Provenance

Jörg Maass

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The image displays bold, angular black lines and large shapes intersecting across the canvas to create a striking pattern. The abstract composition features fragmented pieces within a geometric landscape, with triangular and rectangular shapes. The interplay of black and white space resembles shadows and highlights, adding complexity to the overall design.
Otto Lange, Liegender Akt II (Reclining Nude II), 1918, woodcut in black on laid cream paper, Gift of Ruth Cole Kainen, 2012.92.353

Liegender Akt II (Reclining Nude II)

Otto Lange · 1918 · woodcut in black on laid cream paper ·  Accession ID  2012.92.353

The image shows swirling and overlapping lines, creating a chaotic composition. It features curves and jagged edges, reminiscent of tree bark or rock surfaces. The lines intertwine to form a pattern resembling natural elements floating in the wind. The artwork uses earthy tones like browns and blacks, enhancing the connection to nature.
Gerhard Hoehme, Handbewegung, 1961, color etching and aquatint from two plates on wove paper, Gift of Ruth Cole Kainen, 2012.92.286

Handbewegung

Gerhard Hoehme · 1961 · color etching and aquatint from two plates on wove paper ·  Accession ID  2012.92.286

The image features intersecting and overlapping lines creating an abstract design, with a central oval shape that resembles an eye surrounded by a network of crisscrossed lines and scribbles.
Emil Schumacher, Untitled, 1959, etching and drypoint on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.472

Untitled

Emil Schumacher · 1959 · etching and drypoint on wove cream paper ·  Accession ID  2012.92.472

The image shows a scene of a grove of trees with a slightly elevated viewpoint. The horizon is positioned below the top third of the image, revealing tree trunks and small structures or fences in the distance. The artwork uses sketch-like brushstrokes to depict circular and swirling patterns for the foliage and rippling lines for the ground. The color palette consists of shades of brown and sepia, creating a vintage and textured appearance. The incline of the land and dark outlines of the tree trunks guide the eye into the depth of the scene.
Paula Modersohn-Becker, Landscape with Trees, c. 1902, drypoint, etching and roulette on wove paper, Gift of Ruth Cole Kainen, 2012.92.380

Landscape with Trees

Paula Modersohn-Becker · c. 1902 · drypoint, etching and roulette on wove paper ·  Accession ID  2012.92.380

This is a drawing of abstract human figures in different poses. The lines are bold and expressive with a cartoonish effect. The figures have exaggerated facial features and simple outlines. The background shows a minimal urban landscape. The image has a raw, sketch-like quality.
Paul Gangolf, Markt (Market), 1928, soft-ground etching on wove paper, Gift of Ruth Cole Kainen, 2012.92.216

Markt (Market)

Paul Gangolf · 1928 · soft-ground etching on wove paper ·  Accession ID  2012.92.216

The drawing shows a close-up view of two individuals, focusing on their faces and upper shoulders. The person on the left is in profile, with closed eyes and stylized hair, while the person on the right faces the viewer with slightly downturned head, fuller lips, and an updo hairstyle. Both individuals are depicted without clothing against an aged off-white background. The drawing style features bold lines and visible pencil strokes.
Otto Dix, Zwei Weiber, 1923, brush with india ink, Eugene L. and Marie-Louise Garbáty Fund and Edward E. MacCrone Fund, 2001.37.1

Zwei Weiber

Otto Dix · 1923 · brush with india ink ·  Accession ID  2001.37.1

The image consists of bold, angular lines and curved forms intersecting in an elaborate pattern. Sharp zigzags, semicircles, and circular forms create an abstract scene. The interplay of black and white areas adds contrast and depth, making the figures appear dynamic and energetic.
Johannes Molzahn, Woodcut, 1919, woodcut on tan paper, Gift of Ruth Cole Kainen, 2012.92.381

Woodcut

Johannes Molzahn · 1919 · woodcut on tan paper ·  Accession ID  2012.92.381

The image shows a person seen from the back, adjusting their hair in a mirror. The person is sitting down with raised arms. The background features a mirror reflecting their face and a textured setting.
Paul Kleinschmidt, Woman at a Mirror, 1920-1921, drypoint and watercolor on laid cream paper, Gift of Ruth Cole Kainen, 2012.92.314

Woman at a Mirror

Paul Kleinschmidt · 1920-1921 · drypoint and watercolor on laid cream paper ·  Accession ID  2012.92.314

The image displays an array of flowing lines and shapes forming a complex abstract composition. On the left side, there are crisscross lines and oval forms resembling an abstract grid. On the right side, there is an entangled structure with interconnected loops and curving lines suggesting an abstracted humanoid figure. The background features a gradient of blue and yellow hues.
Karl Otto Götz, Untitled, 1947, color monotype printed in brown, blue-green, violet and yellow on wove white paper, attached to a beige wove support sheet, Gift of Ruth Cole Kainen, 2012.92.228

Untitled

Karl Otto Götz · 1947 · color monotype printed in brown, blue-green, violet and yellow on wove white paper, attached to a beige wove support sheet ·  Accession ID  2012.92.228

This is a drawing of several figures riding horses across a landscape. The image depicts a group of riders wearing large hats, each astride a horse that is in motion, situated against a backdrop of rolling hills or mountains. The style includes strong, bold lines creating a sense of dynamic movement and energy among the riders and horses. The landscape elements are simplified and stylized. The composition is tightly packed, emphasizing the collective action and unity of the figures, as they traverse the rugged terrain. The use of black and white enhances the overall mood, giving the drawing an intense and raw quality.
Paul Gangolf, Tom Mix II, 1928, soft-ground etching on wove paper, Gift of Ruth Cole Kainen, 2012.92.762

Tom Mix II

Paul Gangolf · 1928 · soft-ground etching on wove paper ·  Accession ID  2012.92.762