Provenance

Sir Thomas Lawrence

British, 1769 - 1830

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English portrait painter (1769–1830)

Explore Selected Works

See all 22 works of art
Lodovico Carracci, The Nativity with Saints Francis and Agnes, c. 1605, pen and brown ink and brown wash with white heightening over black chalk; traces of incising, Adolph Caspar Miller Fund, 1975.52.1

The Nativity with Saints Francis and Agnes

Lodovico Carracci · c. 1605 · pen and brown ink and brown wash with white heightening over black chalk; traces of incising ·  Accession ID  1975.52.1

Pietro Testa, The Prophecy of Basilides, c. 1648/1649, pen and brown ink with black and brown washes over black chalk with traces of red chalk, on two joined sheets of greenish-blue laid paper, squared in red chalk, laid down on old mount, William B. O'Neal Fund and Gift of Funds from Ann and Matthew Nimetz, and from Andrea Woodner, 2022.160.1

The Prophecy of Basilides

Pietro Testa · c. 1648/1649 · pen and brown ink with black and brown washes over black chalk with traces of red chalk, on two joined sheets of greenish-blue laid paper, squared in red chalk, laid down on old mount ·  Accession ID  2022.160.1

Luca Cambiaso, The Virgin in Glory, c. 1563/1564, pen and brown ink on laid paper, laid down, The Edith Tanenbaum Rudolf Collection, 2018.26.3

The Virgin in Glory

Luca Cambiaso · c. 1563/1564 · pen and brown ink on laid paper, laid down ·  Accession ID  2018.26.3

Hans von Aachen, The Madonna Enthroned with Saint John the Baptist and Saint John the Evangelist, 1589, pen and brown ink with brown wash over traces of graphite, heightened with white gouache, incised throughout and verso reddened for transfer, on laid paper, Wolfgang Ratjen Collection, Purchased as the Gift of Ruth Cole Kainen, 2007.111.45

The Madonna Enthroned with Saint John the Baptist and Saint John the Evangelist

Hans von Aachen · 1589 · pen and brown ink with brown wash over traces of graphite, heightened with white gouache, incised throughout and verso reddened for transfer, on laid paper ·  Accession ID  2007.111.45

Giulio Romano, The Sacrifice of a Goat to Jupiter, c. 1527/1528, pen and brown ink with brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1973.47.1

The Sacrifice of a Goat to Jupiter

Giulio Romano · c. 1527/1528 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1973.47.1

Benozzo Gozzoli, A Hound Chasing a Hare, c. 1456/1459, pen and brown ink with traces of red chalk, heightened with white on pink prepared paper, Woodner Collection, Gift of Andrea Woodner, 2006.11.61

A Hound Chasing a Hare

Benozzo Gozzoli · c. 1456/1459 · pen and brown ink with traces of red chalk, heightened with white on pink prepared paper ·  Accession ID  2006.11.61

Lodovico Carracci, The Virgin and Child Appearing to Saints George and William, pen and brown ink with brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1972.49.3

The Virgin and Child Appearing to Saints George and William

Lodovico Carracci · · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1972.49.3

Biagio Pupini, The Adoration of the Magi, c.1525, pen and brown ink with brown and gray wash, heightened with white gouache on blue laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.148

The Adoration of the Magi

Biagio Pupini · c.1525 · pen and brown ink with brown and gray wash, heightened with white gouache on blue laid paper ·  Accession ID  2007.111.148

Agostino Carracci, Landscape with Two Washerwomen, 1580s, pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1978.19.1

Landscape with Two Washerwomen

Agostino Carracci · 1580s · pen and brown ink on laid paper ·  Accession ID  1978.19.1

Shown from the knees up, a pale-skinned woman wearing a black dress with white cuffs and a wide, starched collar sits in a wooden chair against a dark brown background in this vertical portrait painting. Her body faces us and she looks off to our left with brown eyes. She has slight jowls at her chin and her eyes, mouth, and forehead are lined. Her hair is pulled back under a close-fitting black cap. Extending straight from around her neck, her white collar is pleated into narrow figure-eights and nearly reaches her shoulders. She wears a brown stole over her velvety black dress, and both nearly blend with the dark background. She holds a pair of pince-nez spectacles in her right hand, which rests on a thick book in her lap. The spine faces her right, and the opposite edge is fastened with metal clasps. A braided cord affixed to the narrow end of the book near us creates a loop.
Rembrandt van Rijn, Dutch 17th Century, An Old Lady with a Book, 1637, oil on canvas, Andrew W. Mellon Collection, 1937.1.73

An Old Lady with a Book

Rembrandt van Rijn, Dutch 17th Century · 1637 · oil on canvas ·  Accession ID  1937.1.73

Bibliography

1831

  • Williams, D. E. Life and Correspondence of Sir Thomas Lawrence, Kt.. 2 vols. London, 1831.

1921

  • Ref Number: 2445
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.

1954

  • Garlick, Kenneth. Sir Thomas Lawrence. London, 1954.

1969

  • Millar, Sir Oliver. The Later Georgian Pictures in the Collection of Her Majesty the Queen. 2 vols. London, 1969: 1:59-79.

1979

  • Levey, Sir Michael. Sir Thomas Lawrence 1769-1830. Exh. cat. National Portrait Gallery, London, 1979.

1989

  • Garlick, Kenneth. Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings. Oxford, 1989.

1992

  • Hayes, John. British Paintings of the Sixteenth through Nineteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1992: 152-153.