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Dalzell Hatfield Galleries

Dalzell Hatfield Galleries

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The painting depicts four large vases, each holding large, stylized flowers. There are large white flowers with red and yellow centers, a round yellow flower with a blue center, a red and white flower with red lines in the center, and a small red flower. The first vase on the left is brown with white spots, the second is white with a blue circle, the third is bright blue, and the fourth is tan. Along with the flowers, the vases are filled with tall, dark green leaves. The vases stand on a brown surface, and the wall in the background is painted in a neutral light gray color. There appears to be a poster or image on the wall that shows a green shape with red circles on it. The brushstrokes in this image are large and visible.
Gabriele Münter, Christmas Still Life, 1937, oil on cardboard, Gift of Virginia Steele Scott, 1973.2.2

Christmas Still Life

Gabriele Münter · 1937 · oil on cardboard ·  Accession ID  1973.2.2

This painting shows a young woman's upper body from the torso up. She is seated and facing the right, with her face seen in profile and one arm bent in front of her, seeming to rest on a brown table or surface. She has pale skin, round, rosy cheeks, a small nose, and pink lips that are slightly parted. Her brown hair is styled into a smooth, glossy bun at the nape of her neck. She is wearing a white garment with thin straps over her shoulders. The background features a yellow section on the bottom half, and on the top half is a colorful, abstract pattern with large, soft, swirling forms in shades of orange and red on a blue-gray background with hints of green.
Auguste Renoir, Head of a Young Girl, c. 1890, oil on canvas, Gift of Vladimir Horowitz, 1948.18.1

Head of a Young Girl

Auguste Renoir · c. 1890 · oil on canvas ·  Accession ID  1948.18.1

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape. The painting is created almost entirely with patches of vibrant colors mostly in burnt orange, peach, salmon pink, cobalt and sky blue, and lime and spring green. Most of the patches are applied with visible vertical strokes. Areas of unpainted canvas create white patches, especially on and around the path in front of us. The tall formation to our left is painted mostly in oranges and pinks. The trees in the valley are painted entirely with blues and greens, and the low hill enclosing the scene in the distance comes about three-quarters of the way up the canvas. The sky above is blocked in with pale aquamarine blue and a few touches of shell pink along the horizon.
Paul Cezanne, The Bend in the Road, 1900/1906, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1985.64.8

The Bend in the Road

Paul Cezanne · 1900/1906 · oil on canvas ·  Accession ID  1985.64.8

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Princess Menen

Sir Jacob Epstein · 1949 · bronze ·  Accession ID  1973.2.3