Provenance

Professor Daniel Bell

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The image depicts a bird's-eye view of a busy outdoor scene around a large building with a tower to the left. The horizon line is at the top of the building, creating a sense of depth in the sky above. The painting shows detailed brushstrokes, creating a textured depiction of figures and the environment. The color scheme is mainly sepia, giving the artwork a warm, vintage look. The scene is filled with people engaged in various activities, with one person seated near grass and flowers. Trees and additional figures are present in the background, adding layers to the composition. Wispy clouds in the sepia-toned sky create movement and contrast.
Félix-Hilaire Buhot, L'Ensorcelée, 1873, etching and drypoint in red on wove paper, Gift of Daniel Bell and Pearl K. Bell, 2006.68.25

L'Ensorcelée

Félix-Hilaire Buhot · 1873 · etching and drypoint in red on wove paper ·  Accession ID  2006.68.25

The image shows a landscape seen from an elevated viewpoint. The horizon is in the upper third of the image, dividing the land and the sky. Dark tree silhouettes are visible on the horizon, adding depth. The artwork features detailed texture and form using fine lines and crosshatching to depict trees and bushes. The color scheme is monochromatic with varying shades of brown and black. Grass and plants in the foreground are depicted with linear strokes, and a body of water reflects the land. The scene fades into the distance with soft textures blending into the background.
David Young Cameron, Evening, 1888, etching in black on laid paper, Gift of Professor Daniel Bell, 1983.107.3

Evening

David Young Cameron · 1888 · etching in black on laid paper ·  Accession ID  1983.107.3

The image features rectangular and square segments with textured lines and patterns, creating a grid-like backdrop. An abstract orange human silhouette stands out prominently from the background. Surrounding areas are filled with dense textures resembling clustered leaves or rough fabric, in shades of green, black, white, and gray. The silhouette is reminiscent of a mannequin or simplified figure, serving as the focal point in the chaotic background.
Matthias Mansen, Badende, vor dem Gewitter (Bather, before the Storm), 1991, woodcut on wove paper, Gift of Daniel Bell, 2010.27.2

Badende, vor dem Gewitter (Bather, before the Storm)

Matthias Mansen · 1991 · woodcut on wove paper ·  Accession ID  2010.27.2

This is a drawing of a decorative illustration incorporated into a page of text. The artwork features an ornate, intricate border encircling a scene depicting several figures in the foreground, while architectural elements or monuments appear faintly in the background. The frame comprises scrolling motifs and possibly mythological or symbolic creatures, adding to the opulent and classical aesthetic of the composition. Below the illustration, there is a block of text formatted in an old-style serif typeface typical of printed materials from a historical text or manuscript. The page is presented in a formal layout, with red lines marking margins or guidelines.
Félix-Hilaire Buhot, Third Vignette, 1878, etching and drypoint with letter press on laid paper, Gift of Daniel Bell and Pearl K. Bell, 2006.68.66

Third Vignette

Félix-Hilaire Buhot · 1878 · etching and drypoint with letter press on laid paper ·  Accession ID  2006.68.66

The image is a print viewed straightforwardly from a slightly elevated perspective. In the foreground, there is a scene with figures around a tree and a sign. In the middle ground, there are mountains with minimal detail and foliage. The etching style features fine lines and cross-hatching for texture and depth. The color palette is monochromatic with varying shades of gray and black. The background has faint outlines and sketches around the detailed central image.
Félix-Hilaire Buhot, Title Page, 1879, etching on laid paper, Gift of Daniel Bell and Pearl K. Bell, 2006.68.70

Title Page

Félix-Hilaire Buhot · 1879 · etching on laid paper ·  Accession ID  2006.68.70

The image shows a silhouetted cityscape from an elevated perspective. The horizon line is above the buildings, with a sun partially obscured behind a structure on the right. The rooftops are outlined by ambient light. The style features intricate cross-hatching and linear strokes, creating a textured sky and depth. The color palette is sepia, giving an antiquarian feel. The sky has swirling patterns contrasting with the solid buildings. Trees, a house, and the cityscape are depicted with swirling lines, against the textured sky.
David Young Cameron, Linlithgow Palace, 1887, etching in brown on laid paper, Gift of Professor Daniel Bell, 1983.107.1

Linlithgow Palace

David Young Cameron · 1887 · etching in brown on laid paper ·  Accession ID  1983.107.1

This is a drawing of a street scene. The composition portrays a busy street with various activities. Animals are running through the street, causing frenzy among the crowd. Tall buildings surround the scene. In the foreground, there are detailed figures engaged in the chaos. The drawing includes decorative elements along the borders. The style of the etching is dynamic, with sharp lines and expressive features.
Félix-Hilaire Buhot, Je fis ce qu'on appelle un bon marche., 1878, etching and drypoint on laid paper, possibly soaked in turpentine, Gift of Daniel Bell and Pearl K. Bell, 2006.68.20

Je fis ce qu'on appelle un bon marche.

Félix-Hilaire Buhot · 1878 · etching and drypoint on laid paper, possibly soaked in turpentine ·  Accession ID  2006.68.20

The image shows the upper body of a young child standing next to a donkey. The child has short, straight hair and a rounded face, wearing a dark, long-sleeved garment with a high collar. The child has a slightly serious expression. The donkey's head is detailed, showing its ears, eyes, and muzzle. The background features sketchy lines and shading, suggesting a textured setting, possibly outdoors with foliage or natural surroundings.
Albert Besnard, Robert Besnard and His Donkey (Robert Besnard et son ane), 1888, etching, aquatint, and drypoint on BFK Rives wove paper, Gift of Mr. and Mrs. Daniel Bell, 1996.136.7

Robert Besnard and His Donkey (Robert Besnard et son ane)

Albert Besnard · 1888 · etching, aquatint, and drypoint on BFK Rives wove paper ·  Accession ID  1996.136.7

The image depicts the upper half of a person riding on the back of a donkey. The person is seated and wearing a cloak or hooded garment that covers their head. The surroundings are minimally detailed, with faint outlines of buildings in the background hinting at a rural or village setting.
Félix-Hilaire Buhot, Cacoletière à la Tour (Woman Riding an Ass near a Tower), etching on laid paper, Gift of Daniel Bell and Pearl K. Bell, 2006.68.2

Cacoletière à la Tour (Woman Riding an Ass near a Tower)

Félix-Hilaire Buhot · · etching on laid paper ·  Accession ID  2006.68.2

The image is a black and white etching depicting a detailed, surreal scene framed by intricate drawings. The perspective is from ground level, offering a straight-on view. In the central scene, a pathway lined with jagged trees leads to a sun on the horizon. The etching style uses fine lines and hatching to create texture and shadow for the landscape and tree silhouettes. The frame surrounding the central scene features whimsical sketches of creatures and figures. The color palette is monochromatic, contrasting black ink with the pale background paper.
Félix-Hilaire Buhot, On allume des cierges..., 1878, etching and drypoint on laid paper, possibly soaked in turpentine, Gift of Daniel Bell and Pearl K. Bell, 2006.68.60

On allume des cierges...

Félix-Hilaire Buhot · 1878 · etching and drypoint on laid paper, possibly soaked in turpentine ·  Accession ID  2006.68.60