Walter M. Feilchenfeldt

Explore Selected Works

See all 34 works of art
Sir Peter Paul Rubens, Agrippina and Germanicus, c. 1614, oil on panel, Andrew W. Mellon Fund, 1963.8.1

Agrippina and Germanicus

Sir Peter Paul Rubens · c. 1614 · oil on panel ·  Accession ID  1963.8.1

Jacopo Palma il Giovane, The Baptism of Christ, pen and brown ink with brown wash heightened with light gold gouache on brown washed laid paper, laid down, Rosenwald Collection, 1950.20.8

The Baptism of Christ

Jacopo Palma il Giovane · · pen and brown ink with brown wash heightened with light gold gouache on brown washed laid paper, laid down ·  Accession ID  1950.20.8

A woman wearing a long, royal-blue dress is surrounded by nine winged angels as she floats on a thin, bright white, downward-pointing crescent moon above a deep landscape with a town tucked into rolling hills in this vertical painting. The woman, Mary, and all the angels have pale, peachy skin and long, brown hair. Mary and the angels float against a pale yellow and pale peach field of light enclosed within a mass of steel-gray clouds. She presses her fingertips together in front of her chest and gazes down and to our right, her dark eyes almost closed. She has a delicate, straight nose, and her small mouth is closed. Her brown hair parts in the middle and flows down over her shoulders. The angels wear flowing gowns in sky or topaz blue, olive green, tangerine orange, white, or light pink, each with matching wings. Three angels place a gold crown on Mary's head. Four others hold up the edges of a silvery white cape, which is fastened across her shoulders with brooches of white pearls surrounding ruby-red stones. The final two angels hold up the downward-facing points of the crescent moon beneath her. In the landscape below, groupings of trees are dotted among the rolling hills, with a village in the distance to our left. The blue, hazy horizon comes about a sixth of the way up the composition. A brown boulder sits in the bottom left corner, closer to us. The paint is visibly cracked throughout.
Michel Sittow, The Assumption of the Virgin, c. 1500, oil on panel, Ailsa Mellon Bruce Fund, 1965.1.1

The Assumption of the Virgin

Michel Sittow · c. 1500 · oil on panel ·  Accession ID  1965.1.1

Pierre Joseph Redouté, A Bouquet of Flowers with Insects, watercolor over traces of graphite with gold on vellum; laid down, Ailsa Mellon Bruce Fund, 1988.12.1

A Bouquet of Flowers with Insects

Pierre Joseph Redouté · · watercolor over traces of graphite with gold on vellum; laid down ·  Accession ID  1988.12.1

Netherlandish 14th Century, The Death of the Virgin, c. 1390, silverpoint on blue-green prepared paper, Rosenwald Collection, 1950.20.2

The Death of the Virgin

Netherlandish 14th Century · c. 1390 · silverpoint on blue-green prepared paper ·  Accession ID  1950.20.2

Domenico Campagnola, Landscape with a Boy Fishing, c. 1516, pen and brown ink over leadpoint on laid eighteenth-century (Mariette) mount, Rosenwald Collection, 1950.20.1

Landscape with a Boy Fishing

Domenico Campagnola · c. 1516 · pen and brown ink over leadpoint on laid eighteenth-century (Mariette) mount ·  Accession ID  1950.20.1

Adolph Menzel, The Artist's Sister Emilie, 1851, pastel and black chalk on brown wove paper, Wolfgang Ratjen Collection, Purchased as the Gift of Ladislaus and Beatrix von Hoffmann, 2007.111.19

The Artist's Sister Emilie

Adolph Menzel · 1851 · pastel and black chalk on brown wove paper ·  Accession ID  2007.111.19

Edgar Degas, Three Studies of Ludovic Halévy Standing, c. 1880, charcoal counterproof on buff wove paper, Collection of Mr. and Mrs. Paul Mellon, 1985.64.167

Three Studies of Ludovic Halévy Standing

Edgar Degas · c. 1880 · charcoal counterproof on buff wove paper ·  Accession ID  1985.64.167

Albert Marquet, Posters at Trouville, 1906, oil on canvas, Collection of Mr. and Mrs. John Hay Whitney, 1998.74.1

Posters at Trouville

Albert Marquet · 1906 · oil on canvas ·  Accession ID  1998.74.1

Wolf Huber, The Annunciation to Joachim, 1514, pen and brown ink on laid paper, Rosenwald Collection, 1950.20.6

The Annunciation to Joachim

Wolf Huber · 1514 · pen and brown ink on laid paper ·  Accession ID  1950.20.6