Provenance

Robert Laurent

American, born France, 1890 - 1970

Explore Selected Works

Layered circles and dots, crosses, checkered patterns, curved and wavy lines, and other geometric shapes in tomato red, shamrock green, buttercup yellow, royal blue, black, and bright white float against a field of unpainted canvas in this vertical, abstract painting. The shapes are most densely packed at the center of the composition. The eye is drawn to a red circle with flame-like forms at the sides and top, about three-quarters of the way up the canvas. Immediately underneath it and arcing out to our left is navy-blue band with three white, wavy lines. Other patterns to either side of the central red shape include two flag-like squares of alternating green and white stripes near two other patches containing a red and green checkered pattern. Other areas are patterned in black and yellow stripes, and blue and white stripes. Dots, lines, and lollipop-like shapes are scattered sparsely through the rest of the composition. Three shapes float near three of the corners, not touching anything in the layered, central portion: a red circle within a yellow ring at the upper right; a red dot at the lower left; and a red cross at the lower right. The frame was painted by the artist in the same colors as the canvas, with bands of color separating dots, crosses, and the lollipop-like form.
Marsden Hartley, The Aero, c. 1914, oil on canvas, Andrew W. Mellon Fund, 1970.31.1

The Aero

Marsden Hartley · c. 1914 · oil on canvas ·  Accession ID  1970.31.1

John La Farge, The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895, oil on canvas, Adolph Caspar Miller Fund, 1966.6.1

The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish

John La Farge · c. 1895 · oil on canvas ·  Accession ID  1966.6.1