Provenance

Mortimer Brandt

Mortimer Brandt Gallery

American, 1905 - 1993

Explore Selected Works

See all 11 works of art
Muirhead Bone, Calm on the Mediterranean, probably 1920/1930, watercolor on wove paper, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.5

Calm on the Mediterranean

Muirhead Bone · probably 1920/1930 · watercolor on wove paper ·  Accession ID  1991.110.5

George Romney, The Blindfolding of Cupid, after 1797, pen and brown ink on laid paper, Gift of William B. O'Neal, 1995.52.149

The Blindfolding of Cupid

George Romney · after 1797 · pen and brown ink on laid paper ·  Accession ID  1995.52.149

Muirhead Bone, New York at Dusk, c. 1923, charcoal and blue wash on wove paper, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.7

New York at Dusk

Muirhead Bone · c. 1923 · charcoal and blue wash on wove paper ·  Accession ID  1991.110.7

Muirhead Bone, Bilboa, probably 1925/1930, charcoal, pen and black ink, and brush and black ink with violet-blue wash on laid paper, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.4

Bilboa

Muirhead Bone · probably 1925/1930 · charcoal, pen and black ink, and brush and black ink with violet-blue wash on laid paper ·  Accession ID  1991.110.4

Louis Chéron, Imaginary Classical Landscape, c. 1700, pen and brown ink with brown wash and white gouache on blue laid paper, laid down on an old mount, Purchased as the Gift of Dian Woodner, 2017.85.1

Imaginary Classical Landscape

Louis Chéron · c. 1700 · pen and brown ink with brown wash and white gouache on blue laid paper, laid down on an old mount ·  Accession ID  2017.85.1

Benjamin West, Telemachus and Calypso, c. 1809, oil on canvas, Corcoran Collection (Gift of Bernice West Beyers), 2015.19.98

Telemachus and Calypso

Benjamin West · c. 1809 · oil on canvas ·  Accession ID  2015.19.98

Muirhead Bone, Portico of Saint Peter's, Rome, probably 1910/1915, graphite, charcoal, and white gouache on wove paper, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.6

Portico of Saint Peter's, Rome

Muirhead Bone · probably 1910/1915 · graphite, charcoal, and white gouache on wove paper ·  Accession ID  1991.110.6

Muirhead Bone, Corpus Christi Procession, Santiago, probably 1925/1930, black crayon and watercolor over graphite on cardboard, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.1

Corpus Christi Procession, Santiago

Muirhead Bone · probably 1925/1930 · black crayon and watercolor over graphite on cardboard ·  Accession ID  1991.110.1

Muirhead Bone, An Arch of Old Waterloo Bridge, probably 1925/1930, graphite on wove paper; laid down on cardboard, Gift of Mortimer Brandt, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.110.2

An Arch of Old Waterloo Bridge

Muirhead Bone · probably 1925/1930 · graphite on wove paper; laid down on cardboard ·  Accession ID  1991.110.2

We stand in the central nave of a deeply shadowed church looking down toward the altar in this horizontal painting. Sunlight streams in from our right to bathe white pillars lining the nave with light, and it illuminates a wooden stall, like a private seating box, situated in front of the columns to our left. The forehead, eyes, and one hand of a young child peeks over the top edge of one of the panels, perhaps peering at us. Touches of pale red and yellow suggest stained glass over the dimly lit altar at the far end of the church, across from us. Gold chandeliers with curling, scrolling arms hang along the length of the nave, well below the dark, vaulted ceiling. About a dozen of men wearing black enter the church in a line from the left, near the altar. Closer to us, to our right, two men lean together in conversation with a dog nearby. One man gestures to a rectangular stone slab that has been lifted from the church floor to reveal dirt underneath, to our left. Two shovels, a broom, and a skull lay nearby. In front of the men, in the lower right corner of the canvas, a woman sits and nurses a swaddled infant. A young boy and another dog near the pair looks toward or at us. Two dogs stand in the shadows around the column closest to us on the left, and one raises its leg to relieve itself on the base.
Emanuel de Witte, The Interior of the Oude Kerk, Amsterdam, c. 1660, oil on canvas, Patrons' Permanent Fund, 2004.127.1

The Interior of the Oude Kerk, Amsterdam

Emanuel de Witte · c. 1660 · oil on canvas ·  Accession ID  2004.127.1