Provenance

Jean-François Millet

French, 1814 - 1875

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French painter (1814–1875)

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A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting. The man and desk take up most of the composition, which has an arched top. The man’s shoulders and body are angled to our right, and he looks off in that direction in profile. His balding head is rimmed with white hair curving over the large ear we can see, and he has a trimmed white and gray beard and mustache. His prominent nose is pointed, and his lips are closed. Light glints off the robe he wears so it shimmers in shades of topaz, aquamarine, and midnight blue. Voluminous white sleeves emerge under the mantle and are edged with narrow lace cuffs. His left hand, to our right, rests on an open book, which is propped against one or two other tomes. Near the edge of the table, two quills stand in the corners of a lidded inkwell, and a round, silver blotter, shaped like an upside-down chalice, and a lidded silver box sit nearby. The man’s chair has a tall post next to his shoulder to our left with a teardrop-shaped, gold finial. A second post, near his wrist, is lower and topped with a gold orb. The chair is draped in the same deep, raspberry-pink of the square table at which he sits. The tablecloth is edged with a wide band of gold along the bottom, and filigree-like gold decorations line the seams or folds at the corners. Brushstrokes are visible in many areas, especially in the colorfully charged blue and pink fabric. Beyond the man, to our right, a statuette of a person wearing a long, white robe over a white dress holds a baby. The clothing is edged with gold, and she wears a sphere-like gold crown. The baby also wears white and holds up one hand. The statuette stands on a platform supported by S-shaped corbels, and could have a projecting, squared awning over the top. This area is more loosely painted so some details are difficult to make out. In the background to our left, a wooden door stands open next to a dark space just behind the man’s head, so his profile is picked out against the shadow. The floor beneath is earth brown.
El Greco, Saint Ildefonso, c. 1603/1614, oil on canvas, Andrew W. Mellon Collection, 1937.1.83

Saint Ildefonso

El Greco · c. 1603/1614 · oil on canvas ·  Accession ID  1937.1.83

Bibliography

1881

  • Sensier, Alfred. Souvenirs sur Th. Rousseau. Paris, 1881.

1896

  • Cartwright, Julia M. Jean-François Millet, His Life and Letters. London, 1896.

1903

  • Thomson, David C. Jean-François Millet and the Barbizon School. London, 1903.

1906

  • Bénédite, L. Les Dessins de Jean-François Millet. Paris, 1906.

1921

  • Moreau-Nélaton, Etienne. Millet raconté par lui-même. 3 vols. Paris, 1921.

1960

  • Dessins de Jean-François Millet. Exh. cat. Louvre, Paris, 1960.

1971

  • Lepoittevin, Lucien. Jean-François Millet portraitiste. Paris, 1971.

1973

  • Lepoittevin, Lucien. Jean-François Millet, l'ambiguité de l'image, essay. Paris, 1973.

1975

  • Bacou, Roseline. Millet: One Hundred Drawings. New York, 1975.

  • Herbert, Robert L. Jean-François Millet. Exh. cat. Musée National du Grand Palais, Paris, 1975.

1977

  • Fermigier, André. Jean-François Millet. New York, 1977.

1984

  • Murphy, Alexandra R. Jean-François Millet. Exh. cat. Museum of Fine Arts, Boston, 1984.

1991

  • Laughton, Bruce W. The Drawings of Daumier and Millet. New Haven, 1991.

2000

  • Eitner, Lorenz. French Paintings of the Nineteenth Century, Part I: Before Impressionism. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 312-314.