden chair peeks into the composition in the lower left corner.
Paul Cezanne, Boy in a Red Waistcoat, 1888-1890, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.47.5

Boy in a Red Waistcoat

Paul Cezanne · 1888-1890 · oil on canvas ·  Accession ID  1995.47.5

Shown from the chest up, a young boy wearing an aquamarine-blue jacket sits facing us in this vertical portrait painting. His body is slightly angled to our right and he looks just over our right shoulder. He has close-cropped, dark hair. His features and clothing are painted in patchworks of colors. For example, his pale face is painted with swipes of peach, straw yellow, stone blue, and olive green, especially around his large, dark eyes and small, cherry-red mouth. The scarf knotted around his neck is painted with daubs of light and azure blue, teal, putty gray, and white. His voluminous jacket has touches of red, blue, and lighter shades of green. He sits in a corner with walls washed with shades of aqua and turquoise. The rail of a brown chair curves behind his right shoulder, on our left, and is cut off by the left edge of the canvas. A cluster of darker green, leaf-like shapes suggest a design on the wall to our right.
Paul Cezanne, Louis Guillaume, 1879-1890, oil on canvas, Chester Dale Collection, 1963.10.101

Louis Guillaume

Paul Cezanne · 1879-1890 · oil on canvas ·  Accession ID  1963.10.101

We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting. Painted with thin, loose strokes of moss and pine green, pale topaz and denim blue, and black, many of the details are indistinct. The cream-white houses have dark roofs and are nearly engulfed by tall, lush trees that reach nearly to the top of the canvas. Fog-gray clouds float against a watery blue sky above. The green of the trees is reflected in the water below, where some of the canvas remains unpainted, especially in the lower left corner. A crimson-red blotch appears over the houses.
Paul Cezanne, At the Water's Edge, c. 1890, oil on canvas, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, 1972.9.1

At the Water's Edge

Paul Cezanne · c. 1890 · oil on canvas ·  Accession ID  1972.9.1

Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway up this nearly square landscape painting. The field is painted with visible brushstrokes of sage, moss, and mint green as well as caramel brown, parchment white, and turquoise blue. The trees, to our left of center, are painted with dark green. The buildings have charcoal-gray or terracotta-red roofs with cream-white or slate-blue walls. The sky above is painted with dabs and strokes of ice and baby blue, with areas of pale peach and ivory white to suggest clouds.
Paul Cezanne, Landscape near Paris, c. 1876, oil on canvas, Chester Dale Collection, 1963.10.103

Landscape near Paris

Paul Cezanne · c. 1876 · oil on canvas ·  Accession ID  1963.10.103

Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky. The artist applied the paint with regular, parallel, straight strokes.
Paul Cezanne, Houses in Provence: The Riaux Valley near L'Estaque, c. 1883, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1973.68.1

Houses in Provence: The Riaux Valley near L'Estaque

Paul Cezanne · c. 1883 · oil on canvas ·  Accession ID  1973.68.1

Bibliography

1920

  • "Cézanne della Raccolta Fabbri", Dedalo 1 (June 1920):53-70

1937

  • La Farge, Mabel. Egisto Fabbri. Privately printed, New Haven, 1937

1978

  • Monneret, Sophie, L'Impressionnisme et son Époque 4 vols. Paris, 1978-1981:I:203

1989

  • Rewald, John. Cezanne and America. Princeton, 1989:24+

1995

  • Cezanne. Exh. cat. Galeries nationales du Grand Palais, Paris, 1995:572