Provenance

Joseph Fach OHG

Fach, Barbel
Galerie Joseph Fach GmBH

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See all 26 works of art
The image shows a landscape with rolling hills in the distance. In the foreground, there is a shepherd playing a flute under a tree, surrounded by sheep. Another tree is on the left, and there is a cluster of buildings, including a church, between the trees. The colors are predominantly blues, greens, and earth tones, creating a serene atmosphere. The sky is light blue with some clouds.
Jakob Wilhelm Huber, A Fortress in a Mountain Landscape at Sunrise, 1810, gouache with pen and black ink on wove paper, Ailsa Mellon Bruce Fund, 2011.34.2

A Fortress in a Mountain Landscape at Sunrise

Jakob Wilhelm Huber · 1810 · gouache with pen and black ink on wove paper ·  Accession ID  2011.34.2

The image displays a rocky landscape with scattered trees and a path leading to a rock formation with a religious icon. Fine pencil strokes depict detailed textures of foliage and rocks, with a monochrome palette of varying shades of gray creating depth and realism.
Friedrich Philipp Reinhold, A Wayside Shrine Carved into a Rocky Tor, 1821, graphite on cream laid paper, Ailsa Mellon Bruce Fund, 2001.46.1

A Wayside Shrine Carved into a Rocky Tor

Friedrich Philipp Reinhold · 1821 · graphite on cream laid paper ·  Accession ID  2001.46.1

This image shows an elevated view of a castle and a small town surrounding it on a hill. The horizon is unclear, possibly obscured by the hill. The artwork features delicate brushstrokes, light brown washes for shading, and warm earthy tones. Some distant structures are faintly outlined, while closer elements show intricate details such as pointed towers and rooftops.
Karl Julius von Leypold, Schloss Lindenfels bei Weinheim im Odenwald, graphite with brown wash on wove paper from a sketchbook, Ailsa Mellon Bruce Fund, 2013.94.6

Schloss Lindenfels bei Weinheim im Odenwald

Karl Julius von Leypold · · graphite with brown wash on wove paper from a sketchbook ·  Accession ID  2013.94.6

The image shows a large, dark cannon outdoors surrounded by wooden supports and sandy terrain, with coils of rope and a small wooden barrel in the foreground.
Carl Friedrich Heinrich Werner, Cannon by a Bulwark, 1849, watercolor and gouache over graphite on brown paper, Ailsa Mellon Bruce Fund, 2004.6.3

Cannon by a Bulwark

Carl Friedrich Heinrich Werner · 1849 · watercolor and gouache over graphite on brown paper ·  Accession ID  2004.6.3

The image is a pencil drawing of a landscape with boulders, rocky formations, trees, birds in the sky, and fishermen near a river or stream. The drawing features delicate branches, light brushstrokes, careful shading techniques, and a monochromatic color palette of varying shades of gray and black.
Johann Christoph Dietzsch, A Waterfall by Rock Cliffs, 1750s(?), black chalk with gray wash on laid paper, with black ink border, Ailsa Mellon Bruce Fund, 2012.69.2

A Waterfall by Rock Cliffs

Johann Christoph Dietzsch · 1750s(?) · black chalk with gray wash on laid paper, with black ink border ·  Accession ID  2012.69.2

The image shows a group of men gathered outdoors. Several men are seated while others stand around them. The central figure, seated on the left, is shown in profile, resting his chin in his hand, wearing simple, loose clothing with a hat, and holding a stick in his other hand. His features are drawn with narrow eyes and a prominent nose, with short hair showing beneath the hat. To his right, another seated man faces forward, leaning slightly with his elbows on knees, wearing similar attire with a head covering and holding a cane or stick. Standing around them, a few other men are shown in discussion, engaged with one another, each dressed in typical rural wear of the time, including simple shirts and pants, some wearing hats or caps. The background features a sparsely detailed landscape with a few trees, depicted in a sketch-like manner, giving an impression of a natural, open-air setting. There are no visible pieces of jewelry or other objects apart from the canes or sticks some figures hold.
Tiberius Dominikus Wocher, Self-Portrait with Country Folk from Appenzell, 1798, graphite with gray wash on laid paper, squared for transfer and mounted on an old album sheet, Ailsa Mellon Bruce Fund, 2007.51.1

Self-Portrait with Country Folk from Appenzell

Tiberius Dominikus Wocher · 1798 · graphite with gray wash on laid paper, squared for transfer and mounted on an old album sheet ·  Accession ID  2007.51.1

This is a drawing of a medieval kitchen scene with figures engaged in various culinary tasks. The image depicts a room with stone walls and a checkered floor, serving as the setting for a busy kitchen. Shelves hold jars and sacks, while barrels are stacked against the wall. On the left, a figure in flowing robes sits on a stool, using a pair of tongs to handle round objects on a cylindrical cooking stove. The central figure stands at a large wooden contraption, possibly a press, while another figure on the right kneels beside a set of barrels, attending to a container. The scene captures the activity and tools typical of a historical kitchen.
Edward Jakob von Steinle, Saint Wenzel Cooking Hosts as Two Youths Press Wine, 1866, black chalk with blue and gray wash on laid paper, Ailsa Mellon Bruce Fund, 2004.6.2

Saint Wenzel Cooking Hosts as Two Youths Press Wine

Edward Jakob von Steinle · 1866 · black chalk with blue and gray wash on laid paper ·  Accession ID  2004.6.2

In the image, there is a delicate sketch of a castle complex. The castle is centrally positioned, with detailed architectural features depicted in fine lines and minimal color. The horizon is suggested by the castle structures and faint shading below them. The artwork features light brushstrokes, possibly ink or pencil with soft watercolor elements. The color palette is muted, with light browns and soft greys against a cream background. There are no vivid colors present, creating a calm visual presentation. The large surrounding space of neutral paper enhances focus on the castle details.
Karl Julius von Leypold, Schloss Lauter zwischen Creutznach u. Zweibrücken an d. Lauter, graphite with brown wash on wove paper from a sketchbook, Ailsa Mellon Bruce Fund, 2013.94.1

Schloss Lauter zwischen Creutznach u. Zweibrücken an d. Lauter

Karl Julius von Leypold · · graphite with brown wash on wove paper from a sketchbook ·  Accession ID  2013.94.1

The image depicts the full back view of a person sitting on a horse. The person is wearing a black military-style uniform with red details, including a red collar and red cuffs. They have a high black helmet adorned with a white plume. The person is positioned in a side-saddle manner, leaning slightly to the left, with their left hand holding the reins or bridle near the horse's neck. They are carrying crossed white belts across their back, a sheathed sword attached to the left side of their waist, and additional silver-toned and red accessories strapped across their chest and waist. The background is plain and solid brown.
Franz Adam, A Mounted Cavalry Officer Seen from Behind, 1850s, oil paint on brown oiled paper, Ailsa Mellon Bruce Fund, 2010.130.1

A Mounted Cavalry Officer Seen from Behind

Franz Adam · 1850s · oil paint on brown oiled paper ·  Accession ID  2010.130.1

The image depicts an illustration of a man from the waist up. He is facing slightly left with his head turned towards the viewer, making direct eye contact. The man has a strong brow, deep-set eyes, a mustache, and a slight beard. His medium-length, wavy hair looks unkempt, falling over his forehead. He is wearing a double-breasted coat with a high collar. The background is plain and neutral, highlighting the man. Below the drawing are signature details and notes, including handwritten text and an artist's signature.
Wilhelm Joseph Heine, Gisbert Flüggen, 1830s, graphite on wove paper, Ailsa Mellon Bruce Fund, 2010.42.1

Gisbert Flüggen

Wilhelm Joseph Heine · 1830s · graphite on wove paper ·  Accession ID  2010.42.1