Provenance

Bob P. Haboldt & Co.

Explore Selected Works

Johann Christoph Dietzsch, Storm-Tossed Ships Wrecked on a Rocky Coast, gouache on vellum, Ailsa Mellon Bruce Fund, 2001.119.1

Storm-Tossed Ships Wrecked on a Rocky Coast

Johann Christoph Dietzsch · · gouache on vellum ·  Accession ID  2001.119.1

Peter Candid, Saint Mark the Evangelist, c. 1600, pen and brown ink and wash, heightened with white over black chalk on laid paper, laid down, Ailsa Mellon Bruce Fund, 2001.11.1

Saint Mark the Evangelist

Peter Candid · c. 1600 · pen and brown ink and wash, heightened with white over black chalk on laid paper, laid down ·  Accession ID  2001.11.1

Michael Philip I, Mercury Abducting Psyche, 1652, black chalk, pen and brown ink, brown and grey wash heightened with white, Gift of Ruth Cole Kainen, 2012.92.778

Mercury Abducting Psyche

Michael Philip I · 1652 · black chalk, pen and brown ink, brown and grey wash heightened with white ·  Accession ID  2012.92.778

Hendrik Willem Mesdag, Sunset at Scheveningen: A Fleet of Fishing Vessels at Anchor, 1894, oil on canvas, Paul Mellon Fund and the Frank Anderson Trapp Fund, 2012.48.1

Sunset at Scheveningen: A Fleet of Fishing Vessels at Anchor

Hendrik Willem Mesdag · 1894 · oil on canvas ·  Accession ID  2012.48.1

Joachim Anthonisz Wtewael, The Judgment of Paris, c. 1615, pen and brown ink with gray washes over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1990.35.1

The Judgment of Paris

Joachim Anthonisz Wtewael · c. 1615 · pen and brown ink with gray washes over black chalk on laid paper ·  Accession ID  1990.35.1

Jan van Huysum, Bouquet of Spring Flowers in a Terracotta Vase, 1720s, oiled charcoal and watercolor on laid paper, Pepita Milmore Memorial Fund, The Ahmanson Foundation Fund, Linda H. Kaufman Fund, and Mr. and Mrs. Louis Glickfield Fund, 2011.74.1

Bouquet of Spring Flowers in a Terracotta Vase

Jan van Huysum · 1720s · oiled charcoal and watercolor on laid paper ·  Accession ID  2011.74.1

Shown from the hips up, a man with pale skin and shoulder-length brown hair, wearing a long-sleeved, rose-pink satin jacket and pants, props a flagpole with a voluminous blue flag against one shoulder in this vertical portrait painting. He stands with his body facing our left in profile with his left hand on his hip, elbow jutting out at us. He turns his face to look directly at us with dark eyes. He has a straight nose, rosy cheeks, and a mustache and narrow goatee below his lips, which are slightly parted. He wears a wide-brimmed black hat generously adorned with pale blue, turquoise, pale yellow, and orange plumes. The fabric of his pink clothing reflects the light in wide patches of white, creating the impression of a satin sheen. Wide, pale gray lace lines the front opening of the jacket, the shoulders, the arms, and the sides of the trousers. His white lace collar is tied with a pale celery-green bow and a bow of the same color ties the lace cuff of the wrist we can see. A baby-blue sash wraps around his waist and is tied in a large rosette at the back. Both hands are covered with ivory-white gloves. His left wrist rests against his hip so the underside of those fingers dangle down, while the other hand supports the flag pole, which is wrapped in blue fabric. A sword hangs from his front hip. The topaz-blue fabric of the flag, or standard, drapes down from the flag pole, which extends off the top right corner of the canvas. A coat of arms, about the size of a person’s palm, hangs from a nail with a string in the upper left corner on the taupe-colored wall behind the man. The coat of arms is made up of three fleur-de-lis lined up in a diagonal band and the remaining two corners are filled with stylized lions, long tongues curling out. The artist dated the work “1640” in the lower left corner.
Johannes Cornelisz Verspronck, Andries Stilte as a Standard Bearer, 1640, oil on canvas, Patrons' Permanent Fund, 1998.13.1

Andries Stilte as a Standard Bearer

Johannes Cornelisz Verspronck · 1640 · oil on canvas ·  Accession ID  1998.13.1

Michael Sweerts, Jan van den Enden, c. 1651, black chalk on laid paper, New Century Fund, 2012.58.1

Jan van den Enden

Michael Sweerts · c. 1651 · black chalk on laid paper ·  Accession ID  2012.58.1

Bernard Picart, Le Lutrin: A Night Scene with Boirude, Brontin, and L'Amour Surprised by an Owl Flying Out of a Lectern, c. 1718, pen and black ink with gray wash, heightened with white, indented for transfer with the verso blackened, and the border on an attached sheet of paper, Ailsa Mellon Bruce Fund, 2015.98.1

Le Lutrin: A Night Scene with Boirude, Brontin, and L'Amour Surprised by an Owl Flying Out of a Lectern

Bernard Picart · c. 1718 · pen and black ink with gray wash, heightened with white, indented for transfer with the verso blackened, and the border on an attached sheet of paper ·  Accession ID  2015.98.1

Domenico Fossati, Campo San Zanipolo Decorated for the Visit of Pius VI, 1782, pen and dark brown inks with gray wash over graphite on laid paper, J. Carter Brown Fund, 1996.37.1

Campo San Zanipolo Decorated for the Visit of Pius VI

Domenico Fossati · 1782 · pen and dark brown inks with gray wash over graphite on laid paper ·  Accession ID  1996.37.1