Provenance

The Christian Humann Foundation

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The image is an artwork featuring two main sections. In the upper section, there are sketches of three men and a figure resembling a bull on a platform. One man stands on the right, partially nude with a cloth around his waist. The other two men are on the left, interacting with each other and the structure. In the lower section, there are three figures; two are reclined on a rocky surface, draped in fabrics, and another figure is seated looking to the right. The figures are presented in a fluid, classical art style with soft facial features and distinct hair. The background is plain, highlighting the figures and their clothing.
Jean-Claude-Richard, Abbé de Saint-Non, Worship of the Golden Calf and Christ on the Mount of Olives, 1775, etching [counterproof] reworked in brown wash on laid paper, Gift of the Christian Humann Foundation, 1996.128.37

Worship of the Golden Calf and Christ on the Mount of Olives

Jean-Claude-Richard, Abbé de Saint-Non · 1775 · etching [counterproof] reworked in brown wash on laid paper ·  Accession ID  1996.128.37

This is a drawing of an elaborate classical scene. The image depicted a large architectural structure, resembling a grand portico or triumphal arch, adorned with sculptures and framed by trees. In front of the structure, there are figures engaged in various activities. The drawing captures the flowing robes and gestures of these figures, surrounded by trees and foliage. The composition is set against a backdrop of hills and buildings, adding depth. The artwork is executed with fine lines and shading.
Domenico Maria Fratta, Monument to William Chancellor Cowper, 1732, pen and brown ink over traces of black chalk on laid paper; partially pricked for transfer, Gift of the Christian Humann Foundation, 1996.128.17

Monument to William Chancellor Cowper

Domenico Maria Fratta · 1732 · pen and brown ink over traces of black chalk on laid paper; partially pricked for transfer ·  Accession ID  1996.128.17

The image depicts a male figure in a seated position. The figure leans slightly to the left, with one leg extended outward and the other bent at the knee. His left arm reaches forward while the right arm is bent, holding an elongated object. The individual's facial features are not detailed, and the hair appears short or tied back. The person is dressed in a loose shirt and trousers. The background is plain, emphasizing the figure and clothing folds. No other objects or jewelry are visible.
Nicolas Lancret, Lady Seated on a See-Saw, red chalk on laid paper, Gift of the Christian Humann Foundation, 1996.128.24

Lady Seated on a See-Saw

Nicolas Lancret · · red chalk on laid paper ·  Accession ID  1996.128.24

The image shows a rustic scene depicted from a direct point of view. The horizon is subtly indicated by lighter tones of the sky, with trees and rugged terrain defining its line. The illustration uses expressive brushstrokes to create texture and depth. The color palette is monochromatic, primarily in sepia tones, giving the artwork a warm, vintage feel. A figure dressed in rustic attire is mid-stride, with a cow reclining and a horse standing with its back turned. A small animal, possibly a cat, is curled up to the right. Dark lines in the background suggest movement among the trees, adding depth and tension to the image.
Philippe Jacques de Loutherbourg II, Animals in a Stable, red chalk on laid paper, Gift of the Christian Humann Foundation, 1996.128.26

Animals in a Stable

Philippe Jacques de Loutherbourg II · · red chalk on laid paper ·  Accession ID  1996.128.26

The image depicts a drawing showing multiple full-body figures engaged in various activities. Central in the foreground, two figures, a man and a woman, appear to be interacting closely; the man is standing with one hand on his hip, wearing historical attire with breeches and a vest, while the woman beside him is in a dress with embellishments. To the left, three figures are seated around a table; an adult appears to be caring for a child, with the other adult figure draped in fabric. On the right, a group of figures is depicted ascending or descending a staircase, dressed in historical attire. The setting indicates an ornate interior space, possibly a grand hall, with large architectural features like columns and draped curtains adding depth and texture to the composition. The background is filled with architectural elements.
Luis Paret y Alcázar, Dance in a Palace, c. 1770/1775, pen and black ink with gray wash over graphite and squared in graphite on laid paper, Gift of the Christian Humann Foundation, 1996.128.31

Dance in a Palace

Luis Paret y Alcázar · c. 1770/1775 · pen and black ink with gray wash over graphite and squared in graphite on laid paper ·  Accession ID  1996.128.31

The pencil sketch depicts a scene with a horizon in the distance, trees, figures, and livestock below. A tree to the left provides shade to the gathered individuals. The drawing uses loose strokes and bold lines to outline elements, and a monochromatic palette conveys texture and form.
Eugène Boudin, Herdsmen and Cattle, 1877, graphite on wove paper, Gift of the Christian Humann Foundation, 1996.128.7

Herdsmen and Cattle

Eugène Boudin · 1877 · graphite on wove paper ·  Accession ID  1996.128.7

The image shows a riverside scene with a view slightly above the water, displaying the river, sailboats in the distance, a boat with rowers, a small house by the riverbank, and a village with a steeple. The style is monochromatic with various shades of gray and smooth brushstrokes. The sky has billowing clouds and birds flying above.
Nicolaas Wicart, Ameide on the River Lek, gray wash over black chalk on laid paper, Gift of the Christian Humann Foundation, 1996.128.36

Ameide on the River Lek

Nicolaas Wicart · · gray wash over black chalk on laid paper ·  Accession ID  1996.128.36

This is a drawing of a street scene in a historical European city focused on a statue. The scene includes numerous figures and animals, with an atmosphere suggesting a busy market or public gathering with a statue of a poised, draped figure standing on a pedestal. There are horses with riders, with some in historical attire. A domed structure with detailed architecture lies in the background, adding an element of grandeur with tall spires in the distance. Many figures are engaged in activities like observing the statue, talking, or moving through the plaza. The sky is painted with subtle hues, and the color palette consists of earth tones, blues, and grays, lending an antiquated feel to the illustration.
Jean-Pierre Norblin, Olindo and Sophronia Saved by Clorinda, pen and brown ink with brown wash and watercolor over graphite on laid paper, Gift of the Christian Humann Foundation, 1996.128.29

Olindo and Sophronia Saved by Clorinda

Jean-Pierre Norblin · · pen and brown ink with brown wash and watercolor over graphite on laid paper ·  Accession ID  1996.128.29

This is a drawing of a procession of camels laden with goods. The camels are depicted carrying large loads on their backs, possibly wrapped in fabric or containers. The drawing shows several camels in a realistic style, trekking across a slightly undulating terrain. The use of reddish-brown tones gives a warm and cohesive look. The focus is on the camels, showcasing details like their humps and expressions, in a composition that conveys movement and direction. There are figures next to some of the camels, possibly tending to them.
French 18th Century, Camel Caravan, red chalk on laid paper, Gift of the Christian Humann Foundation, 1996.128.18

Camel Caravan

French 18th Century · · red chalk on laid paper ·  Accession ID  1996.128.18

This drawing shows a rocky, dark-blue landscape under an overcast night sky. In the center, a person on horseback stands on a tall rock. The person appears human, but they have tall, pointed ears on the top of their head, and their eyes are small points of bright orange. No other details are distinguishable. The horse they sit on stands tall, facing the right. Its mane and tail are blowing in the wind, and small streaks of orange light are coming out of its nostrils, as if it is breathing fire. Surrounding this large boulder, across the rest of the rocky landscape, a pack of dogs runs from the left side of the drawing towards the lower right corner, jumping off a grassy hill. They have upright, pointed ears and thin tails. Many of them have glowing orange eyes and thin lines of orange emerging from their open maws. The sky above is covered with thin gray clouds, and the light from a partially obscured moon illuminates the scene.
Rosa Bonheur, The Legend of the Wolves, 1890s, charcoal with stumping and erasing, black chalk, and pastel on blue wove paper, edge mounted to paperboard, Gift of the Christian Humann Foundation, 1996.128.2

The Legend of the Wolves

Rosa Bonheur · 1890s · charcoal with stumping and erasing, black chalk, and pastel on blue wove paper, edge mounted to paperboard ·  Accession ID  1996.128.2