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Francine Schear Linde

Linde, Frankye

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The image shows the upper part of a woman's body facing forward with a slight turn, smiling widely. She has short, voluminous, slightly curly hair and is wearing a light-colored hat. She is dressed in a coat with a darker collar. In the background, a man with short, dark hair is partially visible. The image has a grainy texture and a vintage print-like quality.
Andy Warhol, Knickerbocker Machine & Foundry, Original Editions, Jacqueline Kennedy I, 1966, screenprint in silver on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.2

Jacqueline Kennedy I

Andy Warhol, Knickerbocker Machine & Foundry, Original Editions · 1966 · screenprint in silver on wove paper ·  Accession ID  1991.239.1.2

The image displays bold, thick lines with geometric curves and shapes in red and black on a white background. The composition includes red elements resembling two large mirrored 'L' shapes at the sides and a central black shape in an hourglass form.
Gerald Laing, Knickerbocker Machine & Foundry, Original Editions, Compact, 1965 (published 1966), screenprint with mylar collage on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.10

Compact

Gerald Laing, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint with mylar collage on wove paper ·  Accession ID  1991.239.1.10

The image shows an illustration of a woman on her knees with her torso turned slightly to the left. She has a smile, closed eyes, dark, wavy hair, and is wearing dark undergarments. The background features a white rectangle framing the woman, surrounded by stylized pink and blue hands against a dark blue background.
Peter Phillips, Knickerbocker Machine & Foundry, Original Editions, Custom Print I, 1965 (published 1966), screenprint on alufoil, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.6

Custom Print I

Peter Phillips, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on alufoil ·  Accession ID  1991.239.1.6

The image shows overlapping circular shapes and lines in an abstract arrangement with colors such as pinks, purples, greens, and oranges. Small white circles with the letters "GE" in a script-like font are scattered throughout the composition.
James Rosenquist, Knickerbocker Machine & Foundry, Original Editions, Circles of Confusion, 1965 (published 1966), color screenprint on Beckett wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.8

Circles of Confusion

James Rosenquist, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · color screenprint on Beckett wove paper ·  Accession ID  1991.239.1.8

The image displays a composition of curved and angular shapes layered together in a fragmented manner. Shapes and lines create a collage of clothing, limbs, and accessories. At the center is a red Marlboro cigarette box against a grayscale pattern. Other fragments resemble fashion elements like garments, a high heel, and a gloved hand akin to magazine cutouts, blending real and stylized elements in this abstract artwork.
Jim Dine, Knickerbocker Machine & Foundry, Original Editions, Awl, 1965 (published 1966), screenprint in black and red on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.5

Awl

Jim Dine, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint in black and red on wove paper ·  Accession ID  1991.239.1.5

The artwork features three photographs arranged diagonally across the canvas showing desert landscapes with large cacti. Two photographs display a person in a cowboy hat leaning against a cactus. The background is minimalistic with a blue sky at the top and a white foreground. In the bottom right corner, there is an image resembling a postcard or form for writing. The top section shows stylized painted cacti on a blue background. This painting is in the style of David Hockney.
Allen Jones, Knickerbocker Machine & Foundry, Original Editions, Miss America, 1965 (published 1966), color lithograph on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.11

Miss America

Allen Jones, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · color lithograph on wove paper ·  Accession ID  1991.239.1.11

This is a photograph of a book cover. The image shows an orange cover with two purple graphics: a circle with the number '11' on the left and a triangle with the text 'POP Artists' on the right. There is a black ribbon tied on the right edge of the book.
Various Artists, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Allan D'Arcangelo, Jim Dine, Peter Phillips, John Wesley, James Rosenquist, Mel Ramos, Gerald Laing, Allen Jones, Knickerbocker Machine & Foundry, Original Editions, 11 Pop Artists, Volume I, 1966, portfolio of eleven prints with title and colophon pages, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.1-11

11 Pop Artists, Volume I

Various Artists, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Allan D'Arcangelo, Jim Dine, Peter Phillips, John Wesley, James Rosenquist, Mel Ramos, Gerald Laing, Allen Jones, Knickerbocker Machine & Foundry, Original Editions · 1966 · portfolio of eleven prints with title and colophon pages ·  Accession ID  1991.239.1.1-11

The image depicts a woman's upper body from her shoulders upwards. She is slightly turned to the side, with her head facing forward and looking directly at the viewer. Her facial features include large eyes, a straight nose, and full lips painted a bright pink. She has light blonde hair styled in voluminous waves cascading down around her shoulders. The woman appears to be without clothing, as her bare shoulders and arms are visible, suggesting a state of undress. Her arms are raised in front of her, with her hands beneath her chin. The background is a solid, vibrant pink with the word "CHIC" in orange letters. There are no visible accessories or objects in her hands, and the setting is purely graphic with no specific environmental context provided.
Mel Ramos, Knickerbocker Machine & Foundry, Original Editions, Chic, 1965 (published 1966), screenprint on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.9

Chic

Mel Ramos, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on wove paper ·  Accession ID  1991.239.1.9

The image shows rectangular and triangular shapes with clean lines. A large green rectangle is central with a black arrow pointing upward. Flanking the rectangle are thin vertical green panels with jagged edges on top. The background contrasts a blue sky at the top and bold black geometric forms below.
Allan D'Arcangelo, Knickerbocker Machine & Foundry, Original Editions, Landscape I, 1965 (published 1966), screenprint on wove paper, Gift of Francine Schear Linde, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.239.1.4

Landscape I

Allan D'Arcangelo, Knickerbocker Machine & Foundry, Original Editions · 1965 (published 1966) · screenprint on wove paper ·  Accession ID  1991.239.1.4

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New York at Night

Berenice Abbott · c. 1932, printed 1970s · gelatin silver print ·  Accession ID  1998.89.1