Provenance

Mr. G. W. Einstein

G. W. Einstein Co.
G. W. Einstein Company

Explore selected works

The image displays an array of abstract shapes and lines in black and white, forming a textured and intricate composition. Among these forms, one can see outlines that suggest familiar objects: a shape resembling a smokestack or tall plant on the left, central rounded figures with crosshatched lines resembling stones or an abstract face, and a circular form in the upper right with rudimentary facial features resembling the moon or a mask. The composition plays with light and dark areas, prompting viewers to ponder the relationships between the abstract shapes and recognizable forms.
Louise Nevelson, The Magic Garden, 1953/1955, etching with engraving, aquatint, and softground in black on wove paper, Gift of the Collectors Committee, 1996.117.1

The Magic Garden

Louise Nevelson · 1953/1955 · etching with engraving, aquatint, and softground in black on wove paper ·  Accession ID  1996.117.1

The image shows intersecting geometric shapes, mainly rectangles and triangles, against a wood grain textured background. The central dark rectangles and triangles form various recognizable forms, such as a modern architectural structure or furniture. The wood grain texture contrasts with the sharp edges of the shapes, creating depth in the artwork.
Louise Nevelson, Untitled, c. 1967, color woodcut on wove paper, Gift of Thomas G. Klarner, 2004.108.1

Untitled

Louise Nevelson · c. 1967 · color woodcut on wove paper ·  Accession ID  2004.108.1

The image consists of swirling and curving lines resembling branches or river paths. Dark ink-like forms are prominent against a lighter background. The forms suggest organic outlines of tree limbs or flowing waterways. The lines create a fluid and natural movement. The stippled texture and varying thickness enhance the sense of movement. Blotches sporadically complete the piece, capturing the movement of nature in an abstract expression.
Willem de Kooning, Hollander Graphic Workshop, Souvenir of Montauk, 1970, lithograph in black on Akawara wove paper, Gift of Ruth Cole Kainen, 2012.92.760

Souvenir of Montauk

Willem de Kooning, Hollander Graphic Workshop · 1970 · lithograph in black on Akawara wove paper ·  Accession ID  2012.92.760

The image consists of various shapes and lines forming an abstract composition. The top features triangular shapes arranged in a crown-like pattern, partially enclosing a face with eyes. Below, dark and light brushstrokes create a textured surface resembling water or a distant landscape. The combination of abstract elements and rich colors evokes familiar objects like a face in shadow or a scene of reflection.
Louise Nevelson, The Ancient Garden, 1953/1955, color etching with engraving, aquatint, and softground on wove paper, Gift of the Collectors Committee, 1996.117.3

The Ancient Garden

Louise Nevelson · 1953/1955 · color etching with engraving, aquatint, and softground on wove paper ·  Accession ID  1996.117.3

This abstract image consists of irregular shapes and lines, creating a complex composition with high contrast between dark and light areas. The left side features a blocky form resembling a human figure with a round face and a crown-like structure made of triangles. On the right side, there is another shape resembling a face with swirling patterns above. These forms are connected by horizontal and vertical lines. In the lower center, there is a small, elongated shape resembling a tree or a figure with extended limbs.
Louise Nevelson, The Ancient Garden, 1953/1955, etching with engraving, aquatint, and softground in black on laid paper, Gift of the Collectors Committee, 1996.117.2

The Ancient Garden

Louise Nevelson · 1953/1955 · etching with engraving, aquatint, and softground in black on laid paper ·  Accession ID  1996.117.2

The image displays an abstract composition with bold shapes and colors. A large yellow shape is at the bottom, overlapping a red patch. Above, a green shape intersects with black and white brushstrokes. Black curved lines at the top could evoke distant mountains or hills in silhouette. The composition hints at natural elements.
Alfred Leslie, Untitled, c. 1956, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.31

Untitled

Alfred Leslie · c. 1956 · color screenprint on wove paper ·  Accession ID  2015.115.31

The image features a complex arrangement of chaotic, intertwining lines and shapes. The lines and shapes seem to interlock and drift apart, creating an overall abstract composition. There are segments that suggest familiar objects, such as a figure-like form on the left and a circle nearby. Above, there is a sweeping, elongated shape that curls back onto itself. To the right, there are more densely packed lines forming two rounded clusters. The image crafts an intricate, abstract tableau using distorted forms.
Louise Nevelson, Figures in the Forest, 1953-1955, etching in black on laid paper, Gift of the Collectors Committee, 1996.111.1

Figures in the Forest

Louise Nevelson · 1953-1955 · etching in black on laid paper ·  Accession ID  1996.111.1