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Atlas Foundation

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This is a theater poster for a production titled "La Marche à l'Étoile" at the "Théatre du Chat Noir". The poster features bold typography with details about the show, including performance schedule, tableaux, musical, and poetic works. A silhouette illustration shows individuals leading animals, possibly shepherds with sheep. The background is tan with black text and imagery.
Henri Rivière, Poster for Le Chat Noir: La march à l'Étoile, 1894, stencil-colored photorelief in black and yellow on wove paper, Given in Memory of Martin Atlas by his Friends, 2011.13.1

Poster for Le Chat Noir: La march à l'Étoile

Henri Rivière · 1894 · stencil-colored photorelief in black and yellow on wove paper ·  Accession ID  2011.13.1

The image shows a waterfront view at dusk or dawn, overlooking the water towards the pier and city. The horizon is low in the image, just below the line of the pier and silhouetted cranes. The artwork style appears to use etching techniques with sharp lines and deep shadows. The color palette consists of dark tones, primarily blues and grays. The water reflects the dim light of a hidden or setting sun. There is a close structure resembling a dredger with a large wheel.
Henri-Charles Guérard, La Drague Dieppe (A Dredger in Dieppe Harbor by Moonlight), c. 1885, color etching and aquatint in blue and black on laid paper, Given in the Memory of Martin Atlas by his Friends, 2012.10.3

La Drague Dieppe (A Dredger in Dieppe Harbor by Moonlight)

Henri-Charles Guérard · c. 1885 · color etching and aquatint in blue and black on laid paper ·  Accession ID  2012.10.3

The image shows a panoramic landscape view from a slightly elevated perspective. The horizon is around one-third from the top of the image. Various landforms like hills and structures resembling a town or city with a spire are visible. The sketch features fine, linear brushstrokes outlining the hills and architectural elements against the sky. Muted earth tones are used for colors, giving a monochrome look with a warm undertone. Vegetation, rocky terrain, and open water are depicted closer to the viewer, hinting at a rugged landscape. In the distance, there are outlines of an island or peninsula and buildings, suggesting a coastal region with a harbor or bay.
Félix-Hilaire Buhot, Seascape with a Fortified City at Right, Islands at Left and a Cottage in the Foreground, c. 1882, gelatin sheet, Gift of The Atlas Foundation, 1975.103.1

Seascape with a Fortified City at Right, Islands at Left and a Cottage in the Foreground

Félix-Hilaire Buhot · c. 1882 · gelatin sheet ·  Accession ID  1975.103.1

The image is a sketch of a landscape from an elevated point of view, showing a city and its surroundings. The horizon is positioned in the upper third, with a line of buildings and a prominent spire in the city. Above the horizon, there are clouds with horizontal brushstrokes. Close to us, there are loosely sketched figures near a waterway. The technique is light pencil strokes for shading, with cross-hatching for depth and darker areas. The color palette is primarily tan and gray tones on paper.
Félix-Hilaire Buhot, Estuary with a Fortified Seaport at Left and Cliffs at Right, c. 1882, gelatin sheet, Gift of The Atlas Foundation, 1975.103.2

Estuary with a Fortified Seaport at Left and Cliffs at Right

Félix-Hilaire Buhot · c. 1882 · gelatin sheet ·  Accession ID  1975.103.2

This is a painting of a vintage theater poster. The poster advertises performances at "Theatre du Chat Noir" and features silhouettes of black cats against a light blue background. The central text block lists shows with titles such as "L'ENFANT PRODIGUE" and "LE ROI DEBARQUE!" indicating organized performances of musical and theatrical compositions. The borders of the poster display silhouettes of cats. This is in the style of Henri de Toulouse-Lautrec, known for his poster art with graphic designs and depictions of Parisian nightlife.
Henri Rivière, Poster for Le Chat Noir [L'enfant prodigue], c. 1895, stencil-colored photorelief in black and blue on buff wove paper, Given in Memory of Martin Atlas by his Friends, 2009.47.1

Poster for Le Chat Noir [L'enfant prodigue]

Henri Rivière · c. 1895 · stencil-colored photorelief in black and blue on buff wove paper ·  Accession ID  2009.47.1

This is a drawing of a canal scene. It shows a canal with a narrowboat floating along the water. On the left side, two figures are standing on the yellow ground. The image has soft pastel tones blending seamlessly, creating depth and movement. The drawing is framed by a rectangular border.
Henri-Gabriel Ibels, Study for the Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)", c. 1892, pastel, Given in Memory of Martin Atlas by his Friends, 2013.105.1

Study for the Theater Program for "Boubouroche" and "Valet de coeur (Jack of Hearts)"

Henri-Gabriel Ibels · c. 1892 · pastel ·  Accession ID  2013.105.1

The image shows a person in motion, appearing to be dancing. The person has one leg slightly raised, arms outstretched, and holding the hem of their flowing dress. They have long, curly hair, a serene expression with closed eyes, and wear a voluminous dress with detailed pleats and puffy sleeves. The person's feet are in dark stockings and shoes. The background is a plain textured surface.
Théo van Rysselberghe, Loïe Fuller, 1893, etching printed in brown on Japanese paper, Given in Memory of Martin Atlas by his Friends, 2011.43.1

Loïe Fuller

Théo van Rysselberghe · 1893 · etching printed in brown on Japanese paper ·  Accession ID  2011.43.1

This is a drawing of a feminine figure holding a branch and scythe with a series of text around the outline. The figure appears elongated and ethereal, occupying the central focus of the image. Around the female figure is text that reads "SOVHAIT - SOVHAIT", "AV GU I", "LE SIECLE NEVF", and "1901". The drawing is executed in a style reminiscent of Art Nouveau, with flowing lines and a focus on the natural, dynamic movement of the form. The background consists of a subtle texture that contrasts with the smoothness of the white silhouette of the figure. The monochromatic use of red-brown hue adds warmth and a vintage quality to the artwork.
Pierre Roche, Souhaits Souhaits au Gui Le Siecle Neuf (Best Wishes for the New Century), 1901, gypsograph printed in red on wove paper, Given in Memory of Martin Atlas by his Friends, 2012.19.3

Souhaits Souhaits au Gui Le Siecle Neuf (Best Wishes for the New Century)

Pierre Roche · 1901 · gypsograph printed in red on wove paper ·  Accession ID  2012.19.3

The artwork displays a tranquil landscape with a pastoral scene viewed from an elevated perspective. A serene stream reflects the sky, with two cows and a woman nearby. Further away, a group of cattle and people are seen on lush grassland. The horizon shows distant trees and a textured sky. Soft clouds fill the sky. The image uses fine etching techniques with intricate cross-hatching for texture and depth. The monochromatic palette conveys natural elements and lighting through shading, creating a timeless and contemplative mood.
Félix Bracquemond, Arnold & Tripp, Evening, 1882, etching and drypoint on Japanese paper, Gift of The Atlas Foundation, 1982.88.1

Evening

Félix Bracquemond, Arnold & Tripp · 1882 · etching and drypoint on Japanese paper ·  Accession ID  1982.88.1

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Cascade de la Marmora

Jean-Baptiste Isabey · 1822 · lithograph ·  Accession ID  1984.93.8