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The Armand Hammer Foundation

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This is a drawing featuring two scenarios - one at a tailor shop and the other at a hair salon. The top panel shows two people in the tailor shop with exaggerated, humorous interactions during a clothing fitting. The bottom panel depicts a scene in the hair salon with a comical hairdressing session. The illustrations are detailed and characterized by expressive, exaggerated characters in a satirical style. The scenes focus on humor in everyday tasks.
Honoré Daumier, Chez le tailleur chez le coiffeur, 1853, lithograph, Corcoran Collection (Gift of Dr. Armand Hammer), 2015.143.584

Chez le tailleur chez le coiffeur

Honoré Daumier · 1853 · lithograph ·  Accession ID  2015.143.584

The image shows two figures in seated and semi-reclined positions. The upper figure is an angelic presence with delicate facial features and wavy hair, cradling a book. The figure is draped in flowing garments with wings. Below, an older, bearded figure is shown with a bushy beard and long hair, holding a rosary and a hat. The setting is framed by abstract clouds or ethereal forms, with a dynamic background.
Giovanni Battista Tiepolo, Saint Jerome in the Desert Listening to the Angels, c. 1732, pen and brown ink with brown wash over black chalk, heightened with thick white gouache; ruled black chalk borders, on laid paper, The Armand Hammer Collection, 1991.217.9

Saint Jerome in the Desert Listening to the Angels

Giovanni Battista Tiepolo · c. 1732 · pen and brown ink with brown wash over black chalk, heightened with thick white gouache; ruled black chalk borders, on laid paper ·  Accession ID  1991.217.9

The image depicts the upper half of a person's body, focusing on the head, shoulders, and upper torso. The person is sitting in a relaxed position, with facial features outlined simply. The person's hair is dark and appears to be textured or curly. Their clothing seems loose with a wide neckline. The background is plain with no additional elements. The sketch is signed at the bottom right.
Pablo Picasso, Young Man [verso], c. 1906, pen and black ink on wove paper, The Armand Hammer Collection, 1991.217.71.b

Young Man [verso]

Pablo Picasso · c. 1906 · pen and black ink on wove paper ·  Accession ID  1991.217.71.b

This is a drawing of two women in elaborate dresses. The artwork depicts the women in dresses with voluminous crinolines. One of the women's skirts is lifted to reveal hidden goods such as bottles and food items underneath. The exaggerated fullness of the skirts suggests they are being used to transport concealed items. The style of the drawing emphasizes humor and social commentary, reflecting a satirical approach commonly found in 19th-century illustrations.
Honoré Daumier, De l'utilité de la crinoline pour frauder l'octroi, 1857, lithograph, Corcoran Collection (Gift of Dr. Armand Hammer), 2015.143.726

De l'utilité de la crinoline pour frauder l'octroi

Honoré Daumier · 1857 · lithograph ·  Accession ID  2015.143.726

The image depicts a detailed drawing of a person's head and shoulders. The individual is facing slightly to the side with their head tilted downwards. They have curly hair and wear a garment with visible stitches. There is a faint outline around the neck, suggesting a necklace or collar. The background is a textured surface.
Andrea del Sarto, Head of a Woman, c. 1515, black chalk on laid paper, The Armand Hammer Collection, 1991.217.5

Head of a Woman

Andrea del Sarto · c. 1515 · black chalk on laid paper ·  Accession ID  1991.217.5

The sculpture depicts a man playing a wind instrument as he walks. He is barefoot and wearing draped clothing - possibly a tunic or robe. His head is slightly bowed, and he carries a sack over his shoulder. Walking alongside him is a dog, attached to a leash, with its gaze focused forward. The sculpture is carved into a stone-like slab, predominantly grayscale in color. The scene is presented in relief, capturing a moment of movement as the subjects proceed on their journey.
Honoré Daumier, Le retour d'Ulysse, 1842, lithograph, Corcoran Collection (Gift of Dr. Armand Hammer), 2015.143.937

Le retour d'Ulysse

Honoré Daumier · 1842 · lithograph ·  Accession ID  2015.143.937

This is a drawing of an omnibus. The top section shows a crowded interior with passengers tightly packed. The lower section portrays the exterior where a conductor gestures at a person who has fallen to the ground while another clings onto the side of the omnibus.
Honoré Daumier, La difficulté d'arriver a une place, 1853, lithograph, Corcoran Collection (Gift of Dr. Armand Hammer), 2015.143.585

La difficulté d'arriver a une place

Honoré Daumier · 1853 · lithograph ·  Accession ID  2015.143.585

The image shows the full body of a person standing with their body slightly angled to the side and their head facing forward. They have wavy, medium-length hair and are wearing long, flowing clothing that covers them from neck to feet. There are no visible jewelry or objects in the sketch. The background is plain.
Edouard Manet, Man Wearing a Cloak [recto], 1852/1858, charcoal on wove paper, The Armand Hammer Collection, 1991.217.23.a

Man Wearing a Cloak [recto]

Edouard Manet · 1852/1858 · charcoal on wove paper ·  Accession ID  1991.217.23.a

This is a drawing of two figures interacting comically. One figure wears a tall top hat and formal coat, while the other has a more casual appearance and holds out a bouquet. The exaggerated features on their faces enhance the humor in the scene. The image includes text at the top and bottom.
Honoré Daumier, Un Jour de 1ère Représentation, 1844, lithograph, Corcoran Collection (Gift of Dr. Armand Hammer), 2015.143.941

Un Jour de 1ère Représentation

Honoré Daumier · 1844 · lithograph ·  Accession ID  2015.143.941

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Ma chère, notre comédie ... vient d'etre refusée

Honoré Daumier · 1852 · lithograph ·  Accession ID  2015.143.556