Provenance

Dr. Martin Moeller-Pisani

Moeller, Martin

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See all 24 works of art
The image shows a waterfall flowing between rocky cliffs from an elevated angle. The top of the waterfall is visible, and brushstrokes convey the movement of the water. The color palette includes blues, purples, greens, and warm tones, creating a contrast.
Henri-Joseph Harpignies, A Cascade in the Mountains, 1870s, watercolor over pen and black ink on wove paper, Purchased as the Gift of Diane A. Nixon, 2015.82.1

A Cascade in the Mountains

Henri-Joseph Harpignies · 1870s · watercolor over pen and black ink on wove paper ·  Accession ID  2015.82.1

The image shows the upper body of a central figure in a classical pose. The person's head is turned slightly upward to the right. They have long, wavy hair, pronounced eyes, and elegant contours on their face. The figure is dressed in flowing garments with drapery and a decorative strap crossing their shoulders. They are holding long arrows and have a quiver on their back. A cherub with wings is nearby, extending an offering to the figure. A skeletal figure at the bottom left is also in the scene. The background features swirling clouds and elaborate frame-like structures.
Joseph Christ, Saint Sebastian, brush and black ink with gray wash over graphite, heightened with white, on laid paper and incised for transfer; the verso rubbed with red chalk, Ailsa Mellon Bruce Fund, 1997.74.1

Saint Sebastian

Joseph Christ · · brush and black ink with gray wash over graphite, heightened with white, on laid paper and incised for transfer; the verso rubbed with red chalk ·  Accession ID  1997.74.1

This is a drawing of architectural elements of a building. The detailed sketches depict a classical building facade with ornate columns, a pediment, and decorative moldings. The architecture features Corinthian columns, with fluted shafts and elaborate capitals, along with architectural ornaments and portions of an arched window or niche. The use of light shading and line work adds depth and detail to the features, creating a study or conceptual drawing of the elements.
Mauro Antonio Tesi, Studies of the Cenotaph of Annia Regilla, 1750s/1766, pen and brown ink with gray wash and watercolor on laid paper, Purchased as the Gift of Vincent J. Buonanno, 2018.85.1

Studies of the Cenotaph of Annia Regilla

Mauro Antonio Tesi · 1750s/1766 · pen and brown ink with gray wash and watercolor on laid paper ·  Accession ID  2018.85.1

The image shows six people on a small wooden boat. They are facing away from the viewer, standing close together and holding various objects. They are wearing loose-fitting garments with headwear like hats and caps. One person is wearing a red fez. The boat has crossed oars and a large flag at the back. The background is simple.
Friedrich Nerly, Greek Sailors on a Venetian Canal, c. 1851, watercolor over black chalk and graphite, heightened with white on blue-gray wove paper, faded to tan, Ailsa Mellon Bruce Fund, 2013.95.1

Greek Sailors on a Venetian Canal

Friedrich Nerly · c. 1851 · watercolor over black chalk and graphite, heightened with white on blue-gray wove paper, faded to tan ·  Accession ID  2013.95.1

The image depicts a pencil and chalk drawing of a partially visible person. The figure is shown seated in a twisting pose, with arms extended and head turned slightly. The facial features are detailed, with a serene expression and hair styled loosely. The figure wears flowing robes with textured folds. Another drawing of the person's head is shown to the right, with the same expression and hairstyle. The background is a solid grayish-green color. White chalk is used for highlighting details.
Otto Greiner, Elegant Young Woman in Classical Drapery, c. 1895, black chalk heightened with white and gold on green paper, Monica Lind Greenberg Fund, 2007.50.1

Elegant Young Woman in Classical Drapery

Otto Greiner · c. 1895 · black chalk heightened with white and gold on green paper ·  Accession ID  2007.50.1

This is a drawing of the façade of a grand building. The central structure is flanked by two symmetrical wings. The central portion features embellishments, such as carvings above the main entrance and moldings around the windows. The building displays a mix of classical and baroque architectural elements, like rounded arches and pilasters. The roof is steeply pitched with dormer windows. The composition conveys grandeur and opulence.
Denis-Louis Destors, Presentation Drawing of the Hôtel de Camondo, 1876, pen and black ink with wash and watercolor over graphite on wove paper, Ailsa Mellon Bruce Fund, 2006.106.1

Presentation Drawing of the Hôtel de Camondo

Denis-Louis Destors · 1876 · pen and black ink with wash and watercolor over graphite on wove paper ·  Accession ID  2006.106.1

This is a drawing of a radiant figure in a heavenly setting. The image shows a grand throne-like structure with an arch, decorated intricately. At the top center is a figure emanating light, seated upon clouds, holding onto an object. Below this figure, there is a group of seated figures in dynamic poses. They appear to be interacting in a harmonious manner. The scene is encased in an ornately decorated frame, filled with flowing patterns and acanthus leaf designs, emphasizing grandeur and spiritual elevation.
Giovanni Battista Foggini, A Reliquary of Saint Sigismondo, 1719, pen and brown ink over black chalk on laid paper, Ailsa Mellon Bruce Fund, 2010.38.1

A Reliquary of Saint Sigismondo

Giovanni Battista Foggini · 1719 · pen and brown ink over black chalk on laid paper ·  Accession ID  2010.38.1

The image depicts the back view of a sitting woman from the waist up. Her head is slightly bent forward, facing away from the viewer. The visible portion of her face shows a partial profile, with her hair styled in a neat bun at the nape of her neck. She is wearing a long, dark-colored garment with voluminous sleeves gathered at the shoulders, and the material falls in pleated folds to form a full skirt. In her right hand, she appears to be holding a piece of light-colored fabric. The background is a plain, neutral-toned surface that highlights the sketch's details. Sketch lines are visible throughout the image.
Konrad Böse, Kneeling Woman from Behind, c. 1909, watercolor and gouache over black chalk on brown paper, Ailsa Mellon Bruce Fund, 2001.107.1

Kneeling Woman from Behind

Konrad Böse · c. 1909 · watercolor and gouache over black chalk on brown paper ·  Accession ID  2001.107.1

This illustration features a large plant with long, arching leaves dominating the center, sprawling outwards with detailed line work. The color palette is monochromatic, using black ink on a gray background. Positioned on the left is a dense cluster of foliage, while to the right, a smaller plant with spiky fronds stands upright. Several handwritten notes surround the plants, providing additional visual texture to the image.
Max Seliger, Studies of Screwpines from Madagascar, 1887, pen and brown ink with white heightening on gray cardboard, Ailsa Mellon Bruce Fund, 2007.19.1

Studies of Screwpines from Madagascar

Max Seliger · 1887 · pen and brown ink with white heightening on gray cardboard ·  Accession ID  2007.19.1

The image shows a sketch of a woman standing in full-body side profile, facing left. She has her arms bent at the elbows, hands resting together in front of her abdomen. Her hair is styled up in a bun with a bow or ribbon. Her facial features are delicately sketched, portraying a calm demeanor. She wears a long dress with full sleeves, a flowing skirt, and flat shoes. The woman appears to be holding a piece of fabric at her waist. The background is plain, emphasizing the figure on textured paper.
Jean-François Clermont, A Girl in Peasant Dress, c. 1750, black and white chalk on pink laid paper, Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips, 2000.77.1

A Girl in Peasant Dress

Jean-François Clermont · c. 1750 · black and white chalk on pink laid paper ·  Accession ID  2000.77.1